抗战末期，三名刘寨村村民为保护西汉三把金错刀钥匙壮烈牺牲。时光飞逝，2018年鹏城县一次考古发掘，出土了王莽宝藏图，国际涉黑集团老大隐狼为争夺开启宝藏的三把钥匙与老董两方接连碰撞，去深圳寻亲的留守儿童大龙、陈宝和小胖三个孩子卷入漩涡，成为隐狼与老董争斗的核心。以刘栋梁、何晓锋为代表的警方开展“猎袭”行动，亲情的碰撞、欲望的交织，在激烈的战斗之后，罪恶被正义猎袭，当一切平息后，一场更大的阴谋却将猎袭而来......

抗战末期，三名刘寨村村民为保护西汉三把金错刀钥匙壮烈牺牲。时光飞逝，2018年鹏城县一次考古发掘，出土了王莽宝藏图，国际涉黑集团老大隐狼为争夺开启…

Though James Williamson had already made at least 122 one-shot films since 1897 (mostly comedies such as Washing the Sweep or actualities like Early Fashions on Brighton Pier, both 1898, Attack on a China Mission - Bluejackets to the Rescue (1900) was a quantum leap forward in style, content, technique and ambition. 　　In The Beginnings of the Cinema in England, historian John Barnes claims it had "the most fully developed narrative of any film made in England up to that time". While most dramatic films of the era consisted of one or two shots and single-figure casts, Williamson's film had four shots (including a reverse angle cut, showing the entrance to the mission from two different perspectives) and at least two dozen performers. 　　It was based on the Boxer Rebellion of the early months of 1900, with the secret 'Boxer' society attempting to expel of foreigners in general and Christian missionaries in particular from their native China. Williamson was following in the footsteps of Georges Méliès, whose eleven-scene dramatised documentary L'Affaire Dreyfus (1899) was very influential on British film-makers, many of whom made similar dramatisations of the events of the ongoing Boer War. But Williamson's film comfortably outstripped them in scale and ambition. 　　Though the Warwick Trading Company had distributed moving images of China that same year, there was no actual footage of the Boxer Rebellion. In order to meet perceived public demand, Williamson made his film in Hove at a derelict house called Ivy Lodge (which would also be the main location for Fire!, 1901). He went to considerable lengths to ensure that his film appeared to be authentic, kitting out the house with a bilingual Anglo-Chinese 'Mission Station' sign and drawing on his background as a chemist in order to fake gunshots and explosions. 　　The full film ran 230 feet, or roughly four minutes at contemporary projection speeds. Just under half of this footage survives, though thankfully it includes material from all four shots. Despite some obvious trims (the initial forcing of the gate is missing, and the wife's appeal on the balcony to the sailors must surely have lasted more than one second), enough remains to give a good account of what the original audience must have seen. 　　The premiere was held on 17 November 1900 at Hove Town Hall, and was such a success that the audience (fruitlessly) demanded a repeat screening there and then.

Though James Williamson had already made at least 122 one-shot films since 1897 (mostly comedies such as Washing the Sweep or actualities like Early Fashions on Brighton Pier, both 1898, Attack on a China Mission - Bluejackets to the Rescue (1900) was a quantum leap forward in style, content, technique and ambition. 　　In The Beginnings of the Cinema in England, historian John Barnes claims it had "the most fully developed narrative of any film made in England up to that time". While most dramatic films of the era consisted of one or two shots and single-figure casts, Williamson's film had four shots (including a reverse angle cut, showing the entrance to the mission from two different perspectives) and at least two dozen performers. 　　It was based on the Boxer Rebellion of the early months of 1900, with the secret 'Boxer' society attempting to expel of foreigners in general and Christian missionaries in particular from their native China. Williamson was following in the footsteps of Georges Méliès, whose eleven-scene dramatised documentary L'Affaire Dreyfus (1899) was very influential on British film-makers, many of whom made similar dramatisations of the events of the ongoing Boer War. But Williamson's film comfortably outstripped them in scale and ambition. 　　Though the Warwick Trading Company had distributed moving images of China that same year, there was no actual footage of the Boxer Rebellion. In order to meet perceived public demand, Williamson made his film in Hove at a derelict house called Ivy Lodge (which would also be the main location for Fire!, 1901). He went to considerable lengths to ensure that his film appeared to be authentic, kitting out the house with a bilingual Anglo-Chinese 'Mission Station' sign and drawing on his background as a chemist in order to fake gunshots and explosions. 　　The full film ran 230 feet, or roughly four minutes at contemporary projection speeds. Just under half of this footage survives, though thankfully it includes material from all four shots. Despite some obvious trims (the initial forcing of the gate is missing, and the wife's appeal on the balcony to the sailors must surely have lasted more than one second), enough remains to give a good account of what the original audience must have seen. 　　The premiere was held on 17 November 1900 at Hove Town Hall, and was such a success that the audience (fruitlessly) demanded a repeat screening there and then.

改编自知乎/盐言故事《以爱为囚》，作者知言。家庭主妇甘雅为了自保，杀了想杀妻骗保的丈夫和情人，警察苏芮接到报案，开启了调查，抽丝剥茧下，苏芮发现了许多不为人知的秘密……

该剧以一位二婚母亲甘雅的视角展开，她因急需为聋哑女儿筹集复聪手术费用，却遭遇了二婚丈夫昭坤的背叛与暴力。昭坤的突然失踪，不仅为剧情蒙上了一层神秘面纱，更将甘雅推向了风口浪尖。她巧妙设计，用一盘“饺子”引公婆报案，这一情节不仅展现了甘雅的智慧与勇气，更预示着剧情将迎来一系列令人意想不到的反转。

故事发生在1930年黑势力横行的上海滩。风流警探田继业无意中介入了一起妓女凶杀案，而犯罪嫌疑人竟是他曾抛弃的初恋女友何如是。在调查过程中，田继…