过年前夕，我毅然辞去了工作，染了一头耀眼的黄发，戴上眉钉耳环，决心以一身叛逆而酷炫的造型，回家“扛下所有火力”，为家中那些可能遭遇传统盘问的小辈们，撑起一个安逸清净的新年。我本以为自己会是家庭的焦点，会是潮流的引领者，结果却万万没想到，我精心打造的“风头”，在一系列突如其来的家庭“炸弹”面前，瞬间荡然无存。家中上演了一场场令人瞠目结结舌的年度大戏：三十岁未婚、平日里矜贵的小叔，竟然带回一个黑皮寸头、身高185的“男婶子”，高调宣布要“追求自我”；家族的骄傲，学霸堂兄，一心想辍学奔赴“缅北”挣大钱，甚至准备卖房投资，满口“追求财富自由”的宏图大志。

讲述了编剧宋淮在经历一场重生后，彻底改写人生剧本的跌宕故事。前世的遗憾与羁绊，在这一世化作他坚决放手的勇气。他毅然决然地放弃了与柳如烟的婚约，携带着一亿资金，奔赴京州，全心追逐内心深处的编剧梦想。五年磨砺，宋淮凭借过人才华声名鹊起，成为了炙手可热的知名编剧。

《失所于时》追溯一个伊朗家庭流散于数十载光阴与不同大洲间的故事。家，成了一段支离破碎的记忆，遥远却可触。在日童年的Hi8录像，借由屏幕共度的诺鲁孜节（Nowruz），以及对已不复存在的旧室之梦，共同拼贴出一幅离散生活的私密图景。影片的核心是导演母亲的歌声——她那在伊朗被禁止的歌唱，在此成为一种抵抗之举。她的歌声如一缕游丝萦绕于影像之间，串联往昔与当下，系缚可见与未见。 　　此片最终叩问：离散所重塑的，不仅是我们的容身之地，更是我们栖居于时间的方式——唯有在影像那脆弱的疆界里，我们才得以真正重逢。

当难民萨尔玛获得居留许可时，她发现她和她儿子没有了国籍。于是，萨尔玛为了他们失去的国籍能够重新获得承认而努力坚持。 　　When Salma, a refugee, gets her residence permit, she discovers that the authorities have withdrawn her nationality and that of her son. Salma then fights for the recognition of their lost nationality.

当难民萨尔玛获得居留许可时，她发现她和她儿子没有了国籍。于是，萨尔玛为了他们失去的国籍能够重新获得承认而努力坚持。 　　When Salma, a refugee, gets her residence permit, she discovers that the authorities have withdrawn her nationality and that of her son. Salma then fights for the recognition of their lost nationality.

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

苏晚凝是一个被困在系统世界中的玩家，她的任务是“与所爱之人永不分离”，失败则将面临死亡。她的丈夫顾砚深执意要与她离婚，以便与白月光学妹林微月“假结婚”。苏晚凝在调查任务失败原因的过程中，发现自己曾为救顾砚深而伤残毁容，却反被指责道德绑架。系统提示她可通过极端手段挽回婚姻，但她拒绝伤害他人。 在一次车祸中，苏晚凝为救母亲周凤华受伤，却因系统规则暂保性命。她发现林微月竟是车祸真凶，并目睹顾顾深变心。绝望之下，她计划让顾砚深亲手“害死”自己，使其终生愧疚。然而意外失忆让她记忆退回七年前，她借此扮柔弱、博取顾砚深内疚，并暗中收集林微月罪证。