卡然和基尚是多年的朋友,但他们却朝着完全不同的方向发展卡然是乡下的穷苦机修工,基尚是城里有钱的大老板卡然准备到异地工作,想赚更多钱,他希望基尚能照顾他的女儿,让她住在基尚家里基尚无法拒绝这个老朋友的要求,于是卡然的女儿——苏曼,住进了基尚的家里 基尚的儿子——普瑞姆,和苏曼建立了纯真的友谊.普瑞姆带苏曼参加朋友的聚会.却遭到了恶人的诽谤,并指控苏曼是想嫁给普瑞姆以谋取他家的财产.于是苏曼带着眼泪离开,并开始和普瑞姆保持距离而普瑞姆突然发现自己已经爱上了苏曼,在母亲和朋友的帮助下,普瑞姆赢得了苏曼的心可是后来,基尚听信了奸人的谗言,认为卡然故意将女儿安排在这,想谋夺他的财产他要将苏曼赶走,而卡然正好在这个时候回来了,当他看到老朋友这样污蔑自己后,伤心的带着女儿回到乡下普瑞姆不能忍受这种分离,公然反抗自己的父亲,并离开家,到乡下去找苏曼,希望能够和苏曼结婚,但却遭到了卡然的拒绝…..最终普瑞姆能不能和苏曼在一起呢? 故事又将如何发展 … 　　.

女总裁江予为应对股权之争，与负债的应届毕业生陈辞修签订三月假结婚契约。他扮演丈夫，却凭能力助她化解商业危机，其真诚渐融化她因曾被背叛冰封的心。面对劲敌沈泽的要挟，两人并肩作战，情感升温。协议到期时，陈辞修求婚，以 “终身爱情合约” 替代协议，江予应允。假戏真做，他们终获真爱，驶向真心相守的港湾。

刘德华在片中饰演一名很拚命的香港记者，当他发现自己患上绝症后，不但没有停顿下来，还希望采访到一宗大新闻才灿烂地离开人世。此时，星加坡发生银行职员非法炒买股票导致银行损失上亿的大案，他马上飞往星加坡采访，透过小妓女查绮虹的帮助找到了逃亡中的钟镇涛。两人经历热带森林中的一段奇异旅程，不但变成好友，也发现了名利如浮云的真理。

刘德华在片中饰演一名很拚命的香港记者，当他发现自己患上绝症后，不但没有停顿下来，还希望采访到一宗大新闻才灿烂地离开人世。此时，星加坡发生银行职员非法炒买股票导致银行损失上亿的大案，他马上飞往星加坡采访，透过小妓女查绮虹的帮助找到了逃亡中的钟镇涛。两人经历热带森林中的一段奇异旅程，不但变成好友，也发现了名利如浮云的真理。

日本の片田舎に住むアメリカ人のルーカス。 　　彼は経営難の小さな英会話学校で働きながら、少ない稼ぎの中でも心豊かに暮らしていた。 　　同じ町には、外国人の母親を持つミックスルーツの日本人、ケンが住んでいた。 　　叔父が経営する建設会社で長い間働いていたケンは、自分の生き方やアイデンティティを見出せない日々を送っていた。 　　惹かれ合うように出会った二人は、不器用にぶつかり合いながら互いが抱えている”愛着”を見つめ直していくー。

日本の片田舎に住むアメリカ人のルーカス。 　　彼は経営難の小さな英会話学校で働きながら、少ない稼ぎの中でも心豊かに暮らしていた。 　　同じ町には、外国人の母親を持つミックスルーツの日本人、ケンが住んでいた。 　　叔父が経営する建設会社で長い間働いていたケンは、自分の生き方やアイデンティティを見出せない日々を送っていた。 　　惹かれ合うように出会った二人は、不器用にぶつかり合いながら互いが抱えている”愛着”を見つめ直していくー。

日本の片田舎に住むアメリカ人のルーカス。 　　彼は経営難の小さな英会話学校で働きながら、少ない稼ぎの中でも心豊かに暮らしていた。 　　同じ町には、外国人の母親を持つミックスルーツの日本人、ケンが住んでいた。 　　叔父が経営する建設会社で長い間働いていたケンは、自分の生き方やアイデンティティを見出せない日々を送っていた。 　　惹かれ合うように出会った二人は、不器用にぶつかり合いながら互いが抱えている”愛着”を見つめ直していくー。

Now 15 years old, Luci grew up alone with her slutty mother in a poor district of London. After her mother's suicide, Robert, her mother's former high-school boyfriend, brings Luci to his home where she meets his rich wife Aimee and their teenage son. However, Robert is not the boy's biological father. Luci makes Robert think that he's guilty of her mother's death, because he left her after he finished university. Nevertheless, she wants to stay with his family in their beautiful home. It seems to them that she wants revenge. The whole family is confused by her strange behavior toward each of them, which is interpreted as sexual advances...

Now 15 years old, Luci grew up alone with her slutty mother in a poor district of London. After her mother's suicide, Robert, her mother's former high-school boyfriend, brings Luci to his home where she meets his rich wife Aimee and their teenage son. However, Robert is not the boy's biological father. Luci makes Robert think that he's guilty of her mother's death, because he left her after he finished university. Nevertheless, she wants to stay with his family in their beautiful home. It seems to them that she wants revenge. The whole family is confused by her strange behavior toward each of them, which is interpreted as sexual advances...

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.