Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

一个谋杀犯逍遥法外：一位衣冠楚楚的商人囚禁着几名受害者，把他们锁起来，不提供任何食物，并且记录下他们死在自己的排泄物中的过程；同时，在城市的另一端，一位女性在妓院工作。这两条故事线在电影中被一个共同的主题所联系起来：女人们的苦难是男人愉悦的基础。 　　A murderer is at large: a well-dressed businessman who incarcerates his victims, chains and starves them, and documents their death amid their filth with instamatic snaps. Meanwhile, in another part of town, a woman joins a brothel. These two simple strands of plot come together within the film, and are united by a single theme: that women's suffering is basic to man's pleasure.

Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

Shadowed by a strict, military father who inflicts severe methods of punishment as a form of discipline, seventeen year old Ariella commits a grave error that her father isn’t willing to punish her for. Seeking a punishment of her own, Ariella embarks on a dark quest where she will discover a secret to her father’s past that will lead them to confront one another.

临近开学，陶竹与王亦明跑到咖啡馆大蓝象找林南一抄作业，并透露班上要来一位转学生。另一边，童夕在童母的要求下不情愿地收拾行李准备从大诚市转学回西海，同时不忘给偶像漫画大神青禾发私信，要和暗恋的卫泽学长一起去参加签售会。签售会当天，童夕躲过童母到了车站，却偶遇青梅竹马许下“婚约”的林南一，林南一意外受伤，两人都错过了班车。开学日，童夕在路上碰到为救猫受伤的林南一，对他有了些许改观。

临近开学，陶竹与王亦明跑到咖啡馆大蓝象找林南一抄作业，并透露班上要来一位转学生。另一边，童夕在童母的要求下不情愿地收拾行李准备从大诚市转学回西海，同时不忘给偶像漫画大神青禾发私信，要和暗恋的卫泽学长一起去参加签售会。签售会当天，童夕躲过童母到了车站，却偶遇青梅竹马许下“婚约”的林南一，林南一意外受伤，两人都错过了班车。开学日，童夕在路上碰到为救猫受伤的林南一，对他有了些许改观。

临近开学，陶竹与王亦明跑到咖啡馆大蓝象找林南一抄作业，并透露班上要来一位转学生。另一边，童夕在童母的要求下不情愿地收拾行李准备从大诚市转学回西海，同时不忘给偶像漫画大神青禾发私信，要和暗恋的卫泽学长一起去参加签售会。签售会当天，童夕躲过童母到了车站，却偶遇青梅竹马许下“婚约”的林南一，林南一意外受伤，两人都错过了班车。开学日，童夕在路上碰到为救猫受伤的林南一，对他有了些许改观。

道格(大卫·田纳特)与阿比(罗莎曼德·派克)是一对夫妻，他们领着三个孩子到苏格兰高地为道格的父亲戈蒂(比尔康奈利饰演)庆祝生日。然而道格与阿比有一个秘密需要保守，不能让家里的其他人知道，而三个不懂事的孩子成为了他们保守秘密的最大障碍……

道格(大卫·田纳特)与阿比(罗莎曼德·派克)是一对夫妻，他们领着三个孩子到苏格兰高地为道格的父亲戈蒂(比尔康奈利饰演)庆祝生日。然而道格与阿比有一个秘密需要保守，不能让家里的其他人知道，而三个不懂事的孩子成为了他们保守秘密的最大障碍……

这是一场人生菜鸟与人生前辈的真实对话。节目在国务院所属中国老龄协会的指导下，邀请3位长居上海阅历丰富的人生前辈，与N位有独特人生态度的沪漂青年，开启一场为期21天的代际共居体验。通过隔代人的共居，走近并理解对方的世界，交到打破时间的朋友，探索一种未来新的生活方式，创造一个城市中无血缘、有亲情的“家” 。