A 24-year-old divorcee, Betty Preisser, a receptionist for a clothing manufacturer, takes some office work home which her boss, widower Jerry Kingsley, a man of 56, drops by to pick up. Professional rather than personal acquaintances, Betty tells Jerry of her loveless marriage to George, a musician. Jerry has a married daughter, Lillian, about her age, and a spinster sister, Evelyn, who is very protective of him. 　　Jerry works up the nerve to invite Betty to dinner. He meets Betty's mother, Mrs. Mueller, and sister Alice, who share the apartment with Betty. Their relationship grows, but she professes to be reluctant to date her employer. Jerry wonders if their age difference is really behind this reluctance. Despite this, a May–December relationship between them develops. 　　Female family members of both of them strongly disapprove. Mrs. Mueller calls him a "dirty old man," while Jerry's sister calls Betty a "fortune hunter" and him a fool, although Lillian's husband Jack offers his congratulations, earning scorn from his wife and causing them to quarrel. A colleague, Walter Lockman, trapped in a long and unhappy marriage, urges Jerry to do whatever it takes to find true happiness. 　　George returns to town and tries to persuade Betty to return to him. In a moment of weakness, they have a romantic tryst. Betty regrets it and explains to Jerry that it meant nothing to her emotionally, but he feels humiliated. His sister observes how depressed Jerry has become when he returns home. At his lowest ebb, he learns that Walter has taken an overdose of pills in a likely suicide attempt. Jerry sees it as a sign to seize the joy in life while he still can. He returns to Betty's waiting arms.

A 24-year-old divorcee, Betty Preisser, a receptionist for a clothing manufacturer, takes some office work home which her boss, widower Jerry Kingsley, a man of 56, drops by to pick up. Professional rather than personal acquaintances, Betty tells Jerry of her loveless marriage to George, a musician. Jerry has a married daughter, Lillian, about her age, and a spinster sister, Evelyn, who is very protective of him. 　　Jerry works up the nerve to invite Betty to dinner. He meets Betty's mother, Mrs. Mueller, and sister Alice, who share the apartment with Betty. Their relationship grows, but she professes to be reluctant to date her employer. Jerry wonders if their age difference is really behind this reluctance. Despite this, a May–December relationship between them develops. 　　Female family members of both of them strongly disapprove. Mrs. Mueller calls him a "dirty old man," while Jerry's sister calls Betty a "fortune hunter" and him a fool, although Lillian's husband Jack offers his congratulations, earning scorn from his wife and causing them to quarrel. A colleague, Walter Lockman, trapped in a long and unhappy marriage, urges Jerry to do whatever it takes to find true happiness. 　　George returns to town and tries to persuade Betty to return to him. In a moment of weakness, they have a romantic tryst. Betty regrets it and explains to Jerry that it meant nothing to her emotionally, but he feels humiliated. His sister observes how depressed Jerry has become when he returns home. At his lowest ebb, he learns that Walter has taken an overdose of pills in a likely suicide attempt. Jerry sees it as a sign to seize the joy in life while he still can. He returns to Betty's waiting arms.

清朝末年，留洋归国的富家子弟林继民（于洋 饰）被家乡广州城内民不聊生的社会景象激发出救国情怀，联手青年革命志士陈镜波（林锦堂 饰）合办报纸欲启发民智，却因揭发清政府的腐败屡遭官方打压致报馆被查封，继民备受打击从而立志加入同盟会，抛下了新婚妻子蔡雪雁（李司棋 饰），赴港追随黄兴（秦煌 饰）投身革命。雪雁本是镜波的未婚妻，为了保障雪雁的安稳，镜波忍痛将雪雁托付于家境优渥的继民，不料雪雁一过门便独守空闺，又因小姑林芷珊（韩马利 饰）情系镜波而遭妒忌，在继民出走后遭到夫家的欺侮，无奈走上了革命的道路……

一场车祸使得一对恋人阴阳两隔，男主人公神崎达矢的灵魂借助肇事司机日方 正树的躯体还阳于人世间，重回女友萌子身边照顾她，然而他却不能说出真实身份，否则将魂飞魄散。于是一方仇恨一方委屈、一方欲言又止一方爱怨交错，一切变得戏剧化……

在东京和巴黎，以及现实和幻想间，一场虚拟的间谍游戏，却是一个真实的时差故事。 　　奥利维尔阿萨亚斯执导的第一部电影《东京未了情》，挑战了融合不同的电影类型。激进的手法，实验性的结构，这是一部黑色电影，也是一部B级片。感谢伟大的图像修复技术，在这部短片上映40周年之际，让我们能看到当时是如何用摄影棚搭建出东京的场景，也重新再次体验奥利维尔阿萨亚斯以独特且富有想像力的拍摄手法所打造的一场间谍游戏。

在东京和巴黎，以及现实和幻想间，一场虚拟的间谍游戏，却是一个真实的时差故事。 　　奥利维尔阿萨亚斯执导的第一部电影《东京未了情》，挑战了融合不同的电影类型。激进的手法，实验性的结构，这是一部黑色电影，也是一部B级片。感谢伟大的图像修复技术，在这部短片上映40周年之际，让我们能看到当时是如何用摄影棚搭建出东京的场景，也重新再次体验奥利维尔阿萨亚斯以独特且富有想像力的拍摄手法所打造的一场间谍游戏。

奈莉（艾曼纽·贝阿 Emmanuelle Béart 饰）和男友相恋多年，死心塌地的想要和这个男人携手步入婚姻的殿堂。然而男友实为好吃懒做之人，为了维持生计，奈莉不得不奔波在街头，靠着打零工的收入养家，心中不免充满了愤恨。 　　一次偶然中，奈莉结识了名为阿尔诺（米歇尔·塞罗 Michel Serrault 饰）的男子，阿尔诺是一名德高望重的法官，两人相谈甚欢。阿尔诺聘用了奈莉，任命她为自己的私人助理，给与其丰厚的报酬，奈莉更是因此邂逅了风流潇洒的出版商文森特（让·雨果·安格拉德 Jean-Hugues Anglade 饰）。一来二去之间，奈莉和文森特之间碰撞出了激情的火花，但与此同时，奈莉发现阿尔诺竟然亦对自己抱有别样的感情。

奈莉（艾曼纽·贝阿 Emmanuelle Béart 饰）和男友相恋多年，死心塌地的想要和这个男人携手步入婚姻的殿堂。然而男友实为好吃懒做之人，为了维持生计，奈莉不得不奔波在街头，靠着打零工的收入养家，心中不免充满了愤恨。 　　一次偶然中，奈莉结识了名为阿尔诺（米歇尔·塞罗 Michel Serrault 饰）的男子，阿尔诺是一名德高望重的法官，两人相谈甚欢。阿尔诺聘用了奈莉，任命她为自己的私人助理，给与其丰厚的报酬，奈莉更是因此邂逅了风流潇洒的出版商文森特（让·雨果·安格拉德 Jean-Hugues Anglade 饰）。一来二去之间，奈莉和文森特之间碰撞出了激情的火花，但与此同时，奈莉发现阿尔诺竟然亦对自己抱有别样的感情。