20世纪五六十年代，慌乱的少女克莉丝汀（艾伯·赫德 Amber Heard 饰）奔走在旷野之上，她点燃了附近的农舍，不过最后还是被警察抓去，继而送进了北湾精神病院。由于克莉丝汀极具攻击性，因此她被安排进了特殊病房，在这里她的自由受到限制，能见到的除了冷冰冰的医生护士，便是隔壁的女孩艾米莉（玛米艾·古默 Mamie Gummer 饰）、柔伊（劳拉·雷赫 Laura-Leigh 饰）、艾瑞丝（琳德赛·方赛卡 Lyndsy Fonseca 饰）等人。 　　从女孩们的口中，克莉丝汀得知神秘的斯金格医生（杰拉德·哈瑞斯 Jared Harris 饰）似乎一直在女孩们的身上做某项实验，与此同时，仿佛有一个恐怖的恶灵逡巡在精神病院内，时刻准备夺取女孩们的性命……

Filmed from inside two of the most active therapeutic feeding centers in Yemen, HUNGER WARD documents two female health care workers fighting to thwart the spread of starvation against the backdrop of a forgotten war. The film provides an unflinching portrait of Dr. Aida Alsadeeq and Nurse Mekkia Mahdi as they try to save the lives of hunger-stricken children within a population on the brink of famine.

A poem on the female body, the man who eats a rose, intense flicker, and other fetish images. Jun Kurosawa was inspired by a political anecdote and created this film. In the early 1970s, the Asama-Sans? incident caused by the United Red Army. The group?s chairman led the horrific group killings of another 12 members who were said to be undergoing a process of ?soukatsu? ? general review, or self-criticism.

“她”是一位优越的贵姐，满心闲情逸致。偶然一天爱上一个不该爱的下层男人，“她”不知道，“她”就此步入了一条灾难之路，起先“她”是悄悄开放，而后不可收拾的怒放，而后激情万丈，抛家舍业的投身到爱情的洪流之中，简直像亡命之徒。任何种类的爱情都是有伤害性的。“她”怀揣爱情就是身怀绝症一样，一步步地将“她”自己逼上了绝境。这时，爱情呈现出惨烈之象，“她”只有疯掉才能重获新生。最后“她”和我们才知道，“她”爱上的是一个精神病人，“她”疯掉才能解脱自己与爱情，“她”进了精神病院，彻底平静，“她”的脸呈现出铅华洗尽的景象。再最后，“她”跳楼身亡，死前说了一句话：我离开了我的爱。

“她”是一位优越的贵姐，满心闲情逸致。偶然一天爱上一个不该爱的下层男人，“她”不知道，“她”就此步入了一条灾难之路，起先“她”是悄悄开放，而后不可收拾的怒放，而后激情万丈，抛家舍业的投身到爱情的洪流之中，简直像亡命之徒。任何种类的爱情都是有伤害性的。“她”怀揣爱情就是身怀绝症一样，一步步地将“她”自己逼上了绝境。这时，爱情呈现出惨烈之象，“她”只有疯掉才能重获新生。最后“她”和我们才知道，“她”爱上的是一个精神病人，“她”疯掉才能解脱自己与爱情，“她”进了精神病院，彻底平静，“她”的脸呈现出铅华洗尽的景象。再最后，“她”跳楼身亡，死前说了一句话：我离开了我的爱。

让娜（朱莉娅·维斯托斯卡亚 Yuliya Vysotskaya 饰）是一名精神病患者，常年生活在精神病院之中。虽然是病人，但让娜能够演奏非常优美的手风琴乐曲，她的演奏是安抚躁动的其他病患的一剂良药。让娜整日都生活在幻想的世界之中，在她的梦中，加拿大流行歌手布莱恩是她的未婚夫，每一天，她的生活在爱情的喜悦之中。 　　医院旁边有一条铁轨，呼啸而过的火车声成为了医院里的病人们每天翘首以盼的精神寄托，可是有一天，这列火车没有经过，因为战争开始了。纷飞的炮火让医生和护士们放弃了精神病院，选择了逃难，留下了一群对外界事态发展毫不知情的病人们。

Framing StoryDr Martin (Robert Powell) arrives at a secluded asylum "for the incurably insane" to be interviewed for a job by the wheelchair-using, authoritarian Dr Lionel Rutherford (Patrick Magee). Rutherford explains that he owes his current incapacitation to an attack by an inmate. Rutherford reveals his unorthodox plan to determine Martin's suitability for the post of head Doctor. One of the asylum's current inmates is Dr B. Starr, the former head doctor who underwent a complete mental breakdown. Martin is to interview the inmates of the asylum to deduce which one is Dr Starr. If his choice is correct Rutherford will "consider" him for the post. 　　The attendant Max Reynolds (Geoffrey Bayldon) admits Martin through the security door to the inmates' solitary confinement cells where he interviews each in turn. 　　"Frozen Fear"Bonnie (Barbara Parkins) recounts the plot to murder Ruth (Sylvia Sims), the wealthy wife of her lover Walter (Richard Todd). Ruth is a possessive heiress who studies voodoo, and this interest stands in the way of Bonnie and Walter being together. 　　"The Weird Tailor"Bruno (Barry Morse) recounts how poverty forced him to accept the unusual request of a Mr Smith (Peter Cushing) to produce an elaborate suit of clothing from a mysterious, scintillating, fabric that can animate anything, including the dead. 　　After learning what the suit will be used for, Bruno fights Smith and accidentally kills him. He returns with the unsold suit. His wife Anna (Anne Firbank) dresses their store mannequin in the suit and its true powers are revealed. 　　"Lucy Comes To Stay"The ebullient Barbara (Charlotte Rampling) informs Martin she has been in an asylum before. After her release from that asylum she was closely monitored at home by her brother George (James Villiers) and a nurse, Miss Higgins (Megs Jenkins). This frustrated existence is relieved when her mischievous friend Lucy (Britt Ekland) comes to visit. 　　"Mannikins of Horror"Finally Martin interviews Dr Byron (Herbert Lom) who holds Rutherford in deep contempt. Byron explains he is working towards soul transference with a small automaton whose head is a likeness of his own, and shows Martin several earlier models. Byron plans to "will" his mannequin to life, and explains the interior of the robot is organic, a miniaturised version of his own viscera. Martin concludes his interview and Max shows him downstairs to deliver his judgement to Rutherford. 　　Byron successfully brings his mannequin to life: it makes its way to Rutherford's office and kills him with a surgical knife. Then, Martin destroys the mannequin and seeks help from Max Reynolds, and Dr. Starr's true identity is revealed.

腹黑院长，把送pizza男simon硬是留在精神病院做研究。医院只有一个护士，几个古怪的精神病人，每集都会有一个精神病人的大段独白。 　　这部戏的导演也是后来著名的僵尸肖恩的导演Edger Wright，演员Jessica steveson（spaced的主演）和simon pegg，两者都是现在英国著名的喜剧演员。而且另外一位编剧就是小不列颠的主演David walliams。 　　确实为英国喜剧届输送了不少人才啊。

腹黑院长，把送pizza男simon硬是留在精神病院做研究。医院只有一个护士，几个古怪的精神病人，每集都会有一个精神病人的大段独白。 　　这部戏的导演也是后来著名的僵尸肖恩的导演Edger Wright，演员Jessica steveson（spaced的主演）和simon pegg，两者都是现在英国著名的喜剧演员。而且另外一位编剧就是小不列颠的主演David walliams。 　　确实为英国喜剧届输送了不少人才啊。

首部探讨严重精神病患者护理危机的大型纪录片。这部电影以洛杉矶为背景，讲述了精神病患者被无休止的无效护理的旋转木马缠住的痛苦故事，揭露了一个破碎的医疗工厂的解剖结构。 　　曾经建立在长期庇护护理基础上的系统，对于被拘留、服药、被扔到街上无法康复的数千人来说，已经基本上变成了一个粗暴的恐怖秀。在那里，轻微犯罪和吸毒成瘾使许多人落入监狱，在那里他们再次被关押和服药，造成了一个悲惨的循环。正如一位精神病学家指出的，这个政府认可的循环是精神错乱的真正定义。除此之外，几乎没有精神病医生愿意治疗那些受折磨最严重的人，而且你有一场全面的危机，这也是无家可归和监禁的主要原因。