看似是楚国女帝无用的夫君，但林齐实则是天下第一势力，麒麟阁之主。他智勇双全，更有能掌控天下的军事实力。当年，为了妻子沈青瑶的一句“我要天下太平，再无兵乱”，林齐便暗中助其登临帝位。然而登基成为女帝之后，妻子却觉得林齐身无长物，对自己毫无帮助，百般嫌弃，故毫不犹豫地给了他一纸休书。同时，女帝转而爱上了五年来，一直帮助自己、守护自己的麒麟先生。但她却不知，麒麟先生实则就是林齐的另一重身份。为了向心中的“白月光”麒麟先生提亲，女帝不惜加重赋税举办“麒麟宴”，却对林齐苦口婆心的劝诫无动于衷，甚至恶语相向。“能配得上朕的只有麒麟先生，而你林齐只会让朕恶心。”自己的满腔热情，自己五年来的默默付出，却被女帝视作一文不值。林齐想要辩解，然而女帝却不给他丝毫辩解的机会，不仅将他打入天牢，更要将他处死！林齐终于心灰意冷，绝望之际，来自黎国的女帝沐婉灵飘然而至。她英姿飒爽，含情脉脉地盯着林齐，与沈青瑶不同的是，她要以江山为聘嫁给林齐。“沈青瑶，既然你不懂得珍惜，那我便替你珍惜！

看似是楚国女帝无用的夫君，但林齐实则是天下第一势力，麒麟阁之主。他智勇双全，更有能掌控天下的军事实力。当年，为了妻子沈青瑶的一句“我要天下太平，再无兵乱”，林齐便暗中助其登临帝位。然而登基成为女帝之后，妻子却觉得林齐身无长物，对自己毫无帮助，百般嫌弃，故毫不犹豫地给了他一纸休书。同时，女帝转而爱上了五年来，一直帮助自己、守护自己的麒麟先生。但她却不知，麒麟先生实则就是林齐的另一重身份。为了向心中的“白月光”麒麟先生提亲，女帝不惜加重赋税举办“麒麟宴”，却对林齐苦口婆心的劝诫无动于衷，甚至恶语相向。“能配得上朕的只有麒麟先生，而你林齐只会让朕恶心。”自己的满腔热情，自己五年来的默默付出，却被女帝视作一文不值。林齐想要辩解，然而女帝却不给他丝毫辩解的机会，不仅将他打入天牢，更要将他处死！林齐终于心灰意冷，绝望之际，来自黎国的女帝沐婉灵飘然而至。她英姿飒爽，含情脉脉地盯着林齐，与沈青瑶不同的是，她要以江山为聘嫁给林齐。“沈青瑶，既然你不懂得珍惜，那我便替你珍惜！

改编自行烟烟的同名小说。孟廷辉，大平王朝有史以来个以女子进士科三元及第入翰林院的奇女子。十年前的她被他从死人堆里救出来，蓬头垢面口齿不清。十年后的她才学满腹、冠盖众人，于女子进士科上大方异彩，成为了朝中二十余年来令人瞩目的女官。她处事圆滑，心机多端，为了往上爬而不择手段，视飞黄腾达为人生目标，数年来从一个小小的正六品翰林院修撰一路升为与诸多老臣平起平坐的参知政事，被朝中清议冠以奸佞之名而不在乎，行事苛酷阴狠、对人不留余地，令一朝上下人人畏恶，可却没有一个人懂得她这么多年是如何过来的，更没有一个人知晓她心里究竟想的是什么。那一个龙座高高在上，那一个男人聛睨天下，她心甘情愿地伏在他座下，看他固江山，看他养百姓，看他治太平，看他一步步成为大平王朝有史以来最强悍的一个帝王。当年他救了她，现如今她报答他，就算是成为他一世帝业的垫脚石也无怨无悔，可她算尽了一切，却唯独没有算到，其实他也爱着她。一个是尽享天下盛名的英明雄主，一个是背负千古骂名的奸佞之臣，他们的情路注定布满荆棘。

改编自行烟烟的同名小说。孟廷辉，大平王朝有史以来个以女子进士科三元及第入翰林院的奇女子。十年前的她被他从死人堆里救出来，蓬头垢面口齿不清。十年后的她才学满腹、冠盖众人，于女子进士科上大方异彩，成为了朝中二十余年来令人瞩目的女官。她处事圆滑，心机多端，为了往上爬而不择手段，视飞黄腾达为人生目标，数年来从一个小小的正六品翰林院修撰一路升为与诸多老臣平起平坐的参知政事，被朝中清议冠以奸佞之名而不在乎，行事苛酷阴狠、对人不留余地，令一朝上下人人畏恶，可却没有一个人懂得她这么多年是如何过来的，更没有一个人知晓她心里究竟想的是什么。那一个龙座高高在上，那一个男人聛睨天下，她心甘情愿地伏在他座下，看他固江山，看他养百姓，看他治太平，看他一步步成为大平王朝有史以来最强悍的一个帝王。当年他救了她，现如今她报答他，就算是成为他一世帝业的垫脚石也无怨无悔，可她算尽了一切，却唯独没有算到，其实他也爱着她。一个是尽享天下盛名的英明雄主，一个是背负千古骂名的奸佞之臣，他们的情路注定布满荆棘。

现代富商之女沈清鸢穿越成云启国沈家二姑娘，因身边无男侍遭贵女嘲笑，怒入醉星楼买下桀骜受辱的凌越。她护他免受欺凌，为保他不惜违逆世俗娶其为正夫。后为避世家构陷，沈清鸢假意厌弃将凌越送离，自己则周旋于朝堂。未料凌越竟是庆国流亡皇子，逆袭登基后以和亲为名寻回沈清鸢，却因偏执将其软禁。沈清鸢逃至青竹镇，凌越最终弃帝位追来，两人解开误会相守。凌越的隐忍深情与沈清鸢的肆意张扬相互救赎，演绎了一段跨越身份与家国的旷世情缘。

人有三魂七魄，而殷问酒只有一魂一魄，但她只活眼前的快乐，算最准的卦，收最高的价，不费力求生，也不主动寻死，闲散王爷周献跟随挚友楼还明来到云梦泽求药，殷问酒被迫出山，同时自身也被怨气所困，殷问酒却发现周献身上的天子之气可以帮助自己镇压怨气，两人的命运也就联系在一起。

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.