全京城皆知顾丞相之子顾云峥将迎娶沈家独女沈凝。然而，云国规定女子年满二十未嫁，官府将为其指配婚约，甚至可能嫁猪嫁狗。眼看沈凝即将年满二十，顾云峥却宣布要纳沈凝收留的孤女为贵妾，且地位高于沈凝。沈凝心痛不已，决定取消婚约，另嫁他人。顾云峥不信，仍与那孤女亲密往来。沈凝心灰意冷，远嫁江南富商。顾云峥得知后，不顾即将举行的婚礼，追至沈凝家中，却为时已晚。

全京城都知道青梅竹马的顾云铮和沈凝会在二十岁结婚。待他功成名就后，他却爱上了她捡回家的孤女，而放弃她。她也不想再等待他来爱自己，转身离开，嫁给他人他却彻底慌了…

全京城都知道青梅竹马的顾云铮和沈凝会在二十岁结婚。待他功成名就后，他却爱上了她捡回家的孤女，而放弃她。她也不想再等待他来爱自己，转身离开，嫁给他人他却彻底慌了…

Sobre las nubes (About the Clouds), the portrait of a city and a contemporary saga of a middle class viewed through its relationship with work, depicts the everyday lives of four people with an artistry that’s abundant yet sober, generous yet precise. The dramatisation, stripped of any effects, is entirely devoted to the attention it pays to the characters. Ramiro, Nora, Hernán and Lucía don’t know each other. The only thing they have in common is that they work or are looking for work, and they live in the same city. They never meet, but all of them cross paths with the young woman with aquiline features, a musical presence who discreetly harmonises the film, accompanying it with her gentle melodies. María Aparicio, observing in the background, leaves these solitary presences to develop in parallel. Without ever raising its voice, the film unfolds with restraint and moderation, focusing on humility. When, in the dead of night, a female police officer asks a cross-dressing singer to go and sing elsewhere as he lip-synchs Maria Callas’ rendition of Tacea la notte placida (How Peaceful was the Night), all the sadness of a world reduced to silence is encapsulated in a sequence of rare beauty. In this melancholic black and white painting, the poetics of the image elevate the everyday to the unusual, the gloom to sweet fantasy, in discrete epiphanies like those magic tricks performed with mischief or the savvy pleasure taken in reciting a theatrical script. “I was sad, but I’m better” says one of the characters at the end of the film. Just as the clouds over the city come and go, caught up in the infinite movement of time, the characters’ sadness eventually subsides and seems to disappear to “that place that no one has ever visited, that place we call the past”, in the words of Juan José Saer (Las Nubes). 　　源自：https://fidmarseille.org/en/film/sobre-las-nubes-about-the-clouds/

Sobre las nubes (About the Clouds), the portrait of a city and a contemporary saga of a middle class viewed through its relationship with work, depicts the everyday lives of four people with an artistry that’s abundant yet sober, generous yet precise. The dramatisation, stripped of any effects, is entirely devoted to the attention it pays to the characters. Ramiro, Nora, Hernán and Lucía don’t know each other. The only thing they have in common is that they work or are looking for work, and they live in the same city. They never meet, but all of them cross paths with the young woman with aquiline features, a musical presence who discreetly harmonises the film, accompanying it with her gentle melodies. María Aparicio, observing in the background, leaves these solitary presences to develop in parallel. Without ever raising its voice, the film unfolds with restraint and moderation, focusing on humility. When, in the dead of night, a female police officer asks a cross-dressing singer to go and sing elsewhere as he lip-synchs Maria Callas’ rendition of Tacea la notte placida (How Peaceful was the Night), all the sadness of a world reduced to silence is encapsulated in a sequence of rare beauty. In this melancholic black and white painting, the poetics of the image elevate the everyday to the unusual, the gloom to sweet fantasy, in discrete epiphanies like those magic tricks performed with mischief or the savvy pleasure taken in reciting a theatrical script. “I was sad, but I’m better” says one of the characters at the end of the film. Just as the clouds over the city come and go, caught up in the infinite movement of time, the characters’ sadness eventually subsides and seems to disappear to “that place that no one has ever visited, that place we call the past”, in the words of Juan José Saer (Las Nubes). 　　源自：https://fidmarseille.org/en/film/sobre-las-nubes-about-the-clouds/

本片邀请意大利演员玛利亚·格拉齐亚·古欣娜塔在中国开启一段见证中国变化的旅程，通过外国嘉宾视角讲述中国故事，向外国观众讲述中国的巨大发展以及中国共产党在其中发挥的领导作用，诠释只有中国共产党才能带领中国人民实现民族复兴的必然性。

原作：よしもときんじ・うるし原智志 　　監督・絵コンテ：よしもときんじ 　　絵コンテ・演出・キャラクターデザイン・作画監督：うるし原智志 　　脚本：関島眞頼 　　美術監督：石垣努 　　撮影監督：高橋明彦 　　音響監督：藤山房伸 　　音楽：寺嶋民哉 　　制作：アニメイトフィルム 　　製作：ムービック、SME・ビジュアルワークス

本剧根据“丹阳”封缸酒的传说改编而成。美丽的“黄鹂”姑娘和善良的“白鱼”湖主为百姓酿造封缸酒，龙王八太子却妄想霸占“黄鹂”姑娘和封缸酒。正义和邪恶展开了搏斗……