因身份差距过大，而不被祁家赞成的祁砚和许星漾，曾想过坚定不移的在一起。可惜一场意外打破了原有的一切，许星漾为救祁砚和母亲的性命，忍痛拿钱离开，不惜被祁砚误会成在自己生命垂危之际抛弃自己的负心女。五年后，许星漾将祁砚藏于心里，专心工作，独自抚养一双儿女长大，生活平静如水，按部就班，却没想到有一天会再次见到朝思暮想的祁砚。

塑造了以石油地质专家洛峰为代表的中国石油工业优秀知识分子的形象，歌颂了在中国石油工业第二次创业中，石油工人对事业无限热爱和无私奉献。

电影《深深眷恋》以右玉县原威远公社威远大队党支部书记毛永宽等一批基层干部为创作原型，讲述了一代代右玉基层党员干部带领群众迎难而上、植树造林的感人故事，以全新视角讲述右玉精神，诠释基层干部的责任与担当，使命与价值，使“右玉精神”的内涵更具生活艺术性和情感感染力。

电影《深深眷恋》以右玉县原威远公社威远大队党支部书记毛永宽等一批基层干部为创作原型，讲述了一代代右玉基层党员干部带领群众迎难而上、植树造林的感人故事，以全新视角讲述右玉精神，诠释基层干部的责任与担当，使命与价值，使“右玉精神”的内涵更具生活艺术性和情感感染力。

别人都说陆烬强取豪夺，为爱做三，可是谁都不知道， 他为了回到时妤身边，在暗无天日的世界里独行了十五年。哪有什么后来者居上，都是因为他又争又抢

别人都说陆烬强取豪夺，为爱做三，可是谁都不知道， 他为了回到时妤身边，在暗无天日的世界里独行了十五年。哪有什么后来者居上，都是因为他又争又抢

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.