莉亚娜（马里恩·迈克尔 Marion Michael 饰）厌倦了城市的生活，回到了位于热带雨林里的斯瓦希里部落，在她回去没多久，一支探险队恰巧抵达，探险队中的弗兰克（Edward Tierney 饰）带给了莉亚娜一封信，并且劝说他返回城市。一番拉扯之后，莉亚娜终于答应了弗兰克的请求，前提是她要带着当地的两个土著朋友一起返回。 　　就在他们准备坐飞机离开之际，当地殖民警察却突然要求将一名奴隶贩子弗雷泽安置到他们的飞机上，弗雷泽刚刚被判处遣返，他通过花言巧语哄骗莉亚娜解开了他的手铐，之后立刻变脸，杀死了负责押运他的警官，并且强迫将飞机降落在了丛林之中。

莉亚娜（马里恩·迈克尔 Marion Michael 饰）厌倦了城市的生活，回到了位于热带雨林里的斯瓦希里部落，在她回去没多久，一支探险队恰巧抵达，探险队中的弗兰克（Edward Tierney 饰）带给了莉亚娜一封信，并且劝说他返回城市。一番拉扯之后，莉亚娜终于答应了弗兰克的请求，前提是她要带着当地的两个土著朋友一起返回。 　　就在他们准备坐飞机离开之际，当地殖民警察却突然要求将一名奴隶贩子弗雷泽安置到他们的飞机上，弗雷泽刚刚被判处遣返，他通过花言巧语哄骗莉亚娜解开了他的手铐，之后立刻变脸，杀死了负责押运他的警官，并且强迫将飞机降落在了丛林之中。

本剧根据Anne Day-Helveg的同名小说改编。一支探险队发现了一位被非洲土著部落奉为女神的16岁白人女孩莉亚娜（Marion Michael饰），并将其带回汉堡，在那里她受到了自己祖父、船业大亨冯·艾莫龙根的欢迎。艾莫龙根的侄子斯科宁——一家商号的总裁和原继承人，则百般阻挠他将莉亚娜立为继承人，竟谋杀了冯·艾莫龙根，然后毁灭罪证栽赃陷害，最终在与警察的搏斗中开车坠河而死。索伦，一个先后被女生物学家杰奎琳和匈牙利人蒂博尔爱慕过的男人，一直秘密地保护着莉亚娜，直到最后彻底被她的年轻魅力所折服并送她安全回到雨林。

So what is this flick about you may ask?? Let's put it this way, the premise for this flick is pretty simple, "guys see girls, guys take girls".? In a nutshell thats the essence of this little exploitation gem from Erwin Dietrich.? Yes folks women are being grabbed in their apartment buildings, after fraudulent beauty pagents and simply grabbed off the street.? The women are then either used for their kidnappers enjoyment, sold into slavery/forced prostitution or both.? Not much more needs to be said as the entire flick is geared as a way to get a bunch of women out of their clothes as often and fully as possible!

So what is this flick about you may ask?? Let's put it this way, the premise for this flick is pretty simple, "guys see girls, guys take girls".? In a nutshell thats the essence of this little exploitation gem from Erwin Dietrich.? Yes folks women are being grabbed in their apartment buildings, after fraudulent beauty pagents and simply grabbed off the street.? The women are then either used for their kidnappers enjoyment, sold into slavery/forced prostitution or both.? Not much more needs to be said as the entire flick is geared as a way to get a bunch of women out of their clothes as often and fully as possible!

"Aurelia hurls the telltale images at us -- almost like poetry can collide words. Ordinary cause and effect are way back in the very depths of the movie while on the screen a new system takes over... The film itself is black and white, grainy, rough, with a hand hewn quality like a pencil drawing or poem that had been scratched on the back of an envelope with a pencil. A great deal of preparation went into the ten-minute reel, as footage of Barcelona, Paris and New Brunswick is included. You'll enjoy it and appreciate it. I did."--- Jason Kaufman, The Inside Beat, 1985.

影片讲述了一段关于嫉妒的故事，简洁的情节下，更多是想要探索视听语言的可能性，在这个片中我们试图把声音作为主导，主角的意识做为线索，让人们体验到身临其境的诡异氛围。

"Aurelia hurls the telltale images at us -- almost like poetry can collide words. Ordinary cause and effect are way back in the very depths of the movie while on the screen a new system takes over... The film itself is black and white, grainy, rough, with a hand hewn quality like a pencil drawing or poem that had been scratched on the back of an envelope with a pencil. A great deal of preparation went into the ten-minute reel, as footage of Barcelona, Paris and New Brunswick is included. You'll enjoy it and appreciate it. I did."--- Jason Kaufman, The Inside Beat, 1985.