This documentary promoting the joys of life in a Soviet village centers around the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread. 　　 　　 　　http://ubu.wfmu.org/video/Vertov-Dziga_Kino-Eye_1924.avi

This documentary promoting the joys of life in a Soviet village centers around the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread. 　　 　　 　　http://ubu.wfmu.org/video/Vertov-Dziga_Kino-Eye_1924.avi

As part of Harun Farocki's intense exploration of "intelligent" machines, the video shows how military image and control techniques successively seep into everyday life. With its stance between enlightenment and protest, this split-screen work stands for a widespread ambivalence at the end of the 1990s. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-9df12040-61d4-eb46-b7a5-ace30b302161

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

刚毕业的女大学生半月，带着一个直播创业的梦想，租下了一座大房子。房子多年无人居住，落满了灰尘。随着半月的到来，房间的每个角落都似乎隐现出不可告人的秘密。黄昏时分，大房子更显得阴深恐怖，危机四伏。

刚毕业的女大学生半月，带着一个直播创业的梦想，租下了一座大房子。房子多年无人居住，落满了灰尘。随着半月的到来，房间的每个角落都似乎隐现出不可告人的秘密。黄昏时分，大房子更显得阴深恐怖，危机四伏。