乔尔（托马斯·南吉乔尔 Thomas N'Gijol 饰）和瑞吉斯（法布里斯·厄部埃 Fabrice Eboué 饰）是同父异母的兄弟。乔尔是一个地地道道的黑人，他痛恨自己的血统和外貌，将自己人生的全部失败都归结于种族歧视之中。瑞吉斯虽然没有乔尔这么“黑”，但他同样不愿意承认自己拥有一半的黑人血统，兄弟两人之间的关系也十分的糟糕。 　　某日，传来了两人父亲去世的消息，父亲留下了一笔遗产，为了争夺这份遗产，兄弟两人之间发生了激烈的冲突，并且惹出了非常多的麻烦。这一切都被一位神秘的老妇人看在眼底，为了给兄弟两人一个教训，老妇人将他们传送回了奴隶年代，两兄弟成为了奴隶市场里挂牌出售的“商品”。

Co-directed by Godard with the Dziga Vertov group in 1969, 'Pravda's a direct attack to revisionism and socialist imperialism. With his usual collage of images taken from real life, the film's structured as a letter which a man writes to a woman called Rosa.

Co-directed by Godard with the Dziga Vertov group in 1969, 'Pravda's a direct attack to revisionism and socialist imperialism. With his usual collage of images taken from real life, the film's structured as a letter which a man writes to a woman called Rosa.

The Omen and "The Exorcist" were fun, ... but are you ready for the real thing? 　　THE WORLD'S GREATEST MASTERS OF THE OCCULT DEMONSTRATE THEIR SUPERPOWERS IN A MIND SHATTERING DISPLAY OF PSYCHIC PHENOMENA AND THE SUPERNATURAL. This film documents all forms of occult phenomena, faith healing and exorcism. The film enters the no-mans land of the psychic. It makes a fresh attempt to explain the unexplained and searches for new connections between life and time, death and eternity, which will make the unthinkable possible, and the incredible credible.

The Omen and "The Exorcist" were fun, ... but are you ready for the real thing? 　　THE WORLD'S GREATEST MASTERS OF THE OCCULT DEMONSTRATE THEIR SUPERPOWERS IN A MIND SHATTERING DISPLAY OF PSYCHIC PHENOMENA AND THE SUPERNATURAL. This film documents all forms of occult phenomena, faith healing and exorcism. The film enters the no-mans land of the psychic. It makes a fresh attempt to explain the unexplained and searches for new connections between life and time, death and eternity, which will make the unthinkable possible, and the incredible credible.

我得了怪病，只能说真话，任何谎话都像被无形的手扼住喉咙，一个字也吐不出。起初倒也无妨，日常琐事无需遮掩。直到那天数学课，老师让我照着课本念函数定义，我张了张嘴，喉咙却像被堵住般发不出声。全班寂静中，我冷汗直流 —— 原来这所谓的 “定义”，竟不是真话。这病的可怕，从不是无法说谎，而是它会戳破世界的假象。

我得了怪病，只能说真话，任何谎话都像被无形的手扼住喉咙，一个字也吐不出。起初倒也无妨，日常琐事无需遮掩。直到那天数学课，老师让我照着课本念函数定义，我张了张嘴，喉咙却像被堵住般发不出声。全班寂静中，我冷汗直流 —— 原来这所谓的 “定义”，竟不是真话。这病的可怕，从不是无法说谎，而是它会戳破世界的假象。

最终版的纪录片《致真理》分为两个部分，第一部分为黄素雅导演执导的短片《4：Clean Island》—当初雪莉原本会拍摄来自五位导演的短片作品，她却在第二部的拍摄期间离世，因此这部《4：Clean Island》成了最初筹备的五部短片作品中唯一的完成品；第二部分名为《致真理》，是一部以雪莉的深度专访展开的纪录片。观众将时隔四年，听到25岁的雪莉在最后的日子里坦诚分享内心感受。纪录片名亦是取自雪莉的本名「崔真理」——而她内心最迫切希望的，正是大众尊重并喜欢她真实的样子。

最终版的纪录片《致真理》分为两个部分，第一部分为黄素雅导演执导的短片《4：Clean Island》—当初雪莉原本会拍摄来自五位导演的短片作品，她却在第二部的拍摄期间离世，因此这部《4：Clean Island》成了最初筹备的五部短片作品中唯一的完成品；第二部分名为《致真理》，是一部以雪莉的深度专访展开的纪录片。观众将时隔四年，听到25岁的雪莉在最后的日子里坦诚分享内心感受。纪录片名亦是取自雪莉的本名「崔真理」——而她内心最迫切希望的，正是大众尊重并喜欢她真实的样子。