蔷花和红莲是一对如花似玉的姐妹。在一个充满阳光的午后被父亲开车带到了位于郊外的别墅居住。然而她们对居住在这里的继母心生排斥，红莲夜晚看见鬼魂，继母养的小鸟被毒死，但是在蔷花的眼中，继母一直企图伤害自己和红莲。自己懂得保护自己不紧要，但是妹妹红莲尚且不懂得反抗，蔷花十分强悍地捍卫着妹妹的利益。但父亲却处处责怪自己，不明白整件事情都是继母的所为。蔷花与父亲的争吵越发激烈，直到一天父亲说出了真相……

蔷花和红莲是一对如花似玉的姐妹。在一个充满阳光的午后被父亲开车带到了位于郊外的别墅居住。然而她们对居住在这里的继母心生排斥，红莲夜晚看见鬼魂，继母养的小鸟被毒死，但是在蔷花的眼中，继母一直企图伤害自己和红莲。自己懂得保护自己不紧要，但是妹妹红莲尚且不懂得反抗，蔷花十分强悍地捍卫着妹妹的利益。但父亲却处处责怪自己，不明白整件事情都是继母的所为。蔷花与父亲的争吵越发激烈，直到一天父亲说出了真相……

Disillusioned poet Max decides to commit suicide, but rather than making it a quiet affair, Max contacts the local media so that, he hopes, his name will live on. On the appointed day, however, Max suddenly has a change of heart, but with an eagerly expectant media in attendance, he finds that he is no longer in control of events.

Disillusioned poet Max decides to commit suicide, but rather than making it a quiet affair, Max contacts the local media so that, he hopes, his name will live on. On the appointed day, however, Max suddenly has a change of heart, but with an eagerly expectant media in attendance, he finds that he is no longer in control of events.

Mustafa Kemal had just begun his journey after proving himself in 1915 at the Gallipoli front. He would go on to face major battles on the eastern front against the Russians and later against the British in Syria, ultimately becoming the only Ottoman officer not to lose a battle during WW1.

Mustafa Kemal had just begun his journey after proving himself in 1915 at the Gallipoli front. He would go on to face major battles on the eastern front against the Russians and later against the British in Syria, ultimately becoming the only Ottoman officer not to lose a battle during WW1.

Graduated from the military school as an idealist patriot, Mustafa Kemal is an officer in the Ottoman army who wears his uniform with pride. He comes to realise that the Ottoman Empire is slowly rotting.

二十世纪初，婚礼摄影师佩德罗来到了荒蛮的火地岛，为当地掌权者拍摄婚礼。可他却深深迷上了年轻的准新娘，背叛了当权者所设下的规矩，并因此受到了惩罚。佩德罗无法逃离火地岛，只好被迫成为了一场针对原住民的大屠杀共犯。在他拍摄的相片中，屠杀场面被改为精心设计的摆拍，真相则被遗留在镜头之外。本片取材自真实发生在火地岛的原住民屠杀事件，导演通过虚构主角佩德罗的视角，展现出了这段历史中令人不适的灰色地带。影片荣获了威尼斯电影节地平线单元最佳导演奖及费比西奖。

White on White is the video diary that filmmaker Viera Čákanyová kept while staying at the Polish Antarctic station, where she shot her neural network-led film FREM (2019) in 2017. During her stay, the author talks with a compellingly conversant AI chat bot, driving conversations that touch on the nature of film, art, and the meaning of life, while also revealing a way of thinking which – free from a distinctly human emotionality – forces deep introspection. Footage from her ordinary, everyday life at the station contrasts with lyrical images of the Antarctic’s immaculate scenery and wildlife. Čákanyová complements this with her own probing and intelligent commentary, provoked by the loneliness of the ice-covered landscape.

首先，在Selanico童年开始的友谊变成战友，然后一个半世纪的兄弟情谊和友爱，直到共和国宣布死亡后同样的理想。它是如此巨大的兄弟情谊，当一个人去世后，其他衷心祝愿相同。 　　一个具有挑战性的一代死亡的故事！电影不仅是关于阿塔图尔克生活;相反，它是一个火炬，点燃一个特定的时期，它是非常人性化，它也分析的兄弟情谊，战争，爱情和亲情。 “吠陀”是一个兄弟的故事，在阿塔图尔克的生活写照里程碑和指挥员的指挥一代，挑战死亡，拯救家园的故事。萨利赫Bozok，头号证人的时间，讲述这个故事。