美国现代诗人理查德·布兰科为婚姻平权运动创作了诗歌：《直到我们可以》。爱就是有权利说：I DO。 　　《你好，再见》导演陈俊彦和剪辑师大卫·洛维再次合作拍摄，朗诵者是《纸牌屋》女星罗宾·怀特以及《X战警》的本·福斯特。

美国现代诗人理查德·布兰科为婚姻平权运动创作了诗歌：《直到我们可以》。爱就是有权利说：I DO。 　　《你好，再见》导演陈俊彦和剪辑师大卫·洛维再次合作拍摄，朗诵者是《纸牌屋》女星罗宾·怀特以及《X战警》的本·福斯特。

Muang(Mark Prin饰)，一个讨人厌、嘴毒的年轻人，一定要找出Apo(Yaya Urassaya饰)的真实身份，那个他从一开始就爱上的女人。她到底是谁？ 　　Phudin爸爸（Willy饰）是一切事件的策划者，在家庭关系混乱的动荡下，她对他的爱又将何去何从？

Muang(Mark Prin饰)，一个讨人厌、嘴毒的年轻人，一定要找出Apo(Yaya Urassaya饰)的真实身份，那个他从一开始就爱上的女人。她到底是谁？ 　　Phudin爸爸（Willy饰）是一切事件的策划者，在家庭关系混乱的动荡下，她对他的爱又将何去何从？

秋千1980年夏天，非军事区里，一个北韩士兵冒死越过边境寻找父亲。由于受到北方的追击，年轻士兵患了失忆症。南方接纳了这个年轻人，并开始帮助他寻找父亲。在南方，有很多原来故乡在北方身为人父的男性，经过遗传鉴定，最后只有한우현、한이현、한윤주三个人基本符合条件。这三个人都有与儿子分离的的经历，十分希望能够找回自己的亲人。三个人都和年轻人见了面，并求证与他的关系。虽然他们都积极努力地想唤醒年轻人的记忆，但没有任何起色。后来，除了한우현以外的两个人都因为某些个人原因放弃了与年轻人的相认，只有한우현一个人仍坚持不懈。为了唤醒年轻人的记忆，人们为他强行实施了脑部手术，遗憾的是한우현永远地失去了这个待定的儿子。摆脱不了对儿子和妻子的想念，우현默默无声地走进了军事分界线，不顾两方的枪声和呐喊声，带着对故人的思念，义无反顾地走向前。

Until the Light Takes Us is a feature length documentary chronicling the history, ideology and aesthetic of Norwegian black metal - a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first (and only) film to truly shed light on a movement that has heretofore been shrouded in darkness and rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews and verité with the musicians, a wealth of rare, seldom seen footage from the "Inner Circle"s earliest days, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world. This is the movie that gets inside the minds and hearts of black metal's musicians. The filmmakers moved to Norway, living and filming there for two years. The movie is not about them though - it's about the extraordinary people and events that make black metal unique, unforgettable, and inevitable. This is black metal as seen through the eyes of those who created it, of those who live it, of those who are at the center of the story of black metal. Featuring: Gylve "Fenriz" Nagell, Varg Vikernes, Jan Axel "Hellhammer" Blomberg, Kjetil "Frost" Haraldstad, Ivar Bjornson, Abbath and Demonaz Doom Occulta, Kris "Garm" Rygg, Bjarne Melgaard, Harmony Korine, and more. The film, shot on 35 mm and dv, is directed and produced by Audrey Ewell and Aaron Aites. It is currently being edited in New York. Written by Audrey Ewell

Until the Light Takes Us is a feature length documentary chronicling the history, ideology and aesthetic of Norwegian black metal - a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first (and only) film to truly shed light on a movement that has heretofore been shrouded in darkness and rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews and verité with the musicians, a wealth of rare, seldom seen footage from the "Inner Circle"s earliest days, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world. This is the movie that gets inside the minds and hearts of black metal's musicians. The filmmakers moved to Norway, living and filming there for two years. The movie is not about them though - it's about the extraordinary people and events that make black metal unique, unforgettable, and inevitable. This is black metal as seen through the eyes of those who created it, of those who live it, of those who are at the center of the story of black metal. Featuring: Gylve "Fenriz" Nagell, Varg Vikernes, Jan Axel "Hellhammer" Blomberg, Kjetil "Frost" Haraldstad, Ivar Bjornson, Abbath and Demonaz Doom Occulta, Kris "Garm" Rygg, Bjarne Melgaard, Harmony Korine, and more. The film, shot on 35 mm and dv, is directed and produced by Audrey Ewell and Aaron Aites. It is currently being edited in New York. Written by Audrey Ewell

The family Paixão runs a farm for wedding parties, but the business is not going well. While the love between the parents, Vanessa and Daniel appears to have ended, the grandparents, Luisa and Joaquim, seem inseparable; and the children, Rita and Marco, have completely distinct opinions about love.