该片讲述了从1933年以来3000多名祖国同胞国际同胞惨遭迫害的故事。

影片以侵华日军731部队在中国东北进行的细菌实验为背景，通过一个小人物的曲折命运，揭露731部队的罪行。

In this supernatural mystery, The Grudge meets Saw, an amnesiac girl wakes up in what appears to be an abandoned jail, where she is haunted by spirits who want to torture her.

In this supernatural mystery, The Grudge meets Saw, an amnesiac girl wakes up in what appears to be an abandoned jail, where she is haunted by spirits who want to torture her.

Nearly dead from starvation, a couple debate their last resort for survival after being locked in a bomb shelter.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

新疆乌恰县医院院长吴登云，是从南方城市扬州来支援边疆的，他带着妻子女儿在乌恰扎下了根。 吴院长长年累月地巡回医疗，很少同妻子女儿团聚。妻子阿芬强忍着孤寂和思乡之情。一年的大年除夕，阿芬想给女儿燕子买一件新衣服，没想到，她辛辛苦苦积攒的钱都不见了，原来是吴登云拿去帮助了无钱买药的病人。吴院长经常这样做，使得家中生活十分窘迫。 一个生命垂危的烧伤儿童，需要植皮。在没有麻药的情况下，吴登云强忍巨大的疼痛割下自己的皮植给儿童。吴登云还经常把自己的鲜血输给病人，他心中只有病人，完全没有自己。 女儿燕子长大了，想离开乌恰去与男朋友团聚。可乌恰特别需要她这样的医务骨干，一面是女儿的幸福，一面是缺医少药的穷苦牧民，吴登云狠心要女儿留下来。 离开家乡二十多年，吴登云第一次回扬州看望病重的父亲。父亲恳求他留下，可他坚决地还要回边疆，父亲明白这次与儿子是永诀了，伤心地呜咽着。 矿工艾力江曾受到过吴登云五天五夜不合眼地抢救，病好后他带着未婚妻前来看望吴院长，深情地呼唤着他“爸爸”。 　　(以下为人物真实资料)吴登云，一个江南普通农民的儿子，二十世纪六十年代毕业于扬州医学专科学校。1963年，他从瘦西湖畔来到了被称为“万山之祖”的新疆帕米尔高原，将自己的青春投身于边疆的医疗事业，在乌恰一干就是37年。在这37年中，他用自己的身心和血肉挽救了一批批生命垂危的病人，培养出一批批土生土长的柯尔克孜族医生，创建了一座园林式医院。他可歌可泣的人生历程，赢得了边疆人民由衷的爱戴和赞誉。吴登云忠实履行了人民医生救死扶伤的崇高职责，他为边疆人民的健康，为边疆的改革与发展做出了巨大的贡献，他是人民心中的白衣圣人。

阿妹注定要肩負起成為世界「守護者」的使命，必須對抗各種妖魔鬼怪，以維持魔法與人類之間的平衡。

20世纪30年代，日本军国主义者在中国制造了“九·一八”事变和伪满州国之后，不久在东北哈尔滨平房地区创立了代号为“731”的细菌部队，也称“石井部队”——这实际是一座庞大的细菌武器制造工厂，为了研制和生产细菌武器，他们逮捕了数以千万计的中国人、苏联人、蒙古人和朝鲜人，其中有许多妇女和儿童。这种被他们被之为“马鲁大”而进行鼠疫、伤寒、痢疾、性病、炭疽等多项菌种的活体实验和活体解剖。并辅以毒气、冷冻、电击、干燥、饥饿等手段，致使无数生灵惨遭杀害……本片是大陆首部反映 日本731部队在中国用活人做实验的罪恶行径的连续剧，一共10集，由 中国电视剧制作中心制作，并在 中央电视台播出过，在我儿时的记忆中稍微有点恐怖的印象，而如今重看本片，其恐怖血腥场面依然震撼，据说当年还吓死过小孩。自1988年香港首部合拍的影片《 黑太阳731》问世以来，既迎合了许多观众感官刺激的需求，又可以用做 爱国主义教育，再者国内没有电影分级制度，当时又是思想政治极为开放时期，于是众多跟风之作的731题材影视作品如雨后春笋般地涌现出来，本剧可以说是《黑太阳731》的电视版，血腥的活人实验场面比比皆是，在活人实验中出现露点镜头在所难免。本片的露点镜头来自本剧第二集的男女“马鲁大”实验，日军把细菌实验的受害者称作“受实验的材料”，日文读作“马鲁大”，意为“剥了皮的原木” ，这中间既有中国的抗日志士和爱国者，也有苏联的红军官兵、情报人员和俄家属，更多的是普通中国百姓。