高中入学第一天，高一新生阳鞠，在新生欢迎会见到了表演乐团的主唱——朝凪依，并且对依萌生了一见钟情的憧憬。当阳鞠在校舍遇见依，表明自己的心意后，依对直率地表明自己憧憬之情的阳鞠萌生了一见钟情的恋爱情愫……彼此都喜欢着对方，却又微妙地有所不同。从一见钟情开始的恋爱故事。

亚凝（傅冲 饰）在准备和男友携手步入婚姻殿堂之际惨遭抛弃，痛苦的她来到了玻璃工艺品公司工作，并因此结识了设计师班君（陆毅 饰）。青姨是亚凝的好友，她预言当亚凝的真命天子出现之时，天边会亮起一道彩虹。 　　李牧（安泽豪 饰）是一个老实而又木讷的年轻人，在亚凝生日那天，李牧和班君不约而同的各送了一个彩虹胸针给亚凝，想起青姨的话，亚凝开始留意其自己身边的这两个男人。随着时间的推移，亚凝和班君之间的距离越来越近，最终产生了感情，而李牧在偶然之中邂逅了名为小秋的女孩，殊不知小秋其实是班君的女友。碍于小秋的存在，班君无法和亚凝走到一起，而李牧却早已经坠入了小秋编织的情网。

亚凝（傅冲 饰）在准备和男友携手步入婚姻殿堂之际惨遭抛弃，痛苦的她来到了玻璃工艺品公司工作，并因此结识了设计师班君（陆毅 饰）。青姨是亚凝的好友，她预言当亚凝的真命天子出现之时，天边会亮起一道彩虹。 　　李牧（安泽豪 饰）是一个老实而又木讷的年轻人，在亚凝生日那天，李牧和班君不约而同的各送了一个彩虹胸针给亚凝，想起青姨的话，亚凝开始留意其自己身边的这两个男人。随着时间的推移，亚凝和班君之间的距离越来越近，最终产生了感情，而李牧在偶然之中邂逅了名为小秋的女孩，殊不知小秋其实是班君的女友。碍于小秋的存在，班君无法和亚凝走到一起，而李牧却早已经坠入了小秋编织的情网。

亚凝（傅冲 饰）在准备和男友携手步入婚姻殿堂之际惨遭抛弃，痛苦的她来到了玻璃工艺品公司工作，并因此结识了设计师班君（陆毅 饰）。青姨是亚凝的好友，她预言当亚凝的真命天子出现之时，天边会亮起一道彩虹。 　　李牧（安泽豪 饰）是一个老实而又木讷的年轻人，在亚凝生日那天，李牧和班君不约而同的各送了一个彩虹胸针给亚凝，想起青姨的话，亚凝开始留意其自己身边的这两个男人。随着时间的推移，亚凝和班君之间的距离越来越近，最终产生了感情，而李牧在偶然之中邂逅了名为小秋的女孩，殊不知小秋其实是班君的女友。碍于小秋的存在，班君无法和亚凝走到一起，而李牧却早已经坠入了小秋编织的情网。

新垣结衣在上海拍摄的心情短剧。新垣结衣一人分饰两角，讲说她独自到上海旅行，偶遇与自己长相一模一样的女生

The fear of being overwhelmed by the outside world can almost litterally make you lose your head...

A diary film about a relationship between a man (Alain Cavalier) and a woman, told entirely through voice-overs by the two participants, spoken over largely static images (of household objects, animals, parts of the body, rooms, landscapes etc.). At times an emotional direction emerges (an articulation of love, loss, frustration), then it retreats. At times the film seems to be about its own making; at others it seems merely to drift. 　　Imdb Review: Alain Cavalier's latest film is deceptively simple and yet revolutionary because it seems to stand outside the boundaries of narrative and documentary filmmaking. One could describe "La Rencontre" as a cinematic diary--a home movie that documents the filmmaker and his muse during the course of their relationship. But unlike most movies the human subjects here are never photographed in whole, just partially. This brave new work is as much about Cavalier's object of desire, that is, his lover as it is about the medium that gives expression to his love. It is conceived as one part confessional and one part discourse on the metaphysics of love and cinema. The cinema, for Cavalier, is like a two-way mirror that records images while reflecting those images back onto itself. Subject and object appear to mirror each other's identity until they assume new personae in the process. 　　The immediate challenge for Cavalier, then, is cinema's objective gaze: the ability of the camera to record the physical nature of reality. But Cavalier's chief interest is just the opposite. He wants to demonstrate the possibility of a new cinema: one that evolves out of concealment and subterfuge. This cinema deemphasizes the human landscape and dislocates the image from its voice. It focuses inward rather than outward, and chooses to explore the intangible and the abstract over the tactile and the concrete. 　　Appropriately, Cavalier's cine-diary unfolds like an open book: his twin loves (muse and cinema) are illuminated through a series of tableaux filled with close-up objects which are brought vividly to life by the imagination and the transfigurative power of the cinema. It is as if these everyday objects have become the lovers' collective memories saturated with the emotions and energy of life. In short these objects have assumed a life of their own becoming humanized and perhaps immortalized in the process. After all isn't this precisely the paradox of cinema--the ability to resurrect inanimate objects, to bring them back to life at 24 frames per second?

文涛向秦峰道歉，称无法履约并愿还钱。秦峰不在意，让艾利接替顾悦，还送别墅怂恿二人。艾利突然持刀刺文涛，被其挣脱。秦峰现身，坦言自己需换肾，文涛肾源匹配，此前皆为夺肾设计，顾悦是被栽赃。警察与顾悦赶到，顾悦拿出文涛的录音笔揭穿阴谋，秦峰、艾利被捕。顾悦告知文涛，秦峰是养父养子，恩将仇报夺家产，害她父亲。文涛庆幸信她，顾悦（本名曼歌）提议在一起，文涛答应。两人牵手时顾悦恶心似怀孕，文涛接电话得知母亲康复，见面后母亲猜顾悦怀孕，三人欢喜。文涛承诺对顾悦好，两人相拥，期待新生活。

江念真拒向沈彦道歉，称一周内让沈家主动合作。两天后，她赴约见沈呈川，遭沈彦骚扰拖拽，被沈呈川救下。江念真请求合作摆脱沈彦，沈呈川应允。次日，她带父亲递企划案获接待，父亲惊喜，准备去沈家退婚。赵芳和江婕见状不安，暗自盘算应对。

由AT-X电视台制作，中村悠一和杉田智和主持的电视节目。东京相遇是一档专门介绍游戏的节目，每集时长约半小时。