A group of teen girls set out to scare their reclusive new neighbor, but the prank turns to terror when some of them don't come back.

A group of teen girls set out to scare their reclusive new neighbor, but the prank turns to terror when some of them don't come back.

“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

家里买了别墅，爸爸拉着妹妹，妈妈抱着狗一起入住。我拖着行李，小心翼翼地跟在他们身后，可还是被挡在了门外。”这里没你的房间，你回旧屋住，30 层空气好，对你身体也好。”爸妈一如上一世那般要将我赶回旧屋。上一世我崩溃大哭，哀求留下，结果被爸妈锁进别墅地下室反省。随后一场持续了两个月的大暴雨淹没了整座城市，我在地下室被活活淹死。爸妈却带着妹妹逃回旧屋躲过一劫。“好的，我马上回旧屋，祝爸妈妹妹过得开心哦。”这一世，我会囤好食物，关好屋门。你们，别想进来哦。

家里买了别墅，爸爸拉着妹妹，妈妈抱着狗一起入住。我拖着行李，小心翼翼地跟在他们身后，可还是被挡在了门外。”这里没你的房间，你回旧屋住，30 层空气好，对你身体也好。”爸妈一如上一世那般要将我赶回旧屋。上一世我崩溃大哭，哀求留下，结果被爸妈锁进别墅地下室反省。随后一场持续了两个月的大暴雨淹没了整座城市，我在地下室被活活淹死。爸妈却带着妹妹逃回旧屋躲过一劫。“好的，我马上回旧屋，祝爸妈妹妹过得开心哦。”这一世，我会囤好食物，关好屋门。你们，别想进来哦。

This is the list of major characters in the original 20-episode run, with short descriptions. 　　Cowboy (Coboy) 　　Cowboy is a toy figurine of a cowboy in a blue shirt and brown leather trousers, with a hat and, most of the time, a rifle. Cowboy is rather cowardly and not really bright, often getting himself into bad situations through his recklessness and childish behaviour. He has something of a sibling rivalry with Indian (though they most likely aren't really related), and is intimidated by Horse. 　　Indian (Indien) 　　Indian is a toy figurine of a stereotypical Native American tribal chief or elder, in a yellow shirt and brown leather trousers, with an elaborate and large feather headdress. He carries a ceremonial staff. Besides the usual standing position he is often seen in a Native American-style meditative pose. Other times he carries a bow and arrow. Indian is a little more "grown up" than Cowboy, but still pursues foolhardy quests almost as much as his counterpart. He is also somewhat fearful of Horse. 　　Horse (Cheval) 　　Horse is a toy figurine of a brown horse. Although an animal, Horse is easily as intelligent as Cowboy and Indian (put together) and is the leader of the "family" he, Cowboy and Indian are part of. Even though he walks on all fours, he does most of the chores around their house, as both his charges are domestically useless. He maintains a cool head, doesn't engage in the foolish pursuits of Cowboy and Indian and keeps a semblance of normality in the house. When Cowboy and/or Indian infuriate him, he kicks them (presumably with his hind legs) all over the house and usually into one of the walls, which is sufficient to keep the two in line most of the time.

This is the list of major characters in the original 20-episode run, with short descriptions. 　　Cowboy (Coboy) 　　Cowboy is a toy figurine of a cowboy in a blue shirt and brown leather trousers, with a hat and, most of the time, a rifle. Cowboy is rather cowardly and not really bright, often getting himself into bad situations through his recklessness and childish behaviour. He has something of a sibling rivalry with Indian (though they most likely aren't really related), and is intimidated by Horse. 　　Indian (Indien) 　　Indian is a toy figurine of a stereotypical Native American tribal chief or elder, in a yellow shirt and brown leather trousers, with an elaborate and large feather headdress. He carries a ceremonial staff. Besides the usual standing position he is often seen in a Native American-style meditative pose. Other times he carries a bow and arrow. Indian is a little more "grown up" than Cowboy, but still pursues foolhardy quests almost as much as his counterpart. He is also somewhat fearful of Horse. 　　Horse (Cheval) 　　Horse is a toy figurine of a brown horse. Although an animal, Horse is easily as intelligent as Cowboy and Indian (put together) and is the leader of the "family" he, Cowboy and Indian are part of. Even though he walks on all fours, he does most of the chores around their house, as both his charges are domestically useless. He maintains a cool head, doesn't engage in the foolish pursuits of Cowboy and Indian and keeps a semblance of normality in the house. When Cowboy and/or Indian infuriate him, he kicks them (presumably with his hind legs) all over the house and usually into one of the walls, which is sufficient to keep the two in line most of the time.

家里买了别墅，爸爸拉着妹妹，妈妈抱着狗一起入住。我拖着行李，小心翼翼地跟在他们身后，可还是被挡在了门外。”这里没你的房间，你回旧屋住，30 层空气好，对你身体也好。”爸妈一如上一世那般要将我赶回旧屋。上一世我崩溃大哭，哀求留下，结果被爸妈锁进别墅地下室反省。随后一场持续了两个月的大暴雨淹没了整座城市，我在地下室被活活淹死。爸妈却带着妹妹逃回旧屋躲过一劫。“好的，我马上回旧屋，祝爸妈妹妹过得开心哦。”这一世，我会囤好食物，关好屋门。你们，别想进来哦。

家里买了别墅，爸爸拉着妹妹，妈妈抱着狗一起入住。我拖着行李，小心翼翼地跟在他们身后，可还是被挡在了门外。”这里没你的房间，你回旧屋住，30 层空气好，对你身体也好。”爸妈一如上一世那般要将我赶回旧屋。上一世我崩溃大哭，哀求留下，结果被爸妈锁进别墅地下室反省。随后一场持续了两个月的大暴雨淹没了整座城市，我在地下室被活活淹死。爸妈却带着妹妹逃回旧屋躲过一劫。“好的，我马上回旧屋，祝爸妈妹妹过得开心哦。”这一世，我会囤好食物，关好屋门。你们，别想进来哦。