2014年克里米亚危机中一个关于爱、信仰与忠诚的故事

俄罗斯纪录片。1853年至1856年的战争通常被称为克里米亚战争。 但是克里米亚的战斗只是一场更大战争的一部分。 俄罗斯帝国与大英帝国，法国，土耳其和撒丁岛王国的盟军之间的对抗影响了从波罗的海到太平洋的广袤地区。 事实上，这是一场争夺世界霸权的世界大战。 　　导致十九世纪中叶大国之间对抗的原因是什么？ 俄罗斯帝国最终在世界政治舞台上扮演的角色是如何？这就是“第零次世界大战”所讲述的。

It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do? 　　Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections. 　　While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.

A story of the officers, soldiers and seamen who have not betrayed their oath of loyalty to the people of Ukraine during the takeover of Crimea. This is a film about a military honor, in the midst of undeclared war.

俄罗斯纪录片。1853年至1856年的战争通常被称为克里米亚战争。 但是克里米亚的战斗只是一场更大战争的一部分。 俄罗斯帝国与大英帝国，法国，土耳其和撒丁岛王国的盟军之间的对抗影响了从波罗的海到太平洋的广袤地区。 事实上，这是一场争夺世界霸权的世界大战。 　　导致十九世纪中叶大国之间对抗的原因是什么？ 俄罗斯帝国最终在世界政治舞台上扮演的角色是如何？这就是“第零次世界大战”所讲述的。

It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do? 　　Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections. 　　While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.