An Artist violently grinds stones and uses the sand to create animated drawings. His first picture is the Garden of Eden. Once Eve becomes pregnant, all the tribulations of the real world are unleashed upon her. She follows through dream-like sequences populated with crying birds, brick-wall-faced bureaucrats and pensive philosophers in seemingly petrified poses. Irritated, repressed and allured by each other, the creatures on the screen start living a life of their own. Gradually, a dark climax builds up. Will the Artist himself be able to handle so much emotional intensity?

An Artist violently grinds stones and uses the sand to create animated drawings. His first picture is the Garden of Eden. Once Eve becomes pregnant, all the tribulations of the real world are unleashed upon her. She follows through dream-like sequences populated with crying birds, brick-wall-faced bureaucrats and pensive philosophers in seemingly petrified poses. Irritated, repressed and allured by each other, the creatures on the screen start living a life of their own. Gradually, a dark climax builds up. Will the Artist himself be able to handle so much emotional intensity?

（转自IMDB）A young man, an occasional housekeeper at an abandoned countryside manor, meets an old man sporting strange behavior: He touches his own body with amazement and says that everything in the house looks familiar to him and strange at the same time. What is never openly stated: this man is a former inhabitant of the house who has returned from the dead. He is not able to convey the joy to have his physical sensations regained to the young man, who remains a cynical, world-despising character; he is also not able to talk clearly about the afterlife, an experience that escapes words.

（转自IMDB）A young man, an occasional housekeeper at an abandoned countryside manor, meets an old man sporting strange behavior: He touches his own body with amazement and says that everything in the house looks familiar to him and strange at the same time. What is never openly stated: this man is a former inhabitant of the house who has returned from the dead. He is not able to convey the joy to have his physical sensations regained to the young man, who remains a cynical, world-despising character; he is also not able to talk clearly about the afterlife, an experience that escapes words.

Members of the Grave Diggers Motorcycle Club are being knocked off one by one, and someone needs to find out why! Sandy Harbutt's timeless Australian cult film about a bunch of renegades riding Kawasaki 900s.

铁路工胡有才找到了自己丢失多年的傻儿子石头，在和他的相处中，老胡发现眼前人与记忆中的儿子相去甚远，老胡决定坦然接受，但命运对他的考验似乎还没有停止……

铁路工胡有才找到了自己丢失多年的傻儿子石头，在和他的相处中，老胡发现眼前人与记忆中的儿子相去甚远，老胡决定坦然接受，但命运对他的考验似乎还没有停止……

Members of the Grave Diggers Motorcycle Club are being knocked off one by one, and someone needs to find out why! Sandy Harbutt's timeless Australian cult film about a bunch of renegades riding Kawasaki 900s.

只有8岁智商的30岁年轻人锡邱（金大明）在热情的邻居和朋友们的帮助下在村子里开了一家碾米店。离家出走的少女恩智（全彩恩）在全村的酒宴上被人误会…

片頭曲：我只要一個真實的明天，作詞、作曲：李子恒，主唱：王傑 　　片尾曲：付出，作詞：劉虞瑞，作曲：殷文琦，主唱：郭富城 　　陈美凤在剧中第一次扮老妆，演的是四个女儿（晓梅，兰，竹，菊）的母亲，因丈夫外遇抛弃全家（带走了还幼小的儿子晓龙）而生活变得很艰苦。让我影像最深刻的还是大女儿晓梅（曾华倩饰）和邻居姪子林人杰（林瑞阳饰）的爱情故事。