德齐加·韦尔托夫、伊莱扎维塔·斯维洛娃和米哈伊尔·考夫曼的一系列新闻影片，记录了20世纪20年代初的俄罗斯生活。http://www.renrendianyingwang.cn/movie/

Working mainly during the 1920s, Vertov promoted the concept of kino-pravda, or film-truth, through his newsreel series. His driving vision was to capture fragments of actuality which, when organized together, showed a deeper truth which could not be seen with the naked eye. In the "Kino-Pravda" series, Vertov focused on everyday experiences, eschewing bourgeois concerns and filming marketplaces, bars, and schools instead, sometimes with a hidden camera, without asking permission first.

According to this film the capitalist countries celebrated Lenin’s death in 1924, which they expected to bring the demise of the USSR; instead 100,000 more Soviets joined the Russian Communist Party. Not listed on the definitive website animator.ru, but Irina Margolina credits Dziga Vertov with making the film.

Inspired by the 1997 American drama Donnie Brasco, El Dandy tells the story of a law professor who has been hired by the Attorney General, to participate in a program of special operations, where you must infiltrate one of the most notorious drug cartels of Mexico City. Under the false name Daniel "El Dandy" Bracho, begins the task of identifying all the members of this clandestine network. However, he quickly finds that his acute ability to police work is only comparable with the exciting sense of danger that experiences living life to the fullest. Along the way, it avails itself of the help of a criminal's petty, loyal, even corrupt, called El Chueco, who quickly befriends Bracho and comes dangerously close to discover his true identity. Much deeper Bracho is involved in the mafia, more work tells him to get out, and the professor once incorruptible has to choose between returning to a normal life as a respectable citizen or fully embrace his criminal life.

《真实电影》取材于1973年播出的纪录片剧集《一个美国家庭》(An American Family)，这部剧集讲述了圣芭芭拉的一个普通家庭——劳德一家的故事。正在闹离婚的帕特-劳德与比尔-劳德夫妇是一对典型的美国中产阶级代表，他们共同抚养了四个孩子，其中大儿子兰斯公开宣布自己是同性恋。该片不仅着力反映整个社会对家庭内部矛盾的影响，在当时也鲜有电视作品表现同性恋话题。而《真实电影》则走进了这部剧集的幕后，

A feature documentary about documentary, Cinéma Vérité: Defining the Moment is a major retrospective of some of the century’s finest non-fiction films, and a celebration of the contemporary legacy of the Cinéma Vérité revolution of the 1950s and early 1960s. The revolution had many names: Free Cinema, Direct Cinema, Candid Eye, Cinéma Vérité – and it broke out simultaneously in England, France, the USA, and Canada. Wherever it appeared, the form marked a completely new way of understanding film, the audience and the world. The world of Cinéma Vérité filmmaking was created by a group of driven, dedicated rebels who did for documentary what Henri Cartier-Bresson did for photography. All the key players, including Michel Braulty, Robert Drew, Wolf Koenig, Richard Leacock, the Maysles brothers, Donn Pennebaker, Pierre Perrault, Jean Rouch, Hope Ryden, and Fred Wiseman, are featured in this film. Their use of lightweight, hand-held cameras and portable sound equipment, along with their unfailing commitment to recording reality as they saw it, revolutionized not only the documentary form, but all forms of movie-making. Set against the stilted, lecture-style documentary that preceded them, these works remain evergreen – equally fresh and original as when they first appeared. (源自: TIDF 2024)

有着超能力的年轻人约翰·史密斯（亚历克斯·帕蒂弗饰）从残暴冷血的敌人手中死里逃生，为确保安全，他必须不断变换着身份和他的守护人亨利（蒂莫西·奥利芬特饰）一起过着颠沛流离的逃亡生活，这样的生活让约翰很是困扰，因为他对自己的过去并没有太多的印象。可就在逃亡到一个小镇的时候，约翰的生活发生了前所未有的变化，一个女孩（戴安娜·阿格隆饰）出现在他的生命里，让他第一次感觉到爱情的力量，同时他也惊讶地发现自己具有不同于常人的超能力，这把他和过去的自己紧密地联系在了一起。

在始祖灵兽利用无尽能源替布莱克驱逐了体内的黑暗力量后，无尽能源便消失了，正当赛尔先锋小队感到失望时，派特博士无意上发现了幻影金刚的芯片中记录着关于阿瑞斯水晶的传说， 于是战神联盟在赛尔先锋小队的协助下踏上了寻找阿瑞斯水晶的征途，经历了重重磨难，战神联盟终于扫平了阻碍，战胜了也想染指水晶的宇宙海盗和邪恶精灵哈迪斯，在一场公平的对决后，雷伊最终以实力赢得了阿瑞斯水晶并找回了无尽能源。