女主一脸愁容回到家中，男主关心询问女主，女主伤心回答自己投资的项目失败了，现在欠好多钱，公司资金流周转不开，要破产了，自己现在都不知道怎么办了。男主安慰女主公司不会这么轻易破产的，相信女主一定能度过这次难关，她身边还有自己呢。

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

新疆乌恰县医院院长吴登云，是从南方城市扬州来支援边疆的，他带着妻子女儿在乌恰扎下了根。 吴院长长年累月地巡回医疗，很少同妻子女儿团聚。妻子阿芬强忍着孤寂和思乡之情。一年的大年除夕，阿芬想给女儿燕子买一件新衣服，没想到，她辛辛苦苦积攒的钱都不见了，原来是吴登云拿去帮助了无钱买药的病人。吴院长经常这样做，使得家中生活十分窘迫。 一个生命垂危的烧伤儿童，需要植皮。在没有麻药的情况下，吴登云强忍巨大的疼痛割下自己的皮植给儿童。吴登云还经常把自己的鲜血输给病人，他心中只有病人，完全没有自己。 女儿燕子长大了，想离开乌恰去与男朋友团聚。可乌恰特别需要她这样的医务骨干，一面是女儿的幸福，一面是缺医少药的穷苦牧民，吴登云狠心要女儿留下来。 离开家乡二十多年，吴登云第一次回扬州看望病重的父亲。父亲恳求他留下，可他坚决地还要回边疆，父亲明白这次与儿子是永诀了，伤心地呜咽着。 矿工艾力江曾受到过吴登云五天五夜不合眼地抢救，病好后他带着未婚妻前来看望吴院长，深情地呼唤着他“爸爸”。 　　(以下为人物真实资料)吴登云，一个江南普通农民的儿子，二十世纪六十年代毕业于扬州医学专科学校。1963年，他从瘦西湖畔来到了被称为“万山之祖”的新疆帕米尔高原，将自己的青春投身于边疆的医疗事业，在乌恰一干就是37年。在这37年中，他用自己的身心和血肉挽救了一批批生命垂危的病人，培养出一批批土生土长的柯尔克孜族医生，创建了一座园林式医院。他可歌可泣的人生历程，赢得了边疆人民由衷的爱戴和赞誉。吴登云忠实履行了人民医生救死扶伤的崇高职责，他为边疆人民的健康，为边疆的改革与发展做出了巨大的贡献，他是人民心中的白衣圣人。

新疆乌恰县医院院长吴登云，是从南方城市扬州来支援边疆的，他带着妻子女儿在乌恰扎下了根。 吴院长长年累月地巡回医疗，很少同妻子女儿团聚。妻子阿芬强忍着孤寂和思乡之情。一年的大年除夕，阿芬想给女儿燕子买一件新衣服，没想到，她辛辛苦苦积攒的钱都不见了，原来是吴登云拿去帮助了无钱买药的病人。吴院长经常这样做，使得家中生活十分窘迫。 一个生命垂危的烧伤儿童，需要植皮。在没有麻药的情况下，吴登云强忍巨大的疼痛割下自己的皮植给儿童。吴登云还经常把自己的鲜血输给病人，他心中只有病人，完全没有自己。 女儿燕子长大了，想离开乌恰去与男朋友团聚。可乌恰特别需要她这样的医务骨干，一面是女儿的幸福，一面是缺医少药的穷苦牧民，吴登云狠心要女儿留下来。 离开家乡二十多年，吴登云第一次回扬州看望病重的父亲。父亲恳求他留下，可他坚决地还要回边疆，父亲明白这次与儿子是永诀了，伤心地呜咽着。 矿工艾力江曾受到过吴登云五天五夜不合眼地抢救，病好后他带着未婚妻前来看望吴院长，深情地呼唤着他“爸爸”。 　　(以下为人物真实资料)吴登云，一个江南普通农民的儿子，二十世纪六十年代毕业于扬州医学专科学校。1963年，他从瘦西湖畔来到了被称为“万山之祖”的新疆帕米尔高原，将自己的青春投身于边疆的医疗事业，在乌恰一干就是37年。在这37年中，他用自己的身心和血肉挽救了一批批生命垂危的病人，培养出一批批土生土长的柯尔克孜族医生，创建了一座园林式医院。他可歌可泣的人生历程，赢得了边疆人民由衷的爱戴和赞誉。吴登云忠实履行了人民医生救死扶伤的崇高职责，他为边疆人民的健康，为边疆的改革与发展做出了巨大的贡献，他是人民心中的白衣圣人。

大齐二十三年，表面一片祥和的齐国国都，实则暗潮涌动。庶民出身极具厨艺天赋的厨娘苏小仙在一次采集食材途中误入皇家猎场，误打误撞成了三皇子赵寒的救命恩人。赵寒虽侥幸逃得一命，幕后黑手却逃之夭天。为保苏小仙免受牵连，赵寒咐侍卫默言将苏小仙暂时带回王府，以王府特聘娘的身份暂居，待风波平息之后再放她出府。本是一片好心，奈何苏小仙不愿被束缚，一心只想攒够了银子回家乡开食肆圆梦每日都想着如何逃离王府。第十二次逃脱计划失败后，苏小仙必生一计，做了一桌难以下黑暗料理，希望借此让三皇子赵寒主动赶她出府，谁知上了饭桌，却抵御不了桃花酿的诱惑。当夜电闪雷鸣，似乎预示着即将有大事发生，二人酒醉后，赵寒蛊毒发作，突然出现了第二人格——赵燃。自此，苏小仙、赵寒、赵燃之间剪不断理还乱的奇妙情缘就此开始，与此同时，南疆神秘蛊毒背后的真相也慢慢揭开。

双胞胎姐妹圆圆满满中的妹妹在襁褓时不慎遗失，被一个农户捡回家长大取名为二妮，却因为不是亲生的，从小吃不饱穿不暖，还要被家中的姐姐欺负，被村民排挤，只有村中恶名远扬人人闻之色变的木匠赵老头愿意对她施以援手，二妮长大后，她的亲生父亲来到她所在的地方想为她的姐姐圆圆寻找一名玩伴，却凑巧意外关注到二妮....

大齐二十三年，表面一片祥和的齐国国都，实则暗潮涌动。庶民出身极具厨艺天赋的厨娘苏小仙在一次采集食材途中误入皇家猎场，误打误撞成了三皇子赵寒的救命恩人。赵寒虽侥幸逃得一命，幕后黑手却逃之夭天。为保苏小仙免受牵连，赵寒咐侍卫默言将苏小仙暂时带回王府，以王府特聘娘的身份暂居，待风波平息之后再放她出府。本是一片好心，奈何苏小仙不愿被束缚，一心只想攒够了银子回家乡开食肆圆梦每日都想着如何逃离王府。第十二次逃脱计划失败后，苏小仙必生一计，做了一桌难以下黑暗料理，希望借此让三皇子赵寒主动赶她出府，谁知上了饭桌，却抵御不了桃花酿的诱惑。当夜电闪雷鸣，似乎预示着即将有大事发生，二人酒醉后，赵寒蛊毒发作，突然出现了第二人格——赵燃。自此，苏小仙、赵寒、赵燃之间剪不断理还乱的奇妙情缘就此开始，与此同时，南疆神秘蛊毒背后的真相也慢慢揭开。