2020年，当世界还处于停滞状态，此时的中国，武汉街头已经恢复了昔日活力。南京马拉松参加人数：1万人；火爆的直播带货，线上购物；万人的武汉工厂，零人感染，产值翻倍；这些中国企业，如何在严格防疫的同时，做到逆势爆发？日本纪录片导演竹内亮，走近中国的后疫情时代。 　　Japanese documentary director Takeuchi Ryo recently got an email from his Japanese friend, asking about why there hasn’t been a second wave of pandemic in China. As a Japanese living in China, he realized, not only China has gotten the pandemic under control, its economy is recovering at a rapid speed. Why is China able to achieve this during the post-pandemic era? He began his search by visiting enterprises and industries that have achieved positive economic growth after the pandemic.

《后疫情时代》2020年，当世界还处于停滞状态，此时的中国，武汉街头已经恢复了昔日活力。南京马拉松参加人数：1万人；火爆的直播带货，线上购物；万人的武汉工厂，零人感染，产值翻倍；这些中国企业，如何在严格防疫的同时，做到逆势爆发？日本纪录片导演竹内亮，走近中国的后疫情时代。

改编自同名小说。 　　为了将引发史无前例的大流行事态的病毒ARS-24活用为生化武器而推进秘密项目的政府和郑有铉博士为阻止"人类灾难"而孤军奋战的故事。

改编自同名小说。 　　为了将引发史无前例的大流行事态的病毒ARS-24活用为生化武器而推进秘密项目的政府和郑有铉博士为阻止"人类灾难"而孤军奋战的故事。

新冠病毒大流行期间，帕克和她最好的朋友决定独自在家里的湖边房子里隔离，至少他们是这么想的。

疫情期间，两人来到山上进行一场激烈的赌博。

疫情期间，两人来到山上进行一场激烈的赌博。

A European artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.