The third film that Naruse made in 1950, White Beast (Shiroi yaji, 1950), was described by Kinema Junpo critic Tsumura Hideo three years later as "so indescribably miserable as to haunt me even today." Tsumura represents the bulk of Japanese critics of the time, who felt that Naruse experienced a terrible slump throughout the 1940s and this film seemed to be the "bottom of the ocean." The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its catfights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.

The third film that Naruse made in 1950, White Beast (Shiroi yaji, 1950), was described by Kinema Junpo critic Tsumura Hideo three years later as "so indescribably miserable as to haunt me even today." Tsumura represents the bulk of Japanese critics of the time, who felt that Naruse experienced a terrible slump throughout the 1940s and this film seemed to be the "bottom of the ocean." The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its catfights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.

莉莉-罗丝·德普([舞女])、罗兰·拉菲特([她])主演的新片[猛兽](Les Fauves，暂译)将于今秋开拍。该片由文森特·马希特执导，文森特将和玛丽·阿玛苏克里共同担任编剧。影片故事发生在法国多尔多涅河畔，一些年轻人消失，疯狂的谣言传开。居民和警察都没办法，少年劳拉打算彻底解开谜团。

莉莉-罗丝·德普([舞女])、罗兰·拉菲特([她])主演的新片[猛兽](Les Fauves，暂译)将于今秋开拍。该片由文森特·马希特执导，文森特将和玛丽·阿玛苏克里共同担任编剧。影片故事发生在法国多尔多涅河畔，一些年轻人消失，疯狂的谣言传开。居民和警察都没办法，少年劳拉打算彻底解开谜团。

东北，铁岭，小县城。由于离开县城去大城市打拼的年轻人越来越多，去动物园参观的人越来越少了。园长孙得友迎来了他人生中最大的危机——动物园要被房地产开发商四哥强制收购。并把孙得友儿子孙小虎成功“离间”，使其搞垮动物园，从而顺利收购。于是孙小虎请来了县城有名的“卧龙凤雏”组合高成功和周半斤，一番大刀阔斧的动物园整顿计划正式实施，种种奇葩手段后，动物园非但没有变黄，反而游客越来越多，变得起死回生。于是孙小虎决定一不做二不休，一场啼笑皆非的“阳谋”即将拉开帷幕，动物园的命运，究竟何去何从……

东北，铁岭，小县城。由于离开县城去大城市打拼的年轻人越来越多，去动物园参观的人越来越少了。园长孙得友迎来了他人生中最大的危机——动物园要被房地产开发商四哥强制收购。并把孙得友儿子孙小虎成功“离间”，使其搞垮动物园，从而顺利收购。于是孙小虎请来了县城有名的“卧龙凤雏”组合高成功和周半斤，一番大刀阔斧的动物园整顿计划正式实施，种种奇葩手段后，动物园非但没有变黄，反而游客越来越多，变得起死回生。于是孙小虎决定一不做二不休，一场啼笑皆非的“阳谋”即将拉开帷幕，动物园的命运，究竟何去何从……

在机核星上，四大种族——陆族、空族、海族共生。因过度开采，星核能量几近干涸，地表七成五已化为荒漠。一场旷日持久的能量争夺战蓄势待发，直至“星浊”降临……

Micro Monsters with David Attenborough is a wildlide series which sees Sir David Attenborough taking a look at the macroscopic world of bugs.

Micro Monsters with David Attenborough is a wildlide series which sees Sir David Attenborough taking a look at the macroscopic world of bugs.

情绪不稳的特种部队退役军人为了拯救爱女，在追缉绑匪时释放出他猛兽般的一面，自己也旋即成为嫌疑犯。