PIEMULE is a film about an ethnic group of Czechs which settled over a hundred and fifty years ago in the hills not far from Timisoara. The ancestors of today's inhabitants, craftsmen and farmers came to the Romanian highlands around the year 1822 with their families, work and livelihood. Director Jana Sevikova went to Romania for the first time in the early 1980's and under very difficult conditions, she succeeded over a period of several years in capturing the way of life of one remote village fused with the changing seasons represented by religious ceremonies or social and work rituals (Christmas, carnivals, Easter, weddings, harvests, the ploughing of the land). She presents individual people their customs, behavior and opinions. Employing a complex structure of composition, the film depicts the social aspects of this small enclave foreign to Romania, its history as well as the moral depth of the people . Isolated from a foreign world this community has kept it's language , culture and also a feeling for national identity. The film does not have a factual, explicit commentary in the ordinary sense of the word. It contains the testimonies of individual people and a few essential historical facts: a song depicting the biblical story of the original sin threads it's way through the whole film. The song represents the religious character of these people and how they bear their lot. They live in relative material poverty , they are left to their own resources and the whim of Ceaucescu's regime. The film reminds us of life values which have long disappeared and only exceptionally are they found today. Jana Hadkova, film critic. In 1993, the filmmaker returned to the same place in Romania, ten years after she had completed filming. To her surprise, nothing had changed, life in Rovensko had remained unmarked, not even by Romania's revolution and other changes in the country ruled by a former Communist dictatorship. Time had already stopped during the last century.

安雅和娜迪娅·弗多维娜是一对双胞胎姐妹，她们在孤儿院长大。意志坚定的安雅习惯于保护妹妹免受任何危险。然而，她们的人生轨迹却发生了改变：安雅成为了一名职业综合格斗选手，而娜迪娅则厌倦了姐姐的教导，跑到日本寻找自己的道路和自由。分别多年后，安雅收到了妹妹发来的一条令人震惊的信息，她在信息中请求帮助。安雅试图获得一些信息，但一切努力都徒劳无功。于是，安雅决定前往日本，在那里，她将不得不与把她妹妹卖为性奴隶的黑帮展开一场不平等的斗争。

安雅和娜迪娅·弗多维娜是一对双胞胎姐妹，她们在孤儿院长大。意志坚定的安雅习惯于保护妹妹免受任何危险。然而，她们的人生轨迹却发生了改变：安雅成为了一名职业综合格斗选手，而娜迪娅则厌倦了姐姐的教导，跑到日本寻找自己的道路和自由。分别多年后，安雅收到了妹妹发来的一条令人震惊的信息，她在信息中请求帮助。安雅试图获得一些信息，但一切努力都徒劳无功。于是，安雅决定前往日本，在那里，她将不得不与把她妹妹卖为性奴隶的黑帮展开一场不平等的斗争。

1951年秋，朝鲜战场鏖战正急。敌情报机构发现志愿军使用的新型火箭弹威力强大，台湾国民党一家神秘的皮影剧团，分析出新型火药的生产地点：中国西南的小城——竹山。一场殊死的较量就此展开。面对复杂的敌情，公安领导急调智勇双全的侦察科长阿宏组成侦破小组，担负起挫败敌特阴谋和保卫军工生产的重要任务。阿宏深入土匪老巢，将土匪武装彻底剿灭。斗智斗勇中，隐藏在我方内部的特务被阿宏识破。几番惊险，特务名单被陆子仪获取。激烈的的战斗里，敌特头子试图孤注一掷，皮影剧团的艺人们在惊心动魄的斗争中擦亮了眼睛，协助阿宏破解了最后的危机。

钟童卉是一个默默无闻的平面模特，幼年时曾目睹母亲自杀，从此噩梦缠身。某天工作间隙，童卉接到了一封神秘的葬礼邀请信，死者是童卉的富豪姨妈。童卉来…

Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.

在一棟迷失在沼澤地中的舊樓裡，住著兩個奇怪的女人，她們是只有一條腿的連體嬰。晚上，剝皮者做了可怕的噩夢，她看到她妹妹的肉覆蓋在她自己的身上 ....。

影片讲述的是一个遗憾的爱情故事。已为人妻的张成凤带着弟弟张成龙陪母亲李翠花回老家替在外病逝的父亲举办葬礼，看到昔日的初恋情人德皮，就此展开的一段关于梦想和爱情的回忆。