在朋友的NestShare民宿经历了一场激情的一夜情后，莉娜（Lina）发现自己的风流韵事被藏在公寓里的摄像头拍了下来。随着威胁不断增加，她也越来越疑神疑鬼，于是开始着手揭开一个阴险偷窥狂的真面目。然而，她最终意识到，这个威胁比她想象的更近，也更加危险。《窥视你》（Watching You）改编自J.P. 波马尔（J.P. Pomare）的小说《最后的客人》（The Last Guests）。

在朋友的NestShare民宿经历了一场激情的一夜情后，莉娜（Lina）发现自己的风流韵事被藏在公寓里的摄像头拍了下来。随着威胁不断增加，她也越来越疑神疑鬼，于是开始着手揭开一个阴险偷窥狂的真面目。然而，她最终意识到，这个威胁比她想象的更近，也更加危险。《窥视你》（Watching You）改编自J.P. 波马尔（J.P. Pomare）的小说《最后的客人》（The Last Guests）。

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

To activate English subtitles for the film, click on the CC button in the playbar of the player *** 　　As it’s Halloween season, this week we’re presenting a clever video essay on the power of sound in movies to scare us and haunt our memory. The video draws its argument from a text by the legendary French critic Serge Daney on Georges Franju’s horror classic Eyes Without a Face — in which Daney talks about a peculiar noise that prevented him from rewatching the film for decades. 　　Serge Daney is one of the most important figures of French film criticism, though very little of his work has been translated into English, to the regret of many cinephiles. He worked as a critic for Cahiers du cinéma starting in 1964, and as its editor from 1973 to 1981, before leaving for the daily newspaper Libération. He died in 1992. Georges Franju’s Eyes Without a Face caused controversy and received mixed reviews upon its release in 1960, but is now considered a classic and masterpiece for its poetic nature, an influence on many filmmakers. 　　Through penetrating associations of text, clips, and sounds, all popping up on a simulated computer screen, French researcher and filmmaker Chloé Galibert-Laîné resurrects the dialogue between these two figures, conducting an investigation into the noise that terrified Daney, as well as others that have scared her. Galibert-Laîné clears the path of her research and succeeds at chilling the viewer in turn. 　　As the filmmaker states on her website, “The Eye Was In the Tomb and Stared at Daney explores questions such as: Does anticipating an emotion make it weaker or stronger? How do music and sound effects register in our memories, when our attention is mainly focused on images?” Galibert-Laîné directed The Eye Was In the Tomb and Stared at Daney in the context of a long-term research project entitled ‘A Portrait of the Spectator As a Cannibal’, that studies our memories of films, and how viewers appropriate and reinvent the films they have seen, incorporating them into their own personal experience. 　　Chloé Galibert-Laîné is a researcher and filmmaker based in Paris, whose work is focused on the relationship between cinema and online media and is presented in both academic and artistic contexts. She is currently preparing a PhD at the prestigious École normale supérieure de Paris and teaches film studies at Université Paris 8. Her work has been shown at the Ars Electronica Festival, the London Essay Film Festival, the Rotterdam International Film Festival, IMPAKT Festival, and the Austrian Film Museum. In 2018, she was Artist in Residence at m-cult (Helsinki) through the European Media Art Platform (EMAP) and an Art of Nonfiction Grantee from the Sundance Institute.

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

影片讲述了三个男人的另类爱情故事，三人都愿意放弃自己的身份已获得心上人的青睐。 尾崎丰、布拉德和坂本龙马一直忠实地守护着太阳。有一天，两个放高利贷者星野和友枝冲进来并发现了他们的藏身之处。三人组试图保护太阳远离无情的收藏家，这时事情开始失控。 这就是纯洁的还是疯狂的爱？超越界限和常识的浪漫故事将震撼我们对爱的看法。

影片讲述了三个男人的另类爱情故事，三人都愿意放弃自己的身份已获得心上人的青睐。 尾崎丰、布拉德和坂本龙马一直忠实地守护着太阳。有一天，两个放高利贷者星野和友枝冲进来并发现了他们的藏身之处。三人组试图保护太阳远离无情的收藏家，这时事情开始失控。 这就是纯洁的还是疯狂的爱？超越界限和常识的浪漫故事将震撼我们对爱的看法。

SYNOPSIS 　　One day, Mi-hi gets a phone call from Oh Mi-kyung, the first love of her husband, Kim Ji-won. Mi-hi learns that Ji-won and Mi-kyung are still passionately involved with each other and that her husband only stays with her out of a sense of duty. Shocked from this information, Mi-hi drives madly until she gets into an accident which leaves her paralyzed from the waist down. Yun-hi, Mi-hi's sister, comes to take care of her. Ji-won is overcome with guilt. Mi-kyung, who called Mi-hi in order to get back at her, is now sorry for Mi-hi's misfortune. In such a situation, Ji-won and Yun-hi start having an affair. Mi-hi asks for a divorce. Yun-hi convinces Ji-won to kill Mi-hi. In the end, Mi-kyung throws herself into this to solve the situation, destroying Ji-won. 　　故事 　　有一天，三木接到丈夫的初恋哦Migyeong动员令在酒店的休息室。显微镜是三木和她的丈夫金智媛之间金智媛是从旧三木三木谁的事实，没有爱情，除了责任感说热。三木是在一次车祸中旅行，下半身没有这削弱了精神通常太大的影响。身体倒在护理会议三木活的弟弟云辉量，甚至打她的丈夫也挣扎心虚的痛苦。不劳而获的总背叛，而且要破坏家中的三木落尽管内疚由于三木。在这种情况下外遇云辉和支持开始。三木一个人想与丈夫离婚，为了顺利回家云辉是支持计划三木的谋杀阴谋。未到期责任准备看着他们解决抛出他们的支持，因此是注定要失败的。

大雨滂沱的日子里，只穿着一件吊带裙的小女孩站在自家窗口。雨水在玻璃上氤氲出哈气来，女孩伸出手指，写下了一个“你”。此时此刻，她想起了曾让自己心动的人。墙上的画，是男孩包含爱意的馈赠。黄色的套头衫，至今还带着那个秋天林荫小道的味道与甜蜜。书架上的CD，优美的旋律曾回荡在两个人的旅途中。这一件，那一件，每一件都承载着“你”和“我”难以忘怀的回忆。她将这些放入纸箱，身体向后仰去，仿佛跌入深邃的大海。不断沉沦，没有尽头。 　　谁能医治这份创痛，将深深刺入心底的那个字取走，让“我”找回失落已久的无忧无虑。