Longing to fit in at work, awkward Stacey begins to use a popular lotion that causes an alarming reaction, while an unnerving transformation takes shape.

记录Juan Catalan这名男子，在 2003 年被指控谋杀，然而当时他与他的女儿正在道奇球场观看比赛，即便Juan Catalan拿出自己的票根，还是无法支持他的不在场证明，要证明他自己的清白，只能从当天道奇球场 5 万 6000 名观众之中，找出他与女儿的影像，以此作为他的不在场证明。如此庞大的球场，又要如何找出与他女儿的身影呢？ 　　在被监禁了半年之后，Juan Catalan的律师找到了一个特殊的契机，终于能够证明璜的清白。当天在道奇体育馆，刚好有一个剧组正在拍摄，由赖瑞大卫（Larry David）所主演的喜剧实境秀，刚好在此地拍摄，而拍摄的片段也就如此刚好拍到了璜与他女儿的身影。 　　将近 15 年前的误判案件，现在在 Netflix 的製作下成了纪录片，其中包括了洛杉矶警察局（LAPD）如何采用错误的证词，检察官如何想尽办法定罪…等等的过程。曲折疯狂的反转剧情，颇为精彩。

影片记录了盲聋人夫妻的求医故事，面对现实的种种困境两人“用爱来修补身体的 　　残缺”，在明暗之间共同维护着彼此。

In this austere and sorrowful portrait of his hometown, St. Louis, Harris sets his black-and-white camera loose to wander through the city’s decaying north side neighborhoods, an area populated almost exclusively by working class and working poor African Americans. Gliding down empty streets, across the facades of once-elegant homes, entering condemned buildings, the camera makes a detached but ultimately damning portrait of civic neglect and apathy. Poignantly, human beings are rarely encountered; their presence haunts the soundtrack of eerie footsteps, an unanswered telephone, and sparse voiceover commentary from found sources. 16mm.

影片记录了盲聋人夫妻的求医故事，面对现实的种种困境两人“用爱来修补身体的 　　残缺”，在明暗之间共同维护着彼此。

In this austere and sorrowful portrait of his hometown, St. Louis, Harris sets his black-and-white camera loose to wander through the city’s decaying north side neighborhoods, an area populated almost exclusively by working class and working poor African Americans. Gliding down empty streets, across the facades of once-elegant homes, entering condemned buildings, the camera makes a detached but ultimately damning portrait of civic neglect and apathy. Poignantly, human beings are rarely encountered; their presence haunts the soundtrack of eerie footsteps, an unanswered telephone, and sparse voiceover commentary from found sources. 16mm.

其实，作为左派的戈达尔，早在1968年从传统电影体制撤出来后，就以同情心关注着巴勒斯坦问题。他的吉加.维尔托夫小组在1970年于约旦实地拍摄关于巴勒斯坦解放运动的《直至胜利》，后来因为客观历史事件而被迫放弃。而这部未能露面的电影也成为吉加.维尔托夫小组电影试验的高峰。接下来的1974年，他与玛丽.密耶维尔在他们位于格勒诺勃城的声影制作室（Sonimage）完成了《此处和彼处》。 　　 　　援引戈林.麦凯波在《戈达尔：影像、声音与政治》一书中所述：这部影片包含了《直至胜利》一片的部分片段，以及有关当代法国社会的影像。戈达尔将两者排列组合在一起，是想捕捉巴勒斯坦革命（彼处）和法国消费社会（此处）两者之间的差距。连接此处“和”彼处的这个连接助词“和”才是本片探索的焦点所在：我们在这里的生活、存在（法国）与那里的斗争（巴勒斯坦）两者之间存在着什么样的关系呢？一个电影工作者又如何创造出能够衔接二者的声音和影像呢？

2017棕榈泉国际短片节(Palm Springs International ShortFest)入围短片 　　In a vague and futuristic world, people must pay for every single service in their life. When a stripper and a thief meet, they find a meaning within it.