《照见》是乔美仁波切的处女作。他表示，希望这部影片能让人静下来思考生命的意义和人生的价值，而拍摄盲童是探索其内心的好方法，虽然他们的眼睛看不到，但心灵或许比一般人更加开放。《照见》影片用高度艺术而自然流畅的镜头语言讲述了一个盲童和母亲的故事。孩子因不满被迫学习盲人乒乓球离家出走后，母亲蒙上眼睛生活，试图感受和理解儿子，从而发现自己内心的光明。

全职太太媛佩偶然发现老公傅心寒出轨并转移婚内财产，为了合法保护自己的利益，媛佩与傅心寒前女友宋婉宁统一战线。在与渣男一系列的交锋中，媛佩与小三萧杉杉化敌为友，最终，被傅心寒伤害过的三个女人携手与共，完成各自的复仇与救赎。

鲜卑氏第一个皇帝拓跋圭，立拓跋嗣为太子，并赐死生母刘氏，引来了杀身之祸。拓跋嗣即位不久又避居西宫，兴安二年，文成帝拓跋濬，在魏国实行“复法”。同时 命昙耀大师督工在武周山开凿石窟。公元465年文成帝拓跋濬驾崩，大将军乙浑横行朝堂。冯皇后联合东阳王拓跋丕除掉了乙浑，登上了北魏皇太后的尊位。77mi.cc并逼 迫献文帝拓跋弘禅位于孝文帝拓跋宏。在冯太后的支持下，太和九年，孝文帝拓跋宏颁布了均田制、三长制，随后以征讨为名定都洛阳，断然禁止朝中官员于朝 堂之上讲鲜卑语，穿鲜卑服。其后，诏令三十岁以下者禁说鲜卑语。他又将自己的姓氏“拓跋”易为“元。太和二十三年，孝文皇帝元宏驾崩于谷塘行宫。

鲜卑氏第一个皇帝拓跋圭，立拓跋嗣为太子，并赐死生母刘氏，引来了杀身之祸。拓跋嗣即位不久又避居西宫，兴安二年，文成帝拓跋濬，在魏国实行“复法”。同时 命昙耀大师督工在武周山开凿石窟。公元465年文成帝拓跋濬驾崩，大将军乙浑横行朝堂。冯皇后联合东阳王拓跋丕除掉了乙浑，登上了北魏皇太后的尊位。77mi.cc并逼 迫献文帝拓跋弘禅位于孝文帝拓跋宏。在冯太后的支持下，太和九年，孝文帝拓跋宏颁布了均田制、三长制，随后以征讨为名定都洛阳，断然禁止朝中官员于朝 堂之上讲鲜卑语，穿鲜卑服。其后，诏令三十岁以下者禁说鲜卑语。他又将自己的姓氏“拓跋”易为“元。太和二十三年，孝文皇帝元宏驾崩于谷塘行宫。

Pleasure At Her Majesty's was the name given to the filmed release of A Poke In The Eye (With A Sharp Stick), the first of the Amnesty International comedy benefit galas. The title is a play on the phrase At Her Majesty's Pleasure (the show was performed at Her Majesty's Theatre, London). In America, the film was originally called Monty Python Meets Beyond the Fringe. 　　This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. 　　The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas, as well as Comic Relief. The concept was also the inspiration of similar events, also in aid of Amnesty International in countries around the world as far away as Australia, in the case of the Stand Up For Your Rights Comedy Galas. 　　The film consists of both on-stage and back-stage footage, taken from all three nights of the run (1–3 April 1976). 　　Luff and Lewis collaborated on producing the successor show - video-taped in 1977 as The Mermaid Frolics. Then Cleese and Lewis teamed up (with Amnesty's new fundraising director Peter Walker) in 1979 to create The Secret Policeman's Ball - the first show to carry what became the iconic Secret Policeman's Ball title. 　　(from wikipedia)

Pleasure At Her Majesty's was the name given to the filmed release of A Poke In The Eye (With A Sharp Stick), the first of the Amnesty International comedy benefit galas. The title is a play on the phrase At Her Majesty's Pleasure (the show was performed at Her Majesty's Theatre, London). In America, the film was originally called Monty Python Meets Beyond the Fringe. 　　This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. 　　The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas, as well as Comic Relief. The concept was also the inspiration of similar events, also in aid of Amnesty International in countries around the world as far away as Australia, in the case of the Stand Up For Your Rights Comedy Galas. 　　The film consists of both on-stage and back-stage footage, taken from all three nights of the run (1–3 April 1976). 　　Luff and Lewis collaborated on producing the successor show - video-taped in 1977 as The Mermaid Frolics. Then Cleese and Lewis teamed up (with Amnesty's new fundraising director Peter Walker) in 1979 to create The Secret Policeman's Ball - the first show to carry what became the iconic Secret Policeman's Ball title. 　　(from wikipedia)

清朝晚期，乱世之秋，老北京的戏园子却仍是一派繁荣景象。新出科的谭鑫培拒绝了父亲为其规划的平稳未来，毅然投入到竞争异常惨烈的京城菊坛。梨园这一行，虽然是靠本事吃饭，但相互猜忌、勾心斗角的事儿也不少，谭鑫培少年英才，也难逃被人设局陷害的怪圈。因着一杯关涉伶人尊严的酒，致使谭鑫培父子被赶出广和成，在京城梨园行声名狼藉。命运的巨变，驱使谭鑫培和其他人有了交集：大老板程长庚工文武老生，艺术精湛，备受推崇，谭鑫培视其为人生偶像，但受多方因素影响，程长庚认定谭鑫培不能唱老生。在他经历了走粥班，战胜倒仓后，谭鑫培终于对老生这一行当有所悟，却因天生嗓音条件所限，被程长庚称之为“亡国之音”，谭鑫培倍受打击。知己张秀卿的出现，再次唤起了谭鑫培的斗志，终于找到表达自我的方式，谭派老生由此诞生。进入清廷成为内廷供奉，开启了谭鑫培艺术人生最为辉煌也最为凶险的篇章。在与晚清权贵的斗智斗勇过程中，他既要保护亲情友谊，又要维护内心的美好，同时与自身的怯懦、自私相抗衡。时代的苦难与内心的痛苦相互激荡，把他推上事业辉煌的顶峰，“时代之音”在舌尖灿烂绽放。在这一时期，面对重商轻义的人际关系、浮夸的舞台表演，经历了又一轮迷惘与消沉之后，他重新登上舞台，秉承着传统价值观的核心思想——忠孝礼义，开始了新一轮的个人战争，而晚清政权，也在此时走向了风雨飘零的末日……

清朝晚期，乱世之秋，老北京的戏园子却仍是一派繁荣景象。新出科的谭鑫培拒绝了父亲为其规划的平稳未来，毅然投入到竞争异常惨烈的京城菊坛。梨园这一行，虽然是靠本事吃饭，但相互猜忌、勾心斗角的事儿也不少，谭鑫培少年英才，也难逃被人设局陷害的怪圈。因着一杯关涉伶人尊严的酒，致使谭鑫培父子被赶出广和成，在京城梨园行声名狼藉。命运的巨变，驱使谭鑫培和其他人有了交集：大老板程长庚工文武老生，艺术精湛，备受推崇，谭鑫培视其为人生偶像，但受多方因素影响，程长庚认定谭鑫培不能唱老生。在他经历了走粥班，战胜倒仓后，谭鑫培终于对老生这一行当有所悟，却因天生嗓音条件所限，被程长庚称之为“亡国之音”，谭鑫培倍受打击。知己张秀卿的出现，再次唤起了谭鑫培的斗志，终于找到表达自我的方式，谭派老生由此诞生。进入清廷成为内廷供奉，开启了谭鑫培艺术人生最为辉煌也最为凶险的篇章。在与晚清权贵的斗智斗勇过程中，他既要保护亲情友谊，又要维护内心的美好，同时与自身的怯懦、自私相抗衡。时代的苦难与内心的痛苦相互激荡，把他推上事业辉煌的顶峰，“时代之音”在舌尖灿烂绽放。在这一时期，面对重商轻义的人际关系、浮夸的舞台表演，经历了又一轮迷惘与消沉之后，他重新登上舞台，秉承着传统价值观的核心思想——忠孝礼义，开始了新一轮的个人战争，而晚清政权，也在此时走向了风雨飘零的末日……

他是帝国身份尊贵的皇子，流淌着皇室血脉，本应尽享荣宠！但，深宫内院波谲云诡，皇帝老子对他猜忌日深，太子更是视他为眼中钉，欲除之而后快，一次次暗箭难防！他更是个来自异世的穿越者，熟知历史洪流与人心险恶，深知坐以待毙唯有死路一条！所以，他秘密招揽死士，以超越时代的理念训练出一支纵横捭阖的无敌特种部队，既是利刃，亦是坚盾，只为在这杀机四伏中自保！他苦心经营封地，兴修水利、减免赋税、广纳流民，将贫瘠之地治理成丰衣足食、夜不闭户的世外桃源，引得天下怀才不遇的能臣贤士纷纷来投，智囊如雨，猛将如云！而这般惊世才华与磊落胸襟，也让无数倾城美人倾心不已，或温婉贤淑，或英姿飒爽，皆愿伴他左右！

三年前大婚夜，西域公主娜宁被害，从此不能走路成为废人，后又被人毒害。重生太子妃卷土重来，而上一世害自己的人是夫君言乔以及被自己当作妹妹的茵柔。 重活一次，她反手射冷箭，立威恶奴才，抢救新婚喜服，大典平风波..... 这一次她步步为营，手撕绿茶渣男，只为自己的家国讨回公道。 可一次次路遇险境，一次次推心置腹，却发现事情并非她想得那么简单，爱恨纠葛，祸乱战起，政权变动。 记忆再次苏醒，她才如梦初醒，惊觉自己恨之入骨的男人和一切阴谋策乱无关，再次相遇， 两人已成陌路，他们能否放下过去再续前缘?