丹尼尔（法利·亚迪姆 Fahri Yardim 饰）是一个控制欲非常强的男人，因为这个性格特点，他的女友米亚（约瑟芬·普罗伊斯 Josefine Preuß 饰）常常因为各种微不足道的小事和他发生激烈的争吵。最终，忍无可忍的米亚选择了分手，并且希望丹尼尔能够接受心理治疗，正视自己的心理问题。 　　和好友托马斯（米兰·佩斯彻尔 Milan Peschel 饰）一起，丹尼尔参加了心理治疗座谈会，这场座谈会并没有带给丹尼尔心灵的治愈，却让两个男人发现，参加座谈会的这些内心脆弱的姑娘们，实在是太好勾搭了。从此，参加座谈会这件事情就变了味。很快，女律师西维亚（玛丽·鲍默 Marie Baumer 饰）就发现了丹尼尔和托马斯的真实意图。

丹尼尔（法利·亚迪姆 Fahri Yardim 饰）是一个控制欲非常强的男人，因为这个性格特点，他的女友米亚（约瑟芬·普罗伊斯 Josefine Preuß 饰）常常因为各种微不足道的小事和他发生激烈的争吵。最终，忍无可忍的米亚选择了分手，并且希望丹尼尔能够接受心理治疗，正视自己的心理问题。 　　和好友托马斯（米兰·佩斯彻尔 Milan Peschel 饰）一起，丹尼尔参加了心理治疗座谈会，这场座谈会并没有带给丹尼尔心灵的治愈，却让两个男人发现，参加座谈会的这些内心脆弱的姑娘们，实在是太好勾搭了。从此，参加座谈会这件事情就变了味。很快，女律师西维亚（玛丽·鲍默 Marie Baumer 饰）就发现了丹尼尔和托马斯的真实意图。

两个素不相识、关系疏远的表兄弟试图弥补多代以来的家族纷争。

两个素不相识、关系疏远的表兄弟试图弥补多代以来的家族纷争。

历史学家贝特妮·休斯(Bettany Hughes)追述三位伟大的思想家，他们的思想改变了现代世界：卡尔·马克思、弗里德里希·威廉·尼采、西格蒙德·弗洛伊德。他们出生于19世纪，一个既关键又动荡的年代，一个旧体制被打破，政权被大规模的人民起义推翻，宗教权威受到科学挑战的年代。他们的挑战在于分析出在一个快速变化的世界中什么仍旧使我们人之为人。

历史学家贝特尼·休斯（Bettany Hughes）前往印度、希腊和中国，跟随古代三位哲学圣贤——佛陀乔达摩·悉达多、苏格拉底和孔子——的足迹开始了一段旅行。 　　对自然和神灵的迷信曾长时间统制人类，然而大约2500年前，三位相隔千里的哲学巨匠：释迦牟尼，苏格拉底和孔子，却不约而同的产生了颠覆性的哲思。BBC带你探寻那个时代究竟发生了什么，让人类颠覆自我认知。

阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. 　　NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

A man, Vince, wakes up in the middle of a film shoot. He doesn't know what's going on or why he's there, but crew members tell him he's one of the actors in the film so he decides to just play along. During the shooting of one scene, one of the other actors, 122, accidentally kills most of the crew. Vince, 122 and the remaining crew decide to finish the film by themselves, even though there's no script, no sound equipment (they decide to make it a silent film) and no camera (they then decide to also make it a "blind" film). 　　Like his music, this first feature film of Quentin Dupieux (aka Mr. Oizo) is at the same time totally retarded and utterly brilliant. A calm yet demented piece of metafiction, examining the boundaries between film and reality in a dry, absurdly humorous way.