约书亚·菲尔茨·米尔本和瑞安·尼科迪默斯这对老友创立了一项极简主义运动，讲述一切从简如何能让我们的生活变得更好。

亚特是英国一位二十多岁的年轻人，正在为自己的音乐生涯而打拼，然而他觉得自己必须逃离这种令人沮丧的生活，他觉得这可以在一本叫《这不是你的错》的书里找到答案，于是他邀请该书的作者，一位加拿大人到家中居住，并指导自己的生活，而这对他的家庭来说无疑掀起了一场风暴。

亚特是英国一位二十多岁的年轻人，正在为自己的音乐生涯而打拼，然而他觉得自己必须逃离这种令人沮丧的生活，他觉得这可以在一本叫《这不是你的错》的书里找到答案，于是他邀请该书的作者，一位加拿大人到家中居住，并指导自己的生活，而这对他的家庭来说无疑掀起了一场风暴。

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

随着食品和能源价格的上涨，杰米·奥利弗（Jamie Oliver）带着节目《杰米·奥利弗极简烹饪》回归，提供聪明的食谱、技巧和窍门，帮助在厨房中降低成本。在烹饪一些对钱包友好的美味食谱的同时，杰米揭示了一些实用的烹饪原则——比如加大批量烹饪、利用冰箱和微波炉，以及充分利用烤箱——这将使你即使在预算有限的情况下也能烹饪出色的食物。杰米有一些很棒的点子，可以利用超值的食材，以最节能的方式烹饪出适合家庭的美味菜肴；从使用微波炉从头开始制作美味的咖喱，到一次使用烤箱制作多餐或批量烹饪以节省金钱和时间。

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

In 1976 Carl Andre's sculpture Equivalent VIII, better known as 'The Tate Bricks', caused a national outcry. 'What a Load of Rubbish' screamed the papers, 'it's not even art'. Worse still, in the midst of a severe economic depression, the Bricks were paid for with taxpayers' money. One man was so outraged he went to the Tate Gallery and threw blue food dye all over at them. 　　BBC Four marks the 40th anniversary with award-winning director Clare Beavan's entertaining and revealing documentary looking back at the creation of the sculpture - which consists of 120 fire bricks - and the frenzied outcry that followed. With contributions from some of the key players involved at the time, as well as contemporary artists, historians and critics, Bricks! tells the tale of what happened when modern art and public opinion came up against a brick wall. Did Carl Andre's artwork pave the way for a greater appetite for conceptual art in Britain?