The story starts at the point in Benito Mussolini's life when, at the age of nineteen, he gave up being a schoolmaster, left his home town of Forli and, as a guest worker on a building-site in Lausanne, Switzerland, underwent his own personal experience of the darker sides of the capitalist system. The speed with which the rhetorically gifted demagogue manages to assemble whole crowds of friends and followers around him - including above all his "protectress", the enigmatic Russian woman Angelika - is reflected in the speed at which he succeeds in attracting enemies from church and state. His love for the beautiful Eleonora, the daughter of a middle-class family, studying medicine at the University of Geneva - a city where Mussolini himself has been carrying stone around as an unskilled worker - even convinces him to take up studying. When a fatal accident occurs on the building-site - a worker plunges to his death from a badly-secured section of scaffolding - the young student Mussolini calls for a general strike. Arrest and expulsion are the consequences of this first piece of agitation, and it is only the intervention of his influential friend Angelika which saves him from being thrown into jail. But Mussolini is not a man to give up easily. Soon he's successful again, in Trieste, working as editor of the socialist newspaper "L'Avventure del Lavoratore", and a conflict soon arises between himself and the local clergy. This, however, provides the local imperial Austrian authorities with the excuse they need to expel this troublemaker and agitator from the country. Back in his native town of Forlì, Mussolini marries Rachele, his childhood sweetheart. But he's still a long way from settling down into a "bourgeois" lifestyle - he spends far more time with his comrades, and especially the pretty female comrades, than with Rachele and the family. It's not long before Mussolini becomes local chief of the Italian Socialist Party, in which he reveals his secure instinct for power and his talent for intrigue as he plays off various sections of the left against each other. Very soon he's levered his arch-rival Bissolati out of office: in Milan Mussolini becomes editor-in-chief of the country's largest socialist newspaper, "Avanti!". Mussolini exploited the escalation in violence among the country's workers for his own ends. The "reds" - the left-wing Socialists - and the "yellows" - the Republicans - were involved in a bitter war with each other. At the peak of this crisis, however, World War I broke out. While the Italian Nationalists are urging the country to take part in the war, the left wing builds its support on the pacifist strength of the "Socialist International": the workers of Europe must unite against the imperialist warmongers! Now that those in power represent a common enemy, Mussolini - via an adroit move - succeeds in uniting the warring left-wing factions. Although hopes that a united European left will be able to stop the war are soon dashed, Mussolini is now more powerful than ever before. It is at this period of his life that he begins to have growing doubts about neutrality and pacifism being worthy aims for a true revolutionary. Gradually he turns all his allies, even the staunchest ones, into enemies, including his beloved Angelika, by showing a lot of sympathy towards the landowning classes. The last great chapter in the history of Mussolini the socialist is now played out against the backdrop of World War I, and the transformation begins which will eventually lead him to found an entirely different type of socialism altogether - Fascismo. While the pacifists in his party are pressing for neutrality, Mussolini finally allows himself to be "bought" by the Conservative government. The former anti-war campaigner turned opportunist now supports the war. Now he's on his own - and at the turning-point of his political career...

1人到中年的口口卡（作者本人），喜欢说自己喜欢和年轻人在一起，但事实上他才不愿意给年轻人镜头呢，他心里说：再来的时候我拿棍子打你出去，调侃时会说别人的摄像机只是一个玩的东西；更多时候谈及的是自己的回忆，他号召所有人脱下自己的裤子，当然这只是一个嚼头；只有他被激怒了他才会批判别人，不然以和为贵吧还是，他信誓旦旦地说，我年轻的时候也想找老虎打打！！！ 　　an middle aged person(the writer) like to say being with youth. 　　but infact he doesnt want to camera to youth, he thought: I would beat you if you come again. 　　when people's chatting, camera is just a toy for fun, more for record memory, he ask people to take off pains of course just a joke, only he was anger he would criticize others, or being peacefully.he said frankly: I want to beat tiger when I was young. 　　2剧情简介： 有位老师和我说：他喜欢疯狂的纪录片，那么我觉得不错，我来拍你试试。 我把镜头对准了刚刚获奖的几位纪录片导演，我尝试表达相反的意见“你的纪录片不好！”那么他们有什么反应呢？ 纪录片作者总是把镜头对准别人，那么我来试一试把镜头对准他们自己，果然他们不喜欢。 我仿佛看到了我脆弱而又单纯的雄性老年，但愿能以此片随时警醒我自己。 　　導演闡述： 　　A拍摄者只有有被拍摄的经历才能了解摄像机的残酷力量 　　所以对于拍摄者，被拍摄是第一课 　　B幻觉无处不在，藏在各处，艺术就是这种幻觉， 　　当我们明白赞美比批评更容易让孩子进步这个规则时，我们已经变老、我们泛滥地利用这个法则， 　　你藏匿在你的中年朋友中、互相赞美，形成幻觉，不如说你也就此生活在幻觉中颁奖时刻、演讲时刻、掌声、做爱、愤怒、严肃而紧张，批判的不真实、名声、荣誉、财富造成了大量幻觉， 　　我们藏匿在其中，不如说你也就此生活在幻觉中 　　让我带你们去有深度的地方，看看你是否迷失在有幻觉的深度上，还是根本就是肤浅的人。 　　C本片是在拍摄完成后才计划制作的，之前没有任何计划 　　Director’s Statement: 　　1shooters know the cruet strenth of camera, only through being shooted. 　　so to shooters, being shooted is their first lesson. 　　2illusion in every where, art is that kind of illusion. 　　when we understood a principle that praise kids is better than critisize them for improving. we were getting old, we abuse this . 　　you hide in middle age friends, praise to each other and illusion come into being. so why should say we are living in illusion. 　　illusion of time of reward, time of speech, applaud, having sex, anger, tension, untrue criticize, fame, honor, fortune,we are in it, why cant say you are in it too.let me take you to a place, to see whether you lose your illusion or not, or you are just boring person 　　3no scripture before shooting.

一对夫妇过着平凡又重复的生活，直到他们遇见一对新鲜潮人。生活是变得丰富，还是终归各活各的。

一对夫妇过着平凡又重复的生活，直到他们遇见一对新鲜潮人。生活是变得丰富，还是终归各活各的。

Basically the show is a light-hearted comedy about a group of friends, who we can assume are 16-18 year old or so. They enjoy drinking, sex and seem to always have some sort of difficult relationship-wise. It is very similar to 'Two Pints' but just with a slightly younger cast. A pretty good pilot show from BBC Three! I would love this to become an actual series, as I thought (despite some cringeworthy acting) it was overall very well done. Perhaps Danni is a little too typecast - it was incredibly strange seeing her playing a drinking, oral-sex giving teenager, but still.. you live and learn, especially when you've grown up seeing her as Tracy Beaker. 　　Overall, 9 out of 10 as maybe the acting could have slight brush-ups, but bar that, very funny and very good.

宁如月的童年不幸，父母早逝，与曹珂家有关。她在曹家受尽欺凌，长大后嫁给了谢帆。然而，她却爱上了村里唯一的高中生蒋高，被他的甜言蜜语所迷惑，做出了抛弃家庭的错误决定。 她看清了蒋高的真面目，身患重病，渴望找回曾经的儿女，却遭到了拒绝。她深感后悔，重生回到了1994年私奔的那一夜，决定重新来过。 这一次，她决心不再被爱情冲昏头脑，要养好孩子，努力致富，走向人生巅峰。她开始努力工作，用自己的双手创造财富，同时也不忘照顾好自己的孩子。 经过多年的努力，宁如月终于实现了自己的梦想，成为了一个成功的女性。她不仅拥有了财富和地位，更重要的是，她得到了孩子们的爱戴和社会的尊重。

渋沢栄一の生涯を描いた城山三郎の同名小説から、青年時代を中心に脚色した長編。武州血洗島（現在の玉県深谷）の農家のひとり息子に生まれた渋沢が尊王攘夷、討幕思想をもて行動する姿の中に、したたかな農民気質を描いている。ドラマは討幕を志した栄一が奇縁から最後の将軍慶喜に仕え、さらに明治政府にとりたてられるまでを描くが、とくに前半は栄一の行動を追うのに急で、人間栄一像が薄くなたのが惜しまれる

Ercan Kesal's debut feature, a one-day tragicomic story of doctor Kemal, who wants to become a candidate for Istanbul's Beyoglu district mayor. He is trying every way to become a candidate. Unexpected events will occur that night.

中国有一句古话：“执子之手，与子偕老”。 　　树锋和味芳，这是一对生活在上海的耄耋老人，是导演赵青和制片人冯都的叔公和叔婆。他们年轻的时候就相识，因为树锋的上一段婚姻，味芳在不经意间等了他十几年，人到中年两人才在一起。当他们携手走到了生命的最后一段岁月，味芳却患上了阿尔茨海默症。 　　树锋和味芳都出生在上世纪20年代，树锋从小深受儒家文化的影响，讲究“仁、义、礼、智”。在树锋的记忆中，最美好的时光是童年和青少年时期：同堂生活、吟诗颂词、研习书法……之后的命运却是他无法主宰：政治运动、工作调动、丧妻别女……直到1970年，他和味芳走到一起。 　　将近半个世纪的相伴相守，对树锋和味芳来说，爱是记忆，爱是缘分，但爱也意味着良心、道义和责任。在他们心里，无论对方年轻还是年老，明白亦或糊涂，都不可能磨砺掉内心深处的那份爱，因为爱已经变得淡然纯粹、深入骨髓。 　　如今没有子女在身边照应的他们，必须独自面对生活中所有的事情。而在经历了一生的波澜之后，树锋和味芳他们那种平静、乐观却又不乏尊严的生活态度，深深地感染着我们。 　　这是一个关于记忆，关于爱，关于尊严的故事。于是在2012年，我们姐妹俩开始拍摄记录这段叔公叔婆的旅程，希望能为他们、为我的家族，为更多的人留存下这段不该被遗忘的时光。影片的拍摄从2012年一直持续到了2014年。味芳的病情越来越严重，她逐渐变得生活不能自理，不记得说过的话，做过的事，不认识周围所有的亲戚朋友，只认识她的老伴儿树锋，信任他，依赖他，爱恋他！ 　　对年近九旬的树锋来说，面对生老病死，面对自己爱人，他必须要做出抉择：将味芳一个人送进阿尔茨海默病的专门护理机构，他于心不忍；两个人一起住进养老院，就意味着要放弃还算是自得其乐的生活；继续独自在家照料味芳，他已深感力不从心。这种选择令树锋几度辗转……万一他生病了，味芳该怎么办？万一他先走了，味芳又该如何生活下去？两位老人的生活状态在这两年多的时间里发生了很大的变化，他们是否依然能有尊严的走到最后？ 　　中国目前患有阿尔茨海默症的人数达到了900多万，位列世界第一。人们对阿尔茨海默症的认识不够，医疗保障和社会福利资源短缺，专业的护理机构和护理人员严重缺乏，使得患病老人和他们家属的生活质量受到了很大的影响。另一方面，中国的独生子女政策和大规模的人口迁移，也使得社会、家庭对留守老人的关爱严重缺失……想要在情感上、精神上得到更多的慰藉，成为许多中国老人奢侈的念想！ 　　生命尽头，记忆消逝，但树锋和味芳他们依然有享受生活，精彩人生的权力。总有一天，我们也会老去......希望通过这部影片的传递，能有更多的人和我们一起努力，让老人们能够拥有一个真正快乐而有尊严的晚年！