喜欢古董的叶帆带着妹妹小夕来泰国旅游，在恰图恰周末市场淘古董，偶遇一个极美的古镜，妹妹小夕一眼相中，疼爱妹妹的叶帆就把它买了下来送给小夕，小夕爱不释手，经常跑去一个人照镜子。咖啡馆里一个神秘的老人给他俩讲述了一个关于古镜的故事，一个在古镜前梳妆的泰国绝色艺妓曾在镜子前吞枪自杀，死后便永久的附身在古镜上。但叶帆和小夕不以为然，然而他不知道的是这只镜子之所以无人问津，是因为一旦有人买了它，半夜就会有人从镜子里爬出来!

喜欢古董的叶帆带着妹妹小夕来泰国旅游，在恰图恰周末市场淘古董，偶遇一个极美的古镜，妹妹小夕一眼相中，疼爱妹妹的叶帆就把它买了下来送给小夕，小夕爱不释手，经常跑去一个人照镜子。咖啡馆里一个神秘的老人给他俩讲述了一个关于古镜的故事，一个在古镜前梳妆的泰国绝色艺妓曾在镜子前吞枪自杀，死后便永久的附身在古镜上。但叶帆和小夕不以为然，然而他不知道的是这只镜子之所以无人问津，是因为一旦有人买了它，半夜就会有人从镜子里爬出来!

网络自制剧《古镜》由芒果TV投资出品，著名导演蓝志伟执导，郑希怡、应昊茗、张雪迎等主演，是一部惊悚爱情悬疑题材的剧集。该剧围绕记者陆浅浅展开，她为调查一个凄美民间传说前往断龙川古镇，然而在采访期间却接连遭遇一系列诡异事件。

记者陆浅浅来到古镇断龙川，采访调查几十年前当地灵女石瑶的凄美爱情传说展开。在调查过程中陆浅浅发现传说另有惊人版本，而当年知情人却接二连三离奇死亡，她自己也被神秘力量控制 身陷囹圄。所有一切似乎都将幕后黑手指向已被封印多年的石瑶 ……

主人公意外捡到了一把古镜，她发现古镜里另有世界，里面是满地的钻石和一位红衣飘飘的美人。 　　本片为中国传媒大学艺术学部动画与数字艺术学院12级学生毕业作品。

主人公意外捡到了一把古镜，她发现古镜里另有世界，里面是满地的钻石和一位红衣飘飘的美人。 　　本片为中国传媒大学艺术学部动画与数字艺术学院12级学生毕业作品。

摄影师周宇在旧货市场买下一面刻有繁复花纹的民国古镜，从此卷入一系列诡异事件。古镜不仅在午夜显现异象，还关联着民国戏子云姑 “投井自尽” 的旧案。周宇起初不信怨灵传说，却在亲身经历镜面诡异笑容、神秘女声等怪事後，联合民俗科普博主林薇展开调查。两人通过科学仪器检测、检索历史档案、探访旧址等方式，逐步发现云姑并非自尽，而是遭权贵刘德昌迫害，且戏班众人收受贿赂集体沉默。调查过程中，他们收到带血戏票的死亡警告，遭遇怨灵附身、磁场异常等危机，还揭开旧货市场交易是云姑同门后人张浩的刻意安排。最终，众人找到刘德昌的日记、照片等铁证，曝光真相，刘世昌（刘德昌后人）落网，云姑冤屈得雪。

Shadowed by a strict, military father who inflicts severe methods of punishment as a form of discipline, seventeen year old Ariella commits a grave error that her father isn’t willing to punish her for. Seeking a punishment of her own, Ariella embarks on a dark quest where she will discover a secret to her father’s past that will lead them to confront one another.

一个谋杀犯逍遥法外：一位衣冠楚楚的商人囚禁着几名受害者，把他们锁起来，不提供任何食物，并且记录下他们死在自己的排泄物中的过程；同时，在城市的另一端，一位女性在妓院工作。这两条故事线在电影中被一个共同的主题所联系起来：女人们的苦难是男人愉悦的基础。 　　A murderer is at large: a well-dressed businessman who incarcerates his victims, chains and starves them, and documents their death amid their filth with instamatic snaps. Meanwhile, in another part of town, a woman joins a brothel. These two simple strands of plot come together within the film, and are united by a single theme: that women's suffering is basic to man's pleasure.

Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.