According to this film the capitalist countries celebrated Lenin’s death in 1924, which they expected to bring the demise of the USSR; instead 100,000 more Soviets joined the Russian Communist Party. Not listed on the definitive website animator.ru, but Irina Margolina credits Dziga Vertov with making the film.

According to this film the capitalist countries celebrated Lenin’s death in 1924, which they expected to bring the demise of the USSR; instead 100,000 more Soviets joined the Russian Communist Party. Not listed on the definitive website animator.ru, but Irina Margolina credits Dziga Vertov with making the film.

Working mainly during the 1920s, Vertov promoted the concept of kino-pravda, or film-truth, through his newsreel series. His driving vision was to capture fragments of actuality which, when organized together, showed a deeper truth which could not be seen with the naked eye. In the "Kino-Pravda" series, Vertov focused on everyday experiences, eschewing bourgeois concerns and filming marketplaces, bars, and schools instead, sometimes with a hidden camera, without asking permission first.

Working mainly during the 1920s, Vertov promoted the concept of kino-pravda, or film-truth, through his newsreel series. His driving vision was to capture fragments of actuality which, when organized together, showed a deeper truth which could not be seen with the naked eye. In the "Kino-Pravda" series, Vertov focused on everyday experiences, eschewing bourgeois concerns and filming marketplaces, bars, and schools instead, sometimes with a hidden camera, without asking permission first.

A feature documentary about documentary, Cinéma Vérité: Defining the Moment is a major retrospective of some of the century’s finest non-fiction films, and a celebration of the contemporary legacy of the Cinéma Vérité revolution of the 1950s and early 1960s. The revolution had many names: Free Cinema, Direct Cinema, Candid Eye, Cinéma Vérité – and it broke out simultaneously in England, France, the USA, and Canada. Wherever it appeared, the form marked a completely new way of understanding film, the audience and the world. The world of Cinéma Vérité filmmaking was created by a group of driven, dedicated rebels who did for documentary what Henri Cartier-Bresson did for photography. All the key players, including Michel Braulty, Robert Drew, Wolf Koenig, Richard Leacock, the Maysles brothers, Donn Pennebaker, Pierre Perrault, Jean Rouch, Hope Ryden, and Fred Wiseman, are featured in this film. Their use of lightweight, hand-held cameras and portable sound equipment, along with their unfailing commitment to recording reality as they saw it, revolutionized not only the documentary form, but all forms of movie-making. Set against the stilted, lecture-style documentary that preceded them, these works remain evergreen – equally fresh and original as when they first appeared. (源自: TIDF 2024)

A feature documentary about documentary, Cinéma Vérité: Defining the Moment is a major retrospective of some of the century’s finest non-fiction films, and a celebration of the contemporary legacy of the Cinéma Vérité revolution of the 1950s and early 1960s. The revolution had many names: Free Cinema, Direct Cinema, Candid Eye, Cinéma Vérité – and it broke out simultaneously in England, France, the USA, and Canada. Wherever it appeared, the form marked a completely new way of understanding film, the audience and the world. The world of Cinéma Vérité filmmaking was created by a group of driven, dedicated rebels who did for documentary what Henri Cartier-Bresson did for photography. All the key players, including Michel Braulty, Robert Drew, Wolf Koenig, Richard Leacock, the Maysles brothers, Donn Pennebaker, Pierre Perrault, Jean Rouch, Hope Ryden, and Fred Wiseman, are featured in this film. Their use of lightweight, hand-held cameras and portable sound equipment, along with their unfailing commitment to recording reality as they saw it, revolutionized not only the documentary form, but all forms of movie-making. Set against the stilted, lecture-style documentary that preceded them, these works remain evergreen – equally fresh and original as when they first appeared. (源自: TIDF 2024)

《海上钢琴师》编剧亚利桑德罗·巴里克的导演处女作，影片呈现出同样精彩绝伦的故事，讲述了贝多芬第九交响曲创作过程中的秘密。

《海上钢琴师》编剧亚利桑德罗·巴里克的导演处女作，影片呈现出同样精彩绝伦的故事，讲述了贝多芬第九交响曲创作过程中的秘密。