According to this film the capitalist countries celebrated Lenin’s death in 1924, which they expected to bring the demise of the USSR; instead 100,000 more Soviets joined the Russian Communist Party. Not listed on the definitive website animator.ru, but Irina Margolina credits Dziga Vertov with making the film.

Working mainly during the 1920s, Vertov promoted the concept of kino-pravda, or film-truth, through his newsreel series. His driving vision was to capture fragments of actuality which, when organized together, showed a deeper truth which could not be seen with the naked eye. In the "Kino-Pravda" series, Vertov focused on everyday experiences, eschewing bourgeois concerns and filming marketplaces, bars, and schools instead, sometimes with a hidden camera, without asking permission first.

德齐加·韦尔托夫、伊莱扎维塔·斯维洛娃和米哈伊尔·考夫曼的一系列新闻影片，记录了20世纪20年代初的俄罗斯生活。http://www.renrendianyingwang.cn/movie/

Inspired by the 1997 American drama Donnie Brasco, El Dandy tells the story of a law professor who has been hired by the Attorney General, to participate in a program of special operations, where you must infiltrate one of the most notorious drug cartels of Mexico City. Under the false name Daniel "El Dandy" Bracho, begins the task of identifying all the members of this clandestine network. However, he quickly finds that his acute ability to police work is only comparable with the exciting sense of danger that experiences living life to the fullest. Along the way, it avails itself of the help of a criminal's petty, loyal, even corrupt, called El Chueco, who quickly befriends Bracho and comes dangerously close to discover his true identity. Much deeper Bracho is involved in the mafia, more work tells him to get out, and the professor once incorruptible has to choose between returning to a normal life as a respectable citizen or fully embrace his criminal life.

《真实电影》取材于1973年播出的纪录片剧集《一个美国家庭》(An American Family)，这部剧集讲述了圣芭芭拉的一个普通家庭——劳德一家的故事。正在闹离婚的帕特-劳德与比尔-劳德夫妇是一对典型的美国中产阶级代表，他们共同抚养了四个孩子，其中大儿子兰斯公开宣布自己是同性恋。该片不仅着力反映整个社会对家庭内部矛盾的影响，在当时也鲜有电视作品表现同性恋话题。而《真实电影》则走进了这部剧集的幕后，

A feature documentary about documentary, Cinéma Vérité: Defining the Moment is a major retrospective of some of the century’s finest non-fiction films, and a celebration of the contemporary legacy of the Cinéma Vérité revolution of the 1950s and early 1960s. The revolution had many names: Free Cinema, Direct Cinema, Candid Eye, Cinéma Vérité – and it broke out simultaneously in England, France, the USA, and Canada. Wherever it appeared, the form marked a completely new way of understanding film, the audience and the world. The world of Cinéma Vérité filmmaking was created by a group of driven, dedicated rebels who did for documentary what Henri Cartier-Bresson did for photography. All the key players, including Michel Braulty, Robert Drew, Wolf Koenig, Richard Leacock, the Maysles brothers, Donn Pennebaker, Pierre Perrault, Jean Rouch, Hope Ryden, and Fred Wiseman, are featured in this film. Their use of lightweight, hand-held cameras and portable sound equipment, along with their unfailing commitment to recording reality as they saw it, revolutionized not only the documentary form, but all forms of movie-making. Set against the stilted, lecture-style documentary that preceded them, these works remain evergreen – equally fresh and original as when they first appeared. (源自: TIDF 2024)

Henrik is a young father who lives in Stockholm, constantly plagued by nightmares with his deceased mother. One day, he receives the news that his father, father, who lives in a remote village, it is drowned and died. The circumstances of drowning are mysterious. Henrik travels to the village to investigate the cause of his death. To find out more about the drowning and on his father, the door to the unknown and open. Shadows of the past emerge, returning to this world for one reason only: revenge.

中央新闻纪录电影制片厂1965年摄制 要闻简讯： 刘少奇接见阿尔巴尼亚客人 刘少奇接见加纳代表团 蔡畅等欢迎罗马尼亚妇女代表团 欢迎日本话剧团（北京）摄影陈锦俶、赵凯 创制成功双水内冷汽轮发电机（上海）摄影石磊、张长根 鞍钢生产告捷（辽宁）摄影郭守春 革新钻探机具（湖南 ）摄影王瑞华 培训插秧机手（广西）摄影叶宁 红旗渠第一期工程完成（河南）摄影徐来