世纪之交，因为水利工程的蓄水要求，一座江边小城即将被淹没，人们如火如荼地进行着新城的建设和人口的迁徙。2002年夏的东江市，暴雨如注。一桩离奇的杀人案闯入了警方的视野，死去的情人、消失又复生的丈夫，他们是“凶手”亦是“死者”。终于在警方锲而不舍的追查下，揭秘出一段尘封多年的往事。人性的复杂让许多人蒙蔽了双眼，但真相永远不会被淹没，目之所及皆是阳光。

这是梦境还是现实？我们如何塑造自己的价值观和品味？我们如何理解活着的感觉？玛丽亚通过哲学、想象力、自然和与各国的对话构建了自己的世界。 　　Is this a dream? Or is this life? Imagination, fantasy and nostalgia are part of Maria's world. She and her sibling live in the countryside of Portugal, on the top of a hill. They are not like other kids. Innocence, magic and nature convey in this film, where everyone can connect with their own inner child.

Alone at the bus stop, he takes one final drag on his cigarette. Inside the bus, everything rattles and creaks, the dark city slowly passing by the window. And then there she is – reflected in the glass. Their eyes meet: she smiles; beads of sweat form on his forehead. With a style reminiscent of expressionist woodcuts and in daydreamy colours, Domonkos Erhardt’s animated short captures the magic of a fleeting encounter. 　　源自：https://www.berlinale.de/en/2023/programme/202309924.html

这是梦境还是现实？我们如何塑造自己的价值观和品味？我们如何理解活着的感觉？玛丽亚通过哲学、想象力、自然和与各国的对话构建了自己的世界。 　　Is this a dream? Or is this life? Imagination, fantasy and nostalgia are part of Maria's world. She and her sibling live in the countryside of Portugal, on the top of a hill. They are not like other kids. Innocence, magic and nature convey in this film, where everyone can connect with their own inner child.

Alone at the bus stop, he takes one final drag on his cigarette. Inside the bus, everything rattles and creaks, the dark city slowly passing by the window. And then there she is – reflected in the glass. Their eyes meet: she smiles; beads of sweat form on his forehead. With a style reminiscent of expressionist woodcuts and in daydreamy colours, Domonkos Erhardt’s animated short captures the magic of a fleeting encounter. 　　源自：https://www.berlinale.de/en/2023/programme/202309924.html

本片为中国传媒大学艺术学部动画与数字艺术学院15级学生大三联合创作。

本片为中国传媒大学艺术学部动画与数字艺术学院15级学生大三联合创作。

If there is anyone who embodies the current state of life in Croatia, it is the police detective Ivan Peric. The son of a fisherman, he became a detective as a way of avoiding working in the only really prospering industry of present-day Croatia – tourism. Now his life is consumed by trying to solve a series of essentially unsolvable murders of tourists. Because the tourists are so widely despised, no one will help Ivan. Evidence disappears into the labyrinth of bureaucracy. He is humiliated in public and online. In the local press, his boss even labels him an “uhljeb”, the Croatian slur for a “lazy bureaucratic parasite”. All of this takes place in the city of Split, where the breakup of Yugoslavia has left its mark.

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