孟宁与姜尧虽然是最好的闺蜜，但两人的性格天差地别；姜尧是学校内的风云人物，老师最头疼的存在，而孟宁是功课名列前茅但性格孤僻的书呆子，对她来说，人生最重要的意义与目的就是要好好用功念书，然后进入梦寐以求的大学，才有光明未来。一次偶然的机会，姜尧遭遇车祸变成植物人，灵魂出窍出现在孟宁身边。二人尝试各种方法试图让姜尧重回到自己的身体，可是无济于事。但通过尝试，得出姜尧的灵魂状态只有孟宁能看见，奇幻的经历将两人牢牢的连在一起。

幸運是她的名字。儘管面對破裂婚姻，獨力帶着八歲女兒，她仍深信幸運在自己手裡，夢想有天能高飛，盼望彩票中頭獎，開一家屬於自己的幸運髮廊。這位「羅馬媽媽」有個心結，父親早死，她一直沒走出陰影。失意時遇上愛情，與愛女關係卻日趨惡化。羅馬水道橋前，大媽廣場舞是時代標記，中國移民放貴利。演而優則導的卡斯迪里圖，在執導《戀火浮生》後，再度與編劇妻子合作，回到家鄉羅馬取景，請來漢娜舒古拉重量級客串，女主角潔絲敏婷卡更於康城影展「某種觀點」單元獲封影后。

出租车司机大卫成了著名斗牛士“大师”的司机。这位大师阔别斗牛场多年后，正试图重返斗牛场。然而，大师的视角发生了改变，他开始将大卫视为幸运符。

该剧改编自玛丽莎·斯塔普利的同名小说。讲述一个年轻女子（安雅·泰勒-乔伊 Anya Taylor-Joy 饰）多年前摆脱了在犯罪环境中成长的过去，但现在必须最后一次接受自己黑暗的一面，以彻底逃离过去。

讲述MC study精灵“Genie”，在两个对现实和理想感到疲惫的青春男女面前出现，精灵满足他们的愿望而展开的幻想浪漫故事。

该剧改编自玛丽莎·斯塔普利的同名小说。讲述一个年轻女子（安雅·泰勒-乔伊 Anya Taylor-Joy 饰）多年前摆脱了在犯罪环境中成长的过去，但现在必须最后一次接受自己黑暗的一面，以彻底逃离过去。

新垣结衣在上海拍摄的心情短剧。新垣结衣一人分饰两角，讲说她独自到上海旅行，偶遇与自己长相一模一样的女生

The fear of being overwhelmed by the outside world can almost litterally make you lose your head...

A diary film about a relationship between a man (Alain Cavalier) and a woman, told entirely through voice-overs by the two participants, spoken over largely static images (of household objects, animals, parts of the body, rooms, landscapes etc.). At times an emotional direction emerges (an articulation of love, loss, frustration), then it retreats. At times the film seems to be about its own making; at others it seems merely to drift. 　　Imdb Review: Alain Cavalier's latest film is deceptively simple and yet revolutionary because it seems to stand outside the boundaries of narrative and documentary filmmaking. One could describe "La Rencontre" as a cinematic diary--a home movie that documents the filmmaker and his muse during the course of their relationship. But unlike most movies the human subjects here are never photographed in whole, just partially. This brave new work is as much about Cavalier's object of desire, that is, his lover as it is about the medium that gives expression to his love. It is conceived as one part confessional and one part discourse on the metaphysics of love and cinema. The cinema, for Cavalier, is like a two-way mirror that records images while reflecting those images back onto itself. Subject and object appear to mirror each other's identity until they assume new personae in the process. 　　The immediate challenge for Cavalier, then, is cinema's objective gaze: the ability of the camera to record the physical nature of reality. But Cavalier's chief interest is just the opposite. He wants to demonstrate the possibility of a new cinema: one that evolves out of concealment and subterfuge. This cinema deemphasizes the human landscape and dislocates the image from its voice. It focuses inward rather than outward, and chooses to explore the intangible and the abstract over the tactile and the concrete. 　　Appropriately, Cavalier's cine-diary unfolds like an open book: his twin loves (muse and cinema) are illuminated through a series of tableaux filled with close-up objects which are brought vividly to life by the imagination and the transfigurative power of the cinema. It is as if these everyday objects have become the lovers' collective memories saturated with the emotions and energy of life. In short these objects have assumed a life of their own becoming humanized and perhaps immortalized in the process. After all isn't this precisely the paradox of cinema--the ability to resurrect inanimate objects, to bring them back to life at 24 frames per second?

故事讲述的是玉县糟日部市樱陵学园里的一群喜爱动画、漫画的高中女生们的日常生活。其中主角泉此方更是为了喜欢的东西会不惜一切的女孩子，整天出入御宅族们的的圣地秋叶原、到女仆沏茶店打工、天天都有COSPLAY。 这样一名标准的秋叶系御宅的她，和相对平常些的柊姐妹、美幸等好朋友一起演绎着一幕幕喧嚣的，令人意外却很日常化的故事。