一个谋杀犯逍遥法外：一位衣冠楚楚的商人囚禁着几名受害者，把他们锁起来，不提供任何食物，并且记录下他们死在自己的排泄物中的过程；同时，在城市的另一端，一位女性在妓院工作。这两条故事线在电影中被一个共同的主题所联系起来：女人们的苦难是男人愉悦的基础。 　　A murderer is at large: a well-dressed businessman who incarcerates his victims, chains and starves them, and documents their death amid their filth with instamatic snaps. Meanwhile, in another part of town, a woman joins a brothel. These two simple strands of plot come together within the film, and are united by a single theme: that women's suffering is basic to man's pleasure.

Shadowed by a strict, military father who inflicts severe methods of punishment as a form of discipline, seventeen year old Ariella commits a grave error that her father isn’t willing to punish her for. Seeking a punishment of her own, Ariella embarks on a dark quest where she will discover a secret to her father’s past that will lead them to confront one another.

Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

故事讲述主人公是在学校没有立足之地，把自己关在家里的中学生·Kokoro，有一天，房间里的镜子突然发光了，Kokoro像被吸入了一样穿过镜子，发现前方有一…

安瓦尔是一位单亲爸爸，为扶养儿子沙哈泽德，他可以倾其所有。 　　若米斯居住在杜尚别，生活十分艰苦，但他是个非常容易相处的人。若米斯发现自己患有心脏病，仅剩下几个月而已。在命运的驱使下，若米斯杀死沙哈泽德。 　　儿子死后，安瓦尔的生活发生了翻天覆地的变化，但人生总是会充满不可思议。安瓦尔很快发现沙哈泽德的心脏被移植给了若米斯，他让自己相信他的儿子的一部分还活着，并且相信儿子可以通过若米斯继续活在世上。若米斯开始不由自主地亲近安瓦尔，不知道是因为心脏的原因还是因为他从小是个孤儿，从未感受过父爱。他逃过了死亡，但是他逃不过因为过去所作所为产生的负罪感。

安瓦尔是一位单亲爸爸，为扶养儿子沙哈泽德，他可以倾其所有。

十年前的一个深夜，两名女高中生为了证实某个传言，站在了学校的大镜子前。传说如果在23点35分站在大镜子前连说五遍“紫色镜子”，就会出现一个烧得面目全非的少女。这两名少女最后一个人被撕去了脸皮，另一个精神失常，没有人知道究竟发生了什么..

北海道を舞台にくり広げられる長編ドラマ。 　　「旅の続きを…」と書かれた1通の手紙に導かれるように大和博士の行方を追うタケル達は、旅を続けるにしたがって忘れかけていた心の鏡を見つける。

曾经是著名演员的冲田龙率领的剧团“有名熟”被许多大型娱乐公司挖脚，目前正处于人员紧缺的窘迫之际。某天，冲田龙在街上偶然遇到一个叫吉村真希（指原莉乃 饰）的少女。吉村真希不经意间展露出的超凡的台词记忆力以及潜力无穷的演技受到了冲田龙的肯定，于是一个把吉村真希培养成名演员、以她为武器与大型娱乐公司对抗的计划由此诞生。