许诗瓷急需20万买下过世母亲遗留的房子，和千亿总裁夜司寒在阴差阳错下意外相亲，夜司寒为摆脱爷爷的催婚顶替他人身份，答应许诗瓷的20万彩礼请求与其结婚，结婚后，意外得知她就是爷爷想要给自己介绍的女孩，许诗瓷凑齐房钱却得知被恶毒父亲卖给了他人，可不曾想是夜司寒得知她的身世，心疼不已，将其母亲的房子买下成为两人的家，夜司寒一边隐藏身份一边在接下来的日子里不受控制的爱上了许诗瓷。

Based on rare archives, the exemplary adventure of Somankidi Coura – an agricultural cooperative founded in Mali in 1977 by West African immigrant workers living in workers’ accommodation in France – sheds light on the violence of colonial agriculture and the ecological challenges in Africa today.

暂无剧情简介

暂无剧情简介

Based on rare archives, the exemplary adventure of Somankidi Coura – an agricultural cooperative founded in Mali in 1977 by West African immigrant workers living in workers’ accommodation in France – sheds light on the violence of colonial agriculture and the ecological challenges in Africa today.

本剧改编自同名漫画，故事始于派遣职员山本莉子（工藤美樱 饰）遭公司突然解雇。心情低落返家的她，在楼梯滑倒时被陌生帅气上班族勤救下。在勤的主动推动下，莉子不知不觉和他共进晚餐，甚至去了酒店。这次相遇使莉子的人生急转直下，陷入爱与欲望的漩涡。与此同时，靠同居女友养活的落魄乐队男拓真（椿拓真 饰），也有着不可告人的秘密。谎言、暴行、杀意与疯狂相互交织，莉子、拓真以及周围人物深陷无法挣脱的出轨地狱。

本剧改编自同名漫画，故事始于派遣职员山本莉子（工藤美樱 饰）遭公司突然解雇。心情低落返家的她，在楼梯滑倒时被陌生帅气上班族勤救下。在勤的主动推动下，莉子不知不觉和他共进晚餐，甚至去了酒店。这次相遇使莉子的人生急转直下，陷入爱与欲望的漩涡。与此同时，靠同居女友养活的落魄乐队男拓真（椿拓真 饰），也有着不可告人的秘密。谎言、暴行、杀意与疯狂相互交织，莉子、拓真以及周围人物深陷无法挣脱的出轨地狱。

南芳在陆嘉珩手下隐忍五年，从地下恋人熬到约定婚期，却撞见他向白月光楚倩倩求婚。她意外怀孕，仍存一丝希望，反遭陆嘉珩羞辱、楚倩倩构陷。楚倩倩自导自演被强暴戏码并嫁祸南芳，陆嘉珩不问青红皂白痛下狠手，致南芳流产。身心俱碎的南芳被暗恋自己的医生郑雨泽救下，在他的照料与帮助下重拾事业。陆嘉珩得知真相后追悔莫及，却已无法挽回。最终南芳走出阴霾，与郑雨泽相守，陆嘉珩车祸成植物人，楚倩倩精神失常，二人皆食恶果。

Lu Pan and Yu Araki share home video-footage of their 90s childhoods in all their funny, celebratory, awkward and banal glory. Edited together remotely during the pandemic, the two artists discuss early home video technology, the social status of this footage in different contexts (both migrated as children), and also how these images were made and circulated. Their playful yet insightful conversation stitches the chaotic footage together and gives new life to a nostalgic form of cinema.

Lu Pan and Yu Araki share home video-footage of their 90s childhoods in all their funny, celebratory, awkward and banal glory. Edited together remotely during the pandemic, the two artists discuss early home video technology, the social status of this footage in different contexts (both migrated as children), and also how these images were made and circulated. Their playful yet insightful conversation stitches the chaotic footage together and gives new life to a nostalgic form of cinema.