该剧讲述了在智造转型的大潮下，国有上市公司麓山重工直面困境、坚守主业，勇与世界工程机械巨头“争锋”，最终实现创新智造、脱胎换骨的故事 。

老牌装备制造企业麓山重工陷入了前所未有的经营困境，面临着生死存亡的挑战。董事长方锐舟（侯勇 饰）决心推出“重工换金融”计划，试图扭转局面，然而却遭到了性格怪异的青年科学家卫丞（杨烁 饰）的干扰。卫丞坚信自己领衔研发的“麓山一号”可以成为一箭双雕的救命稻草，不仅能够挽救企业于即将倒闭的命运，还能解开他父亲因一起吊臂事故而陷入疯疑的真相。然而，卫丞并不知道，“麓山一号”背后不仅隐藏着上一辈人的极大秘密和痛楚，还面临着生死存亡的危机。国际行业巨头们也纷纷使出明枪暗箭，试图将麓山重工彻底击垮。 　　在重压之下，麓山内部不仅杯葛不止，还潜伏着各种暗流。卫丞的团队岌岌可危，而“麓山一号”的前景也变得未卜。然而，在关键时刻，卫丞的劳模母亲宋春丽和麓山重工的两代技术狂魔代表人物金燕子挺身而出，给予了关键的支持。与此同时，方锐舟也选择了隐忍出手，以退为进。在与强大对手的斗争中，卫丞逐渐领悟到超越技术的力量。这种力量让他理解了坚守的意义和传承的价值，也掌握了与对手既竞争又合作的诀窍。最终，他和新一代工人站上了父辈们渴望已久的行业巅峰，但面对的挑战却从未停止，他们需要不断奋斗，迎接未来的挑战。

建筑系学生章佳贤因为参加抗震设计大赛受挫，前往地震区考察自己设计的可行性，过程中结识了守山人爷孙俩，随着时间推移与爷孙俩产生了深刻情感，就当章佳贤即将离开之际，爷爷出了意外，抓盗伐者过程中摔伤了腿，章佳贤决定留下来，开始思考巫云珠爷孙俩的未来，该如何继续。

二十世纪初，婚礼摄影师佩德罗来到了荒蛮的火地岛，为当地掌权者拍摄婚礼。可他却深深迷上了年轻的准新娘，背叛了当权者所设下的规矩，并因此受到了惩罚。佩德罗无法逃离火地岛，只好被迫成为了一场针对原住民的大屠杀共犯。在他拍摄的相片中，屠杀场面被改为精心设计的摆拍，真相则被遗留在镜头之外。本片取材自真实发生在火地岛的原住民屠杀事件，导演通过虚构主角佩德罗的视角，展现出了这段历史中令人不适的灰色地带。影片荣获了威尼斯电影节地平线单元最佳导演奖及费比西奖。

White on White is the video diary that filmmaker Viera Čákanyová kept while staying at the Polish Antarctic station, where she shot her neural network-led film FREM (2019) in 2017. During her stay, the author talks with a compellingly conversant AI chat bot, driving conversations that touch on the nature of film, art, and the meaning of life, while also revealing a way of thinking which – free from a distinctly human emotionality – forces deep introspection. Footage from her ordinary, everyday life at the station contrasts with lyrical images of the Antarctic’s immaculate scenery and wildlife. Čákanyová complements this with her own probing and intelligent commentary, provoked by the loneliness of the ice-covered landscape.

《末路纪事》可以说是男男版的《末路狂花》，讲述了一个不羁男妓和一个艾滋阳性作家的公路爱情。两人结伴打劫后暴走天涯，豪情恣意的穿越半个美国，用血脉贲张的硬朗躯体谱写生命激情，而且誓不回头。他们拥抱自由和爱情的态度，如实展现了90年代嬉皮一族最粗犷、最不羁和最性感的一面。 　　独立电影导演格雷格·阿拉基(Gregg Araki)凭借这部1992年的剧情长片《末路纪事》一跃成为90年代“新酷儿电影”的代表人物。这部电影充斥着颓废和绝望的愤怒气息，但又充满黑色幽默和袒露情欲，在入围当年的圣丹斯电影节主竞赛单元后引发评论界热议，阿拉基也被称为“最胆大妄为的独立导演”。该片直接启发了阿拉基后来的“青少年三部曲”以及《欲望肌肤》，帮助他确立了激进朋克的地下电影风格。

《末路纪事》可以说是男男版的《末路狂花》，讲述了一个不羁男妓和一个艾滋阳性作家的公路爱情。两人结伴打劫后暴走天涯，豪情恣意的穿越半个美国，用血脉贲张的硬朗躯体谱写生命激情，而且誓不回头。他们拥抱自由和爱情的态度，如实展现了90年代嬉皮一族最粗犷、最不羁和最性感的一面。 　　独立电影导演格雷格·阿拉基(Gregg Araki)凭借这部1992年的剧情长片《末路纪事》一跃成为90年代“新酷儿电影”的代表人物。这部电影充斥着颓废和绝望的愤怒气息，但又充满黑色幽默和袒露情欲，在入围当年的圣丹斯电影节主竞赛单元后引发评论界热议，阿拉基也被称为“最胆大妄为的独立导演”。该片直接启发了阿拉基后来的“青少年三部曲”以及《欲望肌肤》，帮助他确立了激进朋克的地下电影风格。

Set in the summer months preceding the September 1939 outbreak of World War II in Polish part of Lithuania. A young highschool lad, Witek, is hoping to pass the entrance exams to the university. His love interest is Alina, his high-school colleague.

无所事事的华新街缅甸少年，在等待台湾身份证的日子里，与同乡卖猪肉为生的果敢兵老刘起了冲突，交织出一段躁动不安的成长故事。面对利刃般的青春，他们究竟该何去何从？本片为侯孝贤导演监制，金马电影学院第一届学员合力制作，采用非职业演员以及半偷拍的手法。全片带出在台缅甸华侨的身份认同与思乡之情。

数个年轻同志驾着大巴穿越美国的记录片! 　　On The Bus' original intention was to be a fun-loving, rambunctious, half-hour Internet program about a group of young, gay men on a bus trip from Los Angeles to Burning Man, a festival of radical self expression in the Nevada desert. However, after returning from a week of shooting, stereotypes had fallen apart, and it became clear that this story had far more to tell than a half hour internet show could lend. Almost immediately On The Bus challenges the viewer with the notion that "Even in absolute freedom, some things are still sacred." - Damon Intrabartolo (cast member #6) . It is here that Director Dustin Lance Black begins this story. Lance is hired by The Digital Entertainment Network (DEN) to produce, direct and participate in an Internet reality show with an all gay cast. He then hires Billy Kaufman as co-producer and cast member number two. Charles Kinsley, a gorgeous actor/waiter, Jason Webb, porn star Dean O'Conner, and Jimmy Sjodin, a Swedish Olympic diver soon follow. Concerned with the Network's desire to cast only the most attractive men, director Dustin Lance Black lobbies hard to include Damon Intrabartolo, an average looking music composer, who climbs on board armed with wry observations, and a biting wit. Once on the road, bumps along the way lend to an unplanned sleep-over in a Reno hotel. It is here that sexual tensions breed rivalry, the most intimate details of these fast new friends are revealed, and question number two arises, "Sex, Sex, Sex, maybe that's all there is." - frustrated director Dustin Lance Black. Arriving at Burning Man, it would seem that nothing is too radical or extreme for the adventuresome sextet. Innocence and experience come face to face as members of the cast explore the sexuality, drug culture, and wild freedom of the event. However, when sexual tensions finally come to a head, a sandstorm smashes through their campsite acting as a metaphor for the group's inner turmoil. Over the course of the week the show evolves, and sexual tensions take a back seat as the cameras delve into the often-conflicted souls of this eclectic group, shattering the happy-go-lucky stereotypes they were originally brought on board to brandish. Through newfound friendships, and forming animosities, these young men explore the darkness, freedom, joy, and adventure of Nevada's annual Burning Man event, and come out questioning the roles they play and the masks they wear in their daily lives.