87年蒙特利尔世界电影节竞赛单元FIPRESCI奖。87年卢卡斯儿童电影节金奖。 　　A 10-year-old Hungarian boy and his grandmother cope with the bloody Budapest uprising of 1956 that led to the Soviet takeover of the country. When the October battles begin, the boy and his family are forced to remain in their homes. The grandmother spends her days reading, and the boy is thrilled to be out of school. While they await the end of the curfew, many things befall the lad and his family. 　　Péter Gárdos offers a warm, loveable tragicomedy about a household's reaction to a traumatic world. In this child's-eye-view of the 1956 Hungarian Uprising, there is gunfire in the streets, school is closed, and life for the children is a holiday. Rarely leaving their apartment, the adults are terrified, except Grandma, who returns from shopping with bullet-ridden bread. The homely father thinks he's another Fred Astaire and secretly wishes to pursue a career in America; the mother worries about her lover; Grandma is militant; ten-year-old Tomi is obsessed with sex; and little Anamari shouts politically dangerous slogans out the window. Winner of the FIPRESCI Prize at the 1987 Montréal World Film Festival, WHOOPING COUGH is a "revelation". 　　Tomi and Annamari are delighted when their parents tell them that they don’t have to go to school. Father returns home and proudly announces that he's slapped the insufferable Party prig who tormented him at work. Grandma comes home from shopping, and discovers that there are two bullet holes in the loaf of bread she’s been carrying. Yes, it's 1956 and the uprising has broken out in Budapest and all over Hungary, and suddenly it’s every man and women for themselves. Winner of the top prize at the Chicago Flm Festival as well as a host of other international awards, Péter Gárdos's Whooping Cough takes a decidedly less reverential tone to its depiction of the events of ’56, offering a wry, black-humored look as what happens to one family when suddenly from one day to the next his world is turned upside down.

87年蒙特利尔世界电影节竞赛单元FIPRESCI奖。87年卢卡斯儿童电影节金奖。 　　A 10-year-old Hungarian boy and his grandmother cope with the bloody Budapest uprising of 1956 that led to the Soviet takeover of the country. When the October battles begin, the boy and his family are forced to remain in their homes. The grandmother spends her days reading, and the boy is thrilled to be out of school. While they await the end of the curfew, many things befall the lad and his family. 　　Péter Gárdos offers a warm, loveable tragicomedy about a household's reaction to a traumatic world. In this child's-eye-view of the 1956 Hungarian Uprising, there is gunfire in the streets, school is closed, and life for the children is a holiday. Rarely leaving their apartment, the adults are terrified, except Grandma, who returns from shopping with bullet-ridden bread. The homely father thinks he's another Fred Astaire and secretly wishes to pursue a career in America; the mother worries about her lover; Grandma is militant; ten-year-old Tomi is obsessed with sex; and little Anamari shouts politically dangerous slogans out the window. Winner of the FIPRESCI Prize at the 1987 Montréal World Film Festival, WHOOPING COUGH is a "revelation". 　　Tomi and Annamari are delighted when their parents tell them that they don’t have to go to school. Father returns home and proudly announces that he's slapped the insufferable Party prig who tormented him at work. Grandma comes home from shopping, and discovers that there are two bullet holes in the loaf of bread she’s been carrying. Yes, it's 1956 and the uprising has broken out in Budapest and all over Hungary, and suddenly it’s every man and women for themselves. Winner of the top prize at the Chicago Flm Festival as well as a host of other international awards, Péter Gárdos's Whooping Cough takes a decidedly less reverential tone to its depiction of the events of ’56, offering a wry, black-humored look as what happens to one family when suddenly from one day to the next his world is turned upside down.

作为蔷薇师团的团长，泷（千叶进步 配音）必须保持清净和高洁，只有这样，他才能够担负得起两万士兵的期望和信任。一直在泷身边守护着的，是一个名叫克劳斯（井上和彦 配音）的异国男子。他对幼年时的泷一见钟情，为了能够在他身边，他放弃了自己的国籍和尊严，同时也背负着同僚异样的眼光。这一切都打不倒克劳斯与泷在一起的决心，但真正令他愤怒与不解的是，曾经邀请他来到他身边的泷，却对真正履行了诺言的他态度极其冷淡。 　　泷有着他自己的难言之隐，但高傲的性格让他在面对克劳斯的时候无法坦白自己的内心，就是在这样的情况下，克劳斯无法自持的做出了伤害泷的事情。战争开始了，对于克劳斯的谣言愈演愈烈，安全局将他作为叛徒逮捕，严刑拷问，可是克劳斯秉着对泷的忠诚不吐露半字。军方想要铲除已经毫无价值的克劳斯，就在这紧要关头，泷美丽的身影出现在了克劳斯的面前。

作为蔷薇师团的团长，泷（千叶进步 配音）必须保持清净和高洁，只有这样，他才能够担负得起两万士兵的期望和信任。一直在泷身边守护着的，是一个名叫克劳斯（井上和彦 配音）的异国男子。他对幼年时的泷一见钟情，为了能够在他身边，他放弃了自己的国籍和尊严，同时也背负着同僚异样的眼光。这一切都打不倒克劳斯与泷在一起的决心，但真正令他愤怒与不解的是，曾经邀请他来到他身边的泷，却对真正履行了诺言的他态度极其冷淡。 　　泷有着他自己的难言之隐，但高傲的性格让他在面对克劳斯的时候无法坦白自己的内心，就是在这样的情况下，克劳斯无法自持的做出了伤害泷的事情。战争开始了，对于克劳斯的谣言愈演愈烈，安全局将他作为叛徒逮捕，严刑拷问，可是克劳斯秉着对泷的忠诚不吐露半字。军方想要铲除已经毫无价值的克劳斯，就在这紧要关头，泷美丽的身影出现在了克劳斯的面前。

在盛爱中别离。一场车祸，留下两个失爱的人，育伟再不能见到怀孕妻子，心敏则永远失去了未婚夫。城市中他们无比陌生，悲伤裡他们又何其相似，日常原来最无常，履踏生命薄脆冰面上，随冰裂纹扩散是各自过往回忆，谁都在伤痛中自虐自伤。但日子还必须继续，从头七到七七，百日之内，死与新生，懂得珍惜，学会告别，如果什麽都会失去，也要好好说再见。导演林书宇转化自身经验，依民间习俗由头七至百日为时间轴，细腻演绎受苦的心如何由失序找到新规律，安了心，便也镇魂、止痛，淡漠节制中自有一股深情在，林嘉欣、五月天石头银幕上蜕变。开始，在结束的地方。

外星人侵占了地球，人们被迫逃到地底下的巨型地堡避难。S.U.M.1是一个忠诚的战士，他被送到地面上来拯救幸存者并每天汇报情况。他的任务就是守卫人类的自我防御区不让外星人靠近，然而这每天的例行任务却逐渐成为他的噩梦，令人恐惧的声音在树林里回荡；基地每日都受到频繁的攻击；塔内的电力供应出现故障；修理工却迟迟不出现。他的上司也从未告诉过他有关上一任的事。孤独感与妄想症慢慢侵蚀了他的理智。难道外星人真的埋伏在森林里吗？还是S.U.M.1已经被折磨到精神错乱了？

外星人侵占了地球，人们被迫逃到地底下的巨型地堡避难。S.U.M.1是一个忠诚的战士，他被送到地面上来拯救幸存者并每天汇报情况。他的任务就是守卫人类的自我防御区不让外星人靠近，然而这每天的例行任务却逐渐成为他的噩梦，令人恐惧的声音在树林里回荡；基地每日都受到频繁的攻击；塔内的电力供应出现故障；修理工却迟迟不出现。他的上司也从未告诉过他有关上一任的事。孤独感与妄想症慢慢侵蚀了他的理智。难道外星人真的埋伏在森林里吗？还是S.U.M.1已经被折磨到精神错乱了？

在这个世界一个阴暗疏离的角落，吸血鬼普拉多（和田聪宏 饰）担负起看护同伴刹那（由爱可奈 饰）的任务。但是有着可爱少女外表的刹那与他们与众不同，她是恶魔亲手制作的吸血鬼，为了让灵魂和肉体紧密结合，恶魔禁止她在诞生后的100天内与任何人发生关系，否则她和普拉多都会有生命危险。在行走于世间的过程中，刹那了知了自己必须靠夺取他人性命为生的宿命，不禁心生苦恼。与此同时，她也对普拉多萌生爱意。100天即将过去，可是她的命运充满了不定……

西班牙摄影师何塞·迪亚斯在偏僻山区独自生活100 天，亲密接触大自然，记录下了周围的美景。

西班牙摄影师何塞·迪亚斯在偏僻山区独自生活100 天，亲密接触大自然，记录下了周围的美景。