Vicky威奇和Sakshi萨克诗是一对雌雄大盗，他们经常合伙骗人偷车，但他们也非常相爱。有一次，他们意外弄死了黑帮头子Bhanwarlal 的弟弟，遭到追杀。然而匪徒们误杀了一名长得和威奇很像的贵公子Rohit罗西提，萨克诗以为情人已死，痛不欲生。其实威奇仍活着，去了他乡。他被罗西提的父亲找到，要他假扮儿子，安慰儿媳Neha尼哈。原来罗西提和尼哈新婚燕尔，他去酒店取机票度蜜月时不幸被黑帮当成威奇误杀，罗西提的父亲怕儿媳受不了这个刺激，只好让威奇冒充罗西提，想让尼哈慢慢接受这个事实。他应允给威奇丰厚的报酬，同时也警告他不要做出过分的事。威奇食言，弄到了钱溜之大吉，回到萨克诗身边，但萨克诗劝他回去，因罗西提替他而死，他对罗西提家人要负责。但当威奇走后，萨克诗凶狠的婶婶要把她嫁给黑帮头子Bhanwarlal的另一个弟弟，她不得不逃走来找威奇。威奇陷入两难之中。就在此时，黑帮得知真相后寻仇而至，一场血战后，威奇和萨克诗团圆，尼哈也恢复了清醒，决定和一直爱慕她的Sagar(罗西提的好友)共度余生。

当红爱豆的宠物猫不幸去世，她来到我所在的宠物殡葬机构办理火化。行踪被的记者发现后，她焦急地恳求我，作为知情的宠物殡葬师，务必为她隐瞒，唯恐事业因此遭受重创。然而，媒体在殡葬机构与她的住所外步步紧逼....

directed by Jang Sun-Woo is a personal essay on Korean cinema told as a journey through a country torn by war and crushed by military dictatorships and colonial oppression. The journey takes Jang Sun-Woo from Seoul to the de-militarised zone near the North Korean border, interviewing noted filmmakers, local farmers, and cinema-managers along the way, looking for the essence of the much-censored national cinema.

directed by Jang Sun-Woo is a personal essay on Korean cinema told as a journey through a country torn by war and crushed by military dictatorships and colonial oppression. The journey takes Jang Sun-Woo from Seoul to the de-militarised zone near the North Korean border, interviewing noted filmmakers, local farmers, and cinema-managers along the way, looking for the essence of the much-censored national cinema.

伊莉迪亞被委派到一家當代藝廊，負責某場表演藝術展覽的清潔工作。展覽當天，藝術家有的裝扮成傢俱任人使用，有的在乳牛面前爆吃牛肉堡，而參觀的觀眾則拍手叫好。伊莉迪亞能否在困惑之餘，安然度過這詭異的一天？導演以喜劇手法諷刺藝術圈，然而老百姓所見的荒誕，或許就是藝術圈的日常。

伊莉迪亞被委派到一家當代藝廊，負責某場表演藝術展覽的清潔工作。展覽當天，藝術家有的裝扮成傢俱任人使用，有的在乳牛面前爆吃牛肉堡，而參觀的觀眾則拍手叫好。伊莉迪亞能否在困惑之餘，安然度過這詭異的一天？導演以喜劇手法諷刺藝術圈，然而老百姓所見的荒誕，或許就是藝術圈的日常。

A back-and-forth correspondence between two filmmakers living in Tokyo and Taipei. These video letters began during the COVID-19 pandemic, when it was difficult for them to meet in person, and continued until 2024. The letters follow a simple rule: each reply must quote a sound or image from the previous letter. These quotations become loose threads connecting the letters, yet each one stands alone as a complete, self-contained world.

In the summer of 2021, Johan Chang, who lives in Taipei, and Masa Kudo, who lives in Tokyo, began a video correspondence with the rule that reply by quoting sounds or pictures from the images sent by the other. It was during the period of COVID-19 that two filmmakers couldn’t meet in person. Letters, which have been used as a means of communication since ancient times, with the effect of condensing, deepening, and materializing emotions. The letters sent to each other, evoking the senders’ daily life. The work shown in this screening is part of a two-year video correspondence that has been compiled into a circular work with no beginning and no end. Each letter is a complete small world.

The movie stars Ayako Wakao. It depicts the emotional turmoil of a woman caught between two kinds of love: her familial love for her father and her romantic love for her partner. Co-starring are Takashi Shimura, Tsutomu Yamazaki, and others. Released in 1972.

While a woman is polishing a mirror, she suddenly notices the reflection of a stranger. Surprise, fear and fascination fill the air.