紫禁城悲戚笼罩，朱元璋为猝然离世的皇太孙恸哭不止，文武百官一同哀悼。正当老皇帝抚棺几近晕厥时，金丝楠木棺内突然传来响动。朱元璋急令开棺，竟见 “已死” 的皇太孙睁眼苏醒，面色苍白却透着鲜活。 原来，皇太孙体内已换了现代灵魂 “虾仁”。他挣脱朱元璋的怀抱，第一句话便是 “饿了”，令众人惊愕。用餐时，他直言控诉父亲偏心，言辞直白迥异往日温吞，更掷地有声道出 “得国正者，唯我大明”，尽显不符年龄的见识与气魄。 从直白诉求到敢言家事，再到惊人论断，皇太孙 “死而复生” 后的脱胎换骨，让朱元璋及皇后满心讶异。

Bad things happen to bad people. That's what Ursula, the ring leader of a deranged group of street performers called "The Crows", always says. For no apparent reason, the gang starts to torment Mary and Judy: a young car driver and her dog. Her only crime was not paying attention to the annoying street performers. For Mary, the curtains of the most insane and dangerous show will rise - and fall. The Crows' show is not just about blood. We proudly assure you it will be the scariest, most uncomfortable and grotesque performance you will ever see.

Bad things happen to bad people. That's what Ursula, the ring leader of a deranged group of street performers called "The Crows", always says. For no apparent reason, the gang starts to torment Mary and Judy: a young car driver and her dog. Her only crime was not paying attention to the annoying street performers. For Mary, the curtains of the most insane and dangerous show will rise - and fall. The Crows' show is not just about blood. We proudly assure you it will be the scariest, most uncomfortable and grotesque performance you will ever see.

相愛相殺的一家人因經濟原因被迫擠在一個房間同住，生活中火花不斷，但也在同樣的心情上心心相印著。

二十世纪初，婚礼摄影师佩德罗来到了荒蛮的火地岛，为当地掌权者拍摄婚礼。可他却深深迷上了年轻的准新娘，背叛了当权者所设下的规矩，并因此受到了惩罚。佩德罗无法逃离火地岛，只好被迫成为了一场针对原住民的大屠杀共犯。在他拍摄的相片中，屠杀场面被改为精心设计的摆拍，真相则被遗留在镜头之外。本片取材自真实发生在火地岛的原住民屠杀事件，导演通过虚构主角佩德罗的视角，展现出了这段历史中令人不适的灰色地带。影片荣获了威尼斯电影节地平线单元最佳导演奖及费比西奖。

White on White is the video diary that filmmaker Viera Čákanyová kept while staying at the Polish Antarctic station, where she shot her neural network-led film FREM (2019) in 2017. During her stay, the author talks with a compellingly conversant AI chat bot, driving conversations that touch on the nature of film, art, and the meaning of life, while also revealing a way of thinking which – free from a distinctly human emotionality – forces deep introspection. Footage from her ordinary, everyday life at the station contrasts with lyrical images of the Antarctic’s immaculate scenery and wildlife. Čákanyová complements this with her own probing and intelligent commentary, provoked by the loneliness of the ice-covered landscape.

我娘怀孕后,爹爹就进宫做了太监，她受不了闲言碎语将我遗弃，怎料爹爹十分争气，入宫不到一年就做到了大太监。找人在老家翻新了老宅子，还命人派来丫鬟专门伺候我，保我衣食无忧，十八年来我深居府中从未见过爹一眼，爹也不知道我长成了什么模样，我知爹在宫里的谨慎与不易,从不惹是生非，有哪个不长眼的招惹到我，我便给爹送上一封家书，等着听那人下场如何。

主角一觉醒来，发现自己来到了大明朝，爷爷还是有着屠夫称号的大明朝开国皇帝！没钱？一生只爱一个人的真爱戒指了解一下；没粮食？亩产两千斤的红薯，土豆了解一下；皇爷爷，您瞧瞧咱大明朝还缺什么，我都给你搞来！

Musical retelling of the "Ali Baba and the 40 Thieves" Arabian Nights tale.