As part of Harun Farocki's intense exploration of "intelligent" machines, the video shows how military image and control techniques successively seep into everyday life. With its stance between enlightenment and protest, this split-screen work stands for a widespread ambivalence at the end of the 1990s. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-9df12040-61d4-eb46-b7a5-ace30b302161

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

1991年4月1日から1992年3月31日まで放映（全257回）[2]。 　　必殺技博士と研究員がウルトラ戦士の必殺技を抜き出して紹介した。技によっては「必殺度」やスピードなども紹介された[1]。 　　「オネエサン」のミニコーナーもあった[1]。 　　出演者・スタッフ 　　監督：満田かずほ 　　製作担当：円谷昌弘 　　プログラム作成：満田かずほ、円谷昌弘、野路直也、大井智惇、秋廣泰生 　　出演者：毒蝮三太夫、赤木優、三田ゆう子、久川綾

1991年4月1日から1992年3月31日まで放映（全257回）[2]。 　　必殺技博士と研究員がウルトラ戦士の必殺技を抜き出して紹介した。技によっては「必殺度」やスピードなども紹介された[1]。 　　「オネエサン」のミニコーナーもあった[1]。 　　出演者・スタッフ 　　監督：満田かずほ 　　製作担当：円谷昌弘 　　プログラム作成：満田かずほ、円谷昌弘、野路直也、大井智惇、秋廣泰生 　　出演者：毒蝮三太夫、赤木優、三田ゆう子、久川綾

刚毕业的女大学生半月，带着一个直播创业的梦想，租下了一座大房子。房子多年无人居住，落满了灰尘。随着半月的到来，房间的每个角落都似乎隐现出不可告人的秘密。黄昏时分，大房子更显得阴深恐怖，危机四伏。

刚毕业的女大学生半月，带着一个直播创业的梦想，租下了一座大房子。房子多年无人居住，落满了灰尘。随着半月的到来，房间的每个角落都似乎隐现出不可告人的秘密。黄昏时分，大房子更显得阴深恐怖，危机四伏。