Co-directed by Godard with the Dziga Vertov group in 1969, 'Pravda's a direct attack to revisionism and socialist imperialism. With his usual collage of images taken from real life, the film's structured as a letter which a man writes to a woman called Rosa.

上海电影制片厂影视部与中央电视台影视部联合录制的三集电视剧《离婚前后》，讲述了女主人公玉兔出于崇高目的而主动结束了她与陈阳的婚姻，并通过离婚而完成了爱情的升华。（孟繁树，《离婚前后》与现代精神文明，《中国电视》1993年 第2期） 　　《离婚前后》获第三届全国电影厂“荧屏奖”三等奖、最佳导演奖。

Jukti, Takko Aar Gappo " was the legendary Ritwik Ghatak's last film, starring the writer/director himself as a learned man whose wife leaves him because of his insufferable alcoholism. Forced from his home, he wanders through the countryside and meets unusual folks along the way. The film, adventurous and revolutionary, is a exceptional mix of images that challenge the limits of narrative storytelling. Made two years before the director´s death, the film is also a personal and desparate last attempt to confront the separation of his beloved home country.

文森特·卡索、勒达·卡代布加盟全新喜剧新片[标准以外](Hors norme，暂译)，该片由奥利维埃·纳卡什、埃里克·托莱达诺执导，该片也是两人合作执导的第…

An off-duty New York City Police Detective gets caught in an inner-city brawl between undercover cops convinced that he is a local street thug. The melee ends in a tragic death followed by an uproar within gangs and cops in neighboring communities and across the city.

一个曾经留学在外的年轻女子，刚刚回到她离开多年的城市，与父母正经历着重新认识彼此的阶段。与此同时，她与陌生人之间的偶然交谈也在不可预见地发生着。在如此的不确定中，一种关联独立个体之间的相处温度，正从她的生活缩影中浮现出来。 　　The storyis a gathering of casual events which happened to a younglady, who has a study abroad background and just returned to her parents after years. These causal events consist of some pieces of her daily life encountering different people and handling herrelationship with the distant parents.Uncertainty grows within their conversations and consequences are always unpredictable.

我得了怪病，只能说真话，任何谎话都像被无形的手扼住喉咙，一个字也吐不出。起初倒也无妨，日常琐事无需遮掩。直到那天数学课，老师让我照着课本念函数定义，我张了张嘴，喉咙却像被堵住般发不出声。全班寂静中，我冷汗直流 —— 原来这所谓的 “定义”，竟不是真话。这病的可怕，从不是无法说谎，而是它会戳破世界的假象。

我得了怪病，只能说真话，任何谎话都像被无形的手扼住喉咙，一个字也吐不出。起初倒也无妨，日常琐事无需遮掩。直到那天数学课，老师让我照着课本念函数定义，我张了张嘴，喉咙却像被堵住般发不出声。全班寂静中，我冷汗直流 —— 原来这所谓的 “定义”，竟不是真话。这病的可怕，从不是无法说谎，而是它会戳破世界的假象。

最终版的纪录片《致真理》分为两个部分，第一部分为黄素雅导演执导的短片《4：Clean Island》—当初雪莉原本会拍摄来自五位导演的短片作品，她却在第二部的拍摄期间离世，因此这部《4：Clean Island》成了最初筹备的五部短片作品中唯一的完成品；第二部分名为《致真理》，是一部以雪莉的深度专访展开的纪录片。观众将时隔四年，听到25岁的雪莉在最后的日子里坦诚分享内心感受。纪录片名亦是取自雪莉的本名「崔真理」——而她内心最迫切希望的，正是大众尊重并喜欢她真实的样子。

最终版的纪录片《致真理》分为两个部分，第一部分为黄素雅导演执导的短片《4：Clean Island》—当初雪莉原本会拍摄来自五位导演的短片作品，她却在第二部的拍摄期间离世，因此这部《4：Clean Island》成了最初筹备的五部短片作品中唯一的完成品；第二部分名为《致真理》，是一部以雪莉的深度专访展开的纪录片。观众将时隔四年，听到25岁的雪莉在最后的日子里坦诚分享内心感受。纪录片名亦是取自雪莉的本名「崔真理」——而她内心最迫切希望的，正是大众尊重并喜欢她真实的样子。