讲述了留守儿童小云洁（外号矮婆），在山村里与奶奶及两个同父异母的妹妹相依为命的故事。在没有青年人的村子里， 12岁的小云洁除了要努力学习外，还负担着繁重的家务，辛苦与快乐交织在这个夏天里。冬天来了，小云洁目睹了即将升学的好友们相继离家出走，南下打工。而奶奶的突然离世，使她还算轻松的童年生活戛然而止。小云洁只能带着两个妹妹，背井离乡去寻找自己在广州打工的父母。而漂泊在外的父母，面临着她所不能想象的生存压力和许多更为严峻的问题……

讲述了留守儿童小云洁（外号矮婆），在山村里与奶奶及两个同父异母的妹妹相依为命的故事。在没有青年人的村子里， 12岁的小云洁除了要努力学习外，还负担…

For some reason, there is very little snow in the winter of 2020 on the Shiretoko Peninsula, a special place located in the northernmost part of Japan where rare wild animals coexist with humans. The typical drift ice hasn’t appeared yet, either. Although worried, the inhabitants of the village Shari continue their daily affairs: the shepherd bakes buns, a hunter prepares a dinner with venison, a fisherman picks up trash from the sea and another person observes flying squirrels in her garden. 　　In these rural surroundings, director Yoshigai Nao, who is also a dancer and choreographer, introduces a mysterious, fiery-red creature, like a walking scarecrow. This turns her delicate, documentary observations into an idyllic, yet disquieting fairytale. Folklore, arts and crafts, oral history, ecology, and mythology blend elegantly in this visual poem. Inside the gym, schoolchildren fight the red creature with all their might, Sumo-style, while outside the bears skip their wintersleep.

For some reason, there is very little snow in the winter of 2020 on the Shiretoko Peninsula, a special place located in the northernmost part of Japan where rare wild animals coexist with humans. The typical drift ice hasn’t appeared yet, either. Although worried, the inhabitants of the village Shari continue their daily affairs: the shepherd bakes buns, a hunter prepares a dinner with venison, a fisherman picks up trash from the sea and another person observes flying squirrels in her garden. 　　In these rural surroundings, director Yoshigai Nao, who is also a dancer and choreographer, introduces a mysterious, fiery-red creature, like a walking scarecrow. This turns her delicate, documentary observations into an idyllic, yet disquieting fairytale. Folklore, arts and crafts, oral history, ecology, and mythology blend elegantly in this visual poem. Inside the gym, schoolchildren fight the red creature with all their might, Sumo-style, while outside the bears skip their wintersleep.

他是宇宙间公认的最勇悍的警察，他是宇宙匪徒皆闻名丧胆的罪恶煞星，他拥有宇宙最强力的武器，但他只有13寸，他的名字叫标。标被银河警队派往地球平乱，标降落的地面即遇上两族人大火拼，标在激烈战斗中救走处于下风的美女狄美。大毒枭巴斯顿得悉，不相信其手下竟败在只有13寸高的人手上，决意亲自出马领教世上最强的矮仔煞星。

他是宇宙间公认的最勇悍的警察，他是宇宙匪徒皆闻名丧胆的罪恶煞星，他拥有宇宙最强力的武器，但他只有13寸，他的名字叫标。标被银河警队派往地球平乱，标降落的地面即遇上两族人大火拼，标在激烈战斗中救走处于下风的美女狄美。大毒枭巴斯顿得悉，不相信其手下竟败在只有13寸高的人手上，决意亲自出马领教世上最强的矮仔煞星。

“the rain certainly doesn't fall for our convenience,but why did just watching it have such a calming effect on me ?” 　　河濑直美1996年，47mm纪录短片。 　　春夏秋冬，祖母的缓缓四季。

“the rain certainly doesn't fall for our convenience,but why did just watching it have such a calming effect on me ?” 　　河濑直美1996年，47mm纪录短片。 　　春夏秋冬，祖母的缓缓四季。

《纸》——让生命放飞 　　梅丽沙文（节选于《中国银幕》） 　　影片《纸》里充满着纸的身影，老人一生都在做纸扎。拍这些濒临失传的民间工艺，最大的困难就是难找手工艺人。72角是南方民间的一种纸工艺品。现已失传。它是每年深秋农闲时乡下的青壮年放飞的硕大“风筝”。72角的主架用成长适当的竹子做成，糊在上面的纸也是特殊的白棉纸，厚而不重，经得住风吹。而在72角最特别的要算它上面拴挂的前后打通的空葫芦，放飞之后，经风一吹，空葫芦会发出隐隐的哨响。丁建城的外公就是能用这哨声给平静的乡村带来愉快的人，他和72角给幼时的丁建城留下了无限的好奇和幻想。 　　于是72角写进了《纸》，于是丁建城和美术杨丹童从扬州连续骑了18个小时的自行车来到苏北黄桥。他们居然找到了丁建城外公的学徒、一个60开外的健壮老者。解放后再也没有做过72角的老人答应为师傅的孙儿免费制作。 　　到黄桥拍72角是《纸》的最后一组戏，当他们赶到黄桥的农田时，一个3.5米乘3.5米72角出现在眼前。老人为了搓放飞用的棕麻绳双手满是血泡，材料费仅100元的72角已无法用金钱衡量。 　　老人带领着几个青壮男子成功放飞了72角，又听到了那熟悉哨音的丁建城再次体会到“纸”的生命。

某县体委有个姓高的矮个子篮球教练，此人爱球又爱才，为这没少吃苦头。某天，他在集市上发现了一个身高两米的巨人，如获至宝，穷追不舍。妻子尽其所能，热情款待王小山，小伙子一个个地不知吃了几个玉米面窝窝。高教练带着小山四处奔走，拜访了于处长、杜主任、黄工宣。无奈，这么理想的一个中锋苗子，硬是没有单位要。 王小山看到高教练为他日夜辛苦，粮食不够吃还卖了手表，他于心不忍，不辞而别。高教练发现后把他找了回来，并严厉地批评他不热爱体育事业。在高教练的热情培养下，小山投入了刻苦的训练。偶然的机会，高教练结识了一位曾经是贺龙同志部下的老军人。在这位同志的热情支持和帮助下，王小山终于被国家篮球队接收。高教练还向那位老军人要了一大堆国家队用旧了的篮球。最后，他就像完成了一项重大使命一样心满意足地踏上了归程。