The young film student Maria do Mar is working on a documentary about the old manor houses along the Douro River. It is the final project in her thesis on “Reality in Cinema”. Maria has an unlimited confidence in what is visible. Her candour and her naivety allow her to see the bright side of life – such as the beauty of the landscape and the authenticity of the place, or what’s left of it. But when Maria enters the final manor house on her list, she soon realises that something is going on in this house that is not as innocent as it first seemed. The manor is truly a house of horrors.

The young film student Maria do Mar is working on a documentary about the old manor houses along the Douro River. It is the final project in her thesis on “Reality in Cinema”. Maria has an unlimited confidence in what is visible. Her candour and her naivety allow her to see the bright side of life – such as the beauty of the landscape and the authenticity of the place, or what’s left of it. But when Maria enters the final manor house on her list, she soon realises that something is going on in this house that is not as innocent as it first seemed. The manor is truly a house of horrors.

尽管全球通力协作，地球还是不可避免地要与太阳相撞了，英国记者报道这个即将到来的灾难。

自然 – 既赋予我们田园般的美好，同时也让我们深感敬畏。阿彼察邦从自然中汲取灵感，试图将一种私密的亲昵通过他的日常生活或是幻想中不同层次的形象展现出来。在《着火的花园》中，伴随着东南亚丛林的神秘和恍惚，我们看到了熊熊火焰在燃烧。火，在佛教的语境下，是正义、胜利与威严的象征。此件作品曾在日本东京都写真美术馆的个展“暗中亡灵”（2016）中展映过。

影片讲述在柏林内居住的无政府主义者的故事。八十年代全盛时期的柏林仍然是前东德的中心。六个人合住在一起，在八十年代末他们开始各自单独生活。在2000年，柏林作为德国的新首都，一些事情发生了改变，使得他们不得不重新团聚，来面对和处理他们十二年前分开的尴尬……

讲述新中国第一代内燃机车女司机李秀凤的故事，通过她的工作和生活，反映了忠于信念、忠于祖国的主题精神，歌颂了普通人的正直和善良。

威尔逊先生扮演着自己的斯克鲁奇版本。虽然丹尼斯自己与邻里恶霸有问题，但他尽力让威尔逊先生感受到圣诞精神。丹尼斯照常制造麻烦，最终威尔逊先生打破了丹尼斯的精神。圣诞节的天使穿越时空来帮助米切尔家、威尔逊家和其他人拯救圣诞节。

年逾七旬的退休律师洛伦索总是拒人千里，与子女关系疏离。心脏病发几乎一命呜呼，活下来就得继续孤寡人生。女儿在法庭当翻译，能明白异国语言，却不懂老夫心事。倒是邻居搬来一家四口，让洛伦索暂借天伦之乐。只是邻居表面平静，内里却有难解的阴影。风暴过后，他再无法不面对逃避已久的亲情往事。

年逾七旬的退休律师洛伦索总是拒人千里，与子女关系疏离。心脏病发几乎一命呜呼，活下来就得继续孤寡人生。女儿在法庭当翻译，能明白异国语言，却不懂老夫心事。倒是邻居搬来一家四口，让洛伦索暂借天伦之乐。只是邻居表面平静，内里却有难解的阴影。风暴过后，他再无法不面对逃避已久的亲情往事。