本片展示了加沙四名年轻人的生活，他们试图在以色列-哈马斯战争中幸存下来，因为他们希望停火——这是对战区生活的生动而坚定的看法。以色列不允许外国记者在加沙独立报道。为了制作这部电影，两名驻伦敦的制片人在加沙的地面上远程指导了两名摄影师，历时九个月，他们进入了外国媒体无法到达的关键地点。这部戏剧性的纪录片为加沙人道主义“安全区”内的生活提供了新的视角，展示了持续空袭的日常生活，以及在唯一一家正常运作的永久医院阿克萨为让人们活着所做的努力。

2020 年疫情爆发，四年间病毒变异，国内控制良好，国外恶化。疫情后，杰西卡一家回农村，父母开店、加固房屋安保。 身为外贸从业者的杰西卡，收外国朋友邮件得知病毒变丧尸病毒，国外混乱。她速告家人，清点物资后分工采购药品、发电设备和滤水仪，此时市区、村里陆续封城。 凌晨市区病毒爆发，感染扩散，家人轮流值守。杰西卡见可疑男子标记房屋，后牛撞后门、丧尸出现，隔壁遇难，村南边、北面先后失守，天台监控也遭破坏。 他们借网络知政府建幸存者营地，备好收音机。一月后丧尸进化，半年后物资将尽，他们用对讲机、红旗求救，终被直升机救往基地，凭特长分工助力人类重建。

天灾降临，人类末日，方辰被天灾化身当做人质，致使人类满盘皆输。含恨死去的他一睁眼居然重生回了天灾发生前三天，并觉醒末日生存系统，这一次他要洗辱废物之名，以巅峰之姿终结天灾！

20年疫情爆发，四年间病毒不断变异融合。国内疫情控制良好，国外却持续恶化。疫情结束后，杰西卡一家回到农村，父母开店，生意蒸蒸日上，还强化了房屋安保。 一天，身为外贸从业者的杰西卡收到外国朋友的邮件，惊悉病毒已变异为丧尸病毒，国外一片混乱。她立刻叫醒家人，全家紧急清点物资，发现药品不足后，分工外出采购，还购置了发电设备和过滤水仪器。此时，市区和村里陆续封城。 凌晨，市区病毒爆发，机场人员发病咬人，感染迅速扩散。一家人高度警惕，轮流值守。杰西卡从监控看到三个可疑男子，他们在打量房屋后做了标记离开。 半年过去，物资逐渐见底，政府救援临近。他们通过对讲机公开频道联系外界，还挂出红旗发出求救信号。终于，直升机抵达，他们成功获救，前往救援基地。在基地，一家人根据自身特长被分配工作，为人类重建贡献力量。

Netflix直接预订8集喜剧《#绿扁帽末日生存指南# The Green Beret’s Guide to Surviving the Apocalypse》，该剧由前美国绿扁帽Shawn Vance及前美国陆军军医Daril Fanin所负责。 《绿扁帽末日生存指南》是部混合了真实生存技巧的诗选喜剧，讲述剧中主角Shawn（Shawn Vance饰演）每集中如何在末日环境下求生。

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

记忆如何形成？难道这不是一个涉及遗忘和再创造的过程吗？电影使用碎片化的建筑影像来象征这一记忆构建的过程。摄影机穿越既像电影布景也像废弃地点的结构。我们想起曾经去过的地方，我们在联想。从黑暗的某处传来的澳大利亚配音演员的声音诉说着他在墨尔本上学的细节，讲述了他在异域城市的冒险，并描述了他记忆中的那些建筑。他的声音在渐渐消失，但被录音机所记住。

本片导演以一种难能可贵的幽默之情戏剧化的重现了当年南斯拉夫分崩离析的最初原因和经过, 以夸张的人物造型和超现实的镜头角度极尽挖苦讽刺调侃之能事, 将当年政客的丑陋虚伪, 军人的蛮横冷血刻画得相当戏谑, 让人们在笑声中又感觉到一丝辛酸和苦涩. 实属难得的东欧黑色喜剧佳作. A MUST-SEE! 　　Although being one of the first movies to take humoristic approach towards violent break-up of Yugoslavia, this motion picture is partly based on real events that took place in September of 1991. Few months after Croatia seceded from Yugoslavia, Federal military installations are still present with previously recruited Croatian boys trapped inside. One such installation is a garrison on a small Dalmatian island, commanded by Major Aleksa Milosavljevic. Besieged by local militia, Major Aleksa threatens to blow up ammunition depots with half an island in case of any hostile action. During the stalemate, art historian Blaz Gajski comes from Zagreb in order to rescue his son from the barracks. 　　In the beginning of 1991, the Yugoslav National Army, which does not acknowledge Croatia's independence, is still holding the military barracks throughout Croatia. Blaz Gajski travels to an island in order to retrieve his son from the barracks situated on this island. The atmosphere on the island is intense. The local government has besieged the barracks, and local people have organized a festival in front of it. With their singing and recitals, they plan to force major Aleksa and his soldiers to surrender. But, Aleksa has planted explosives in the barracks and threatens to blow up the island.