The young film student Maria do Mar is working on a documentary about the old manor houses along the Douro River. It is the final project in her thesis on “Reality in Cinema”. Maria has an unlimited confidence in what is visible. Her candour and her naivety allow her to see the bright side of life – such as the beauty of the landscape and the authenticity of the place, or what’s left of it. But when Maria enters the final manor house on her list, she soon realises that something is going on in this house that is not as innocent as it first seemed. The manor is truly a house of horrors.

The young film student Maria do Mar is working on a documentary about the old manor houses along the Douro River. It is the final project in her thesis on “Reality in Cinema”. Maria has an unlimited confidence in what is visible. Her candour and her naivety allow her to see the bright side of life – such as the beauty of the landscape and the authenticity of the place, or what’s left of it. But when Maria enters the final manor house on her list, she soon realises that something is going on in this house that is not as innocent as it first seemed. The manor is truly a house of horrors.

尽管全球通力协作，地球还是不可避免地要与太阳相撞了，英国记者报道这个即将到来的灾难。

自然 – 既赋予我们田园般的美好，同时也让我们深感敬畏。阿彼察邦从自然中汲取灵感，试图将一种私密的亲昵通过他的日常生活或是幻想中不同层次的形象展现出来。在《着火的花园》中，伴随着东南亚丛林的神秘和恍惚，我们看到了熊熊火焰在燃烧。火，在佛教的语境下，是正义、胜利与威严的象征。此件作品曾在日本东京都写真美术馆的个展“暗中亡灵”（2016）中展映过。

影片讲述在柏林内居住的无政府主义者的故事。八十年代全盛时期的柏林仍然是前东德的中心。六个人合住在一起，在八十年代末他们开始各自单独生活。在2000年，柏林作为德国的新首都，一些事情发生了改变，使得他们不得不重新团聚，来面对和处理他们十二年前分开的尴尬……

讲述新中国第一代内燃机车女司机李秀凤的故事，通过她的工作和生活，反映了忠于信念、忠于祖国的主题精神，歌颂了普通人的正直和善良。

威尔逊先生扮演着自己的斯克鲁奇版本。虽然丹尼斯自己与邻里恶霸有问题，但他尽力让威尔逊先生感受到圣诞精神。丹尼斯照常制造麻烦，最终威尔逊先生打破了丹尼斯的精神。圣诞节的天使穿越时空来帮助米切尔家、威尔逊家和其他人拯救圣诞节。

白晓兰为高管老婆，向来飞扬跋扈，在开车上“强行并线”“抢道”“违停消防车道”不但屡教不改，还颇为得意。这天她把孩子丢在家里自己出门逛街，结果孩子熊梓淇偷玩打火机引发火灾。程启强恰好经过，连忙报警，消防车赶来后却发现白晓兰的车违停在消防栓前，白晓婷一边应承一边做美甲，根本不放在心上。在物业威胁要拖车时她才姗姗来迟，不但对众人破口大骂，还因为自己的车被物业划伤而暴跳如雷，再听说着火房间不是自己家后（楼栋号被熊孩子改了），更是逼程启强下跪赔偿，还叫来一众闺蜜，开车豪车把消防通道堵得水泄不通，还把消防车的车胎给扎了，最后她才发现，着火的是她家，死的是她的儿子……