鬼马父亲王新华常年靠着“坑蒙拐骗”做好事当英雄，女儿倩倩觉得父亲所做的一切都是沽名钓誉，十分反感，谁知父亲却突然心梗死亡。葬礼上，倩倩遇到泥石流反常现象穿越到父亲死亡之前，当倩倩亲眼见证到父亲的“坑”“蒙”“拐”“骗”后，为之震惊，原来是自己一直没有和父亲好好沟通，确实误会了父亲。可是现实中，树欲静而风不止，子欲孝而亲不在……

三年前，阿龙因家境贫寒被女友添添的姐姐当众羞辱，逼他离开添添，阿龙含泪答应，三年后，阿龙创业成功，却仍保持着朴素习惯，一次帮路边遇困的外卖小哥送单时，开门的竟是添添，此时添添姐姐来访，失言吐露当年逼走阿龙的真相，添添震惊又愤怒，当即追出门寻找阿龙，两人在街头相遇，过往的误会与压抑的情感在对视中化解......

故事的背景设定在陕北榆林。沈美溪（杜若溪 饰）因为家里经济条件差，未能进入高等学府继续深造。为了减轻家庭的经济压力，她到当地的一家酒店打工。在日常工作之余，她始终备齐各类学习资料，期待着有朝一日能实现大学梦，从而改变自己和家庭的命运。 有一天，酒店迎来了一位风度翩翩的年轻人——祖籍榆林的海归江昊天（严宽 饰）。沈美溪的美丽与善良瞬间吸引了他，江昊天打算追求沈美溪。然而，他却意外发现沈美溪是潘晓婉（高瑜 饰）的妹妹。八年前，江昊天在西安的某高校进修时结识了潘晓婉。当时，潘晓婉试图通过追求富二代来改变自己的命运，江昊天曾当众羞辱过她。这让江昊天心生疑虑，沈美溪会不会和潘晓婉一样呢？他开始犹豫了。实际上，潘晓婉一直觊觎着江家的财产，沈美溪也因此不知不觉地陷入了这场由贪婪编织的巨大漩涡之中……

故事以陕北榆林地区为背景,女主角陕北女青年沈美溪是个极为善良的女人，由于家庭贫寒，未能如期进入高等学府深造，在一家酒店打工，她爱上了回国投资的男主角。男主角是祖籍榆林的海归青年江昊天，他骨子里有着偏执的性格，敏感、猜疑、患得患失。他在学校中曾和女主角的姐姐产生过矛盾。男主角错误地认为，女主角接近他，是为了图谋他的家产。由此男主角变本加厉地折磨女主角。在故事的结尾，女主角尽管受尽坎坷，但她的纯洁善良，深深打动了男主角，用真爱唤回了男主角内心的善良。女主角的姐姐也幡然醒悟了，走向了正途……

新垣结衣在上海拍摄的心情短剧。新垣结衣一人分饰两角，讲说她独自到上海旅行，偶遇与自己长相一模一样的女生

The fear of being overwhelmed by the outside world can almost litterally make you lose your head...

A diary film about a relationship between a man (Alain Cavalier) and a woman, told entirely through voice-overs by the two participants, spoken over largely static images (of household objects, animals, parts of the body, rooms, landscapes etc.). At times an emotional direction emerges (an articulation of love, loss, frustration), then it retreats. At times the film seems to be about its own making; at others it seems merely to drift. 　　Imdb Review: Alain Cavalier's latest film is deceptively simple and yet revolutionary because it seems to stand outside the boundaries of narrative and documentary filmmaking. One could describe "La Rencontre" as a cinematic diary--a home movie that documents the filmmaker and his muse during the course of their relationship. But unlike most movies the human subjects here are never photographed in whole, just partially. This brave new work is as much about Cavalier's object of desire, that is, his lover as it is about the medium that gives expression to his love. It is conceived as one part confessional and one part discourse on the metaphysics of love and cinema. The cinema, for Cavalier, is like a two-way mirror that records images while reflecting those images back onto itself. Subject and object appear to mirror each other's identity until they assume new personae in the process. 　　The immediate challenge for Cavalier, then, is cinema's objective gaze: the ability of the camera to record the physical nature of reality. But Cavalier's chief interest is just the opposite. He wants to demonstrate the possibility of a new cinema: one that evolves out of concealment and subterfuge. This cinema deemphasizes the human landscape and dislocates the image from its voice. It focuses inward rather than outward, and chooses to explore the intangible and the abstract over the tactile and the concrete. 　　Appropriately, Cavalier's cine-diary unfolds like an open book: his twin loves (muse and cinema) are illuminated through a series of tableaux filled with close-up objects which are brought vividly to life by the imagination and the transfigurative power of the cinema. It is as if these everyday objects have become the lovers' collective memories saturated with the emotions and energy of life. In short these objects have assumed a life of their own becoming humanized and perhaps immortalized in the process. After all isn't this precisely the paradox of cinema--the ability to resurrect inanimate objects, to bring them back to life at 24 frames per second?

二十四节气、十二生肖、地域文化，这些最细节的生活日常，你了解多少？

描写杀手与目标之间禁断之恋的爱情喜剧。中川大志饰演的是实力强大的杀手却总在关键时刻出错。中川大志饰演的主角男虎柊，是一个外表甜美，拥有超群运…

描写杀手与目标之间禁断之恋的爱情喜剧。中川大志饰演的是实力强大的杀手却总在关键时刻出错。 　　中川大志饰演的主角男虎柊，是一个外表甜美，拥有超群运动神经的纯洁青年。5岁时亲生父母去世后，被父亲的好友男虎丈一郎抚养长大，但丈一郎其实是拥有“五黄之虎”别名的传说中的杀手。有一次，因为丈一郎被杀害而知道了他的真面目的柊，为了复仇，决定自己也要成为杀手。 　　论杀手的身体能力是无可挑剔的柊在准备周全后，接近暗杀目标鸣宫美月，但是自己的不走运作祟，无论如何都无法解决目标，而且还多次拯救鸣宫美月，柊在杀意和爱意萌生的夹缝中纠结着。