在人们对肉食越来越持批判态度的时代，做一名屠夫并不容易。如果你还是一个敏感的音乐爱好者和知识分子，在这个行业里则更加艰难，这就是寡言少语的亚历山大（布尔格哈特·克劳斯纳 饰）的遭遇，他给自己制定了严格的规则，以便让自己的生活有所支撑。有一天，一个女人向他搭讪，她叫格雷塔（卡罗琳·彼得斯 饰）。她是混乱的、邋遢的、狂野的——简直是不可预测的。她对真相也不太在意。两个人再也没有比这更不同了。两个碰撞、相互吸引、相互排斥的粒子，一段细腻的爱情故事开始展开。格雷塔全身心地投入，而亚历山大则保持着克制甚至抵触。他从来没有想过自己会遇到这样的事情……

在人们对肉食越来越持批判态度的时代，做一名屠夫并不容易。如果你还是一个敏感的音乐爱好者和知识分子，在这个行业里则更加艰难，这就是寡言少语的亚历山大（布尔格哈特·克劳斯纳 饰）的遭遇，他给自己制定了严格的规则，以便让自己的生活有所支撑。有一天，一个女人向他搭讪，她叫格雷塔（卡罗琳·彼得斯 饰）。她是混乱的、邋遢的、狂野的——简直是不可预测的。她对真相也不太在意。两个人再也没有比这更不同了。两个碰撞、相互吸引、相互排斥的粒子，一段细腻的爱情故事开始展开。格雷塔全身心地投入，而亚历山大则保持着克制甚至抵触。他从来没有想过自己会遇到这样的事情……

被格式化的未来，我们的未来。未来，世界没有国家。人也无所谓性别、种族，那时只有一种生物——“电脑人”，“电脑人”不是机器人，是被格式化了的“人”。

被格式化的未来，我们的未来。未来，世界没有国家。人也无所谓性别、种族，那时只有一种生物——“电脑人”，“电脑人”不是机器人，是被格式化了的“人”。

一部扭曲的惊悚片，记载了一个天真的律师和其邻居兼同事之间奸诈的关系，以及如何相互竞争以取得领先。

Wax: Or the Discovery of Television Among the Bees is the first independent feature film to have been edited on a digital non-linear system. It is also the first film (independent or otherwise) to have been re-formatted as hypertext and posted on the Internet. The New York Times recognized the accomplishment, and ran the article "Cult Film is First on the Internet" in its May 23, 1993 business section.[1]

Wax: Or the Discovery of Television Among the Bees is the first independent feature film to have been edited on a digital non-linear system. It is also the first film (independent or otherwise) to have been re-formatted as hypertext and posted on the Internet. The New York Times recognized the accomplishment, and ran the article "Cult Film is First on the Internet" in its May 23, 1993 business section.[1]

Whatever this is. follows Sam (Hunter Canning) and Ari (Dylan Marron), two production assistants in New York, and Lisa (Madeline Wise), Sam's girlfriend. 　　Sam and Ari are scraping by working on low or unpaid video production gigs thrown their way by Oscar (Ross Hamman), an existentially grumpy middle-man at a small production company. Making rent is hard enough; they barely have time to sneak toward their personal goals and personal lives in their off-hours. 　　Lisa is a teacher and therefore unemployed for the summer. A chance encounter puts her on the road to a possible summer job, but she's not sure where it could lead - or if she's even qualified. 　　Whatever this is. asks a tough question: how long are you expected to do work that you hate, for pennies, until it becomes something that you love that pays the rent? Is it even possible?

Whatever this is. follows Sam (Hunter Canning) and Ari (Dylan Marron), two production assistants in New York, and Lisa (Madeline Wise), Sam's girlfriend. 　　Sam and Ari are scraping by working on low or unpaid video production gigs thrown their way by Oscar (Ross Hamman), an existentially grumpy middle-man at a small production company. Making rent is hard enough; they barely have time to sneak toward their personal goals and personal lives in their off-hours. 　　Lisa is a teacher and therefore unemployed for the summer. A chance encounter puts her on the road to a possible summer job, but she's not sure where it could lead - or if she's even qualified. 　　Whatever this is. asks a tough question: how long are you expected to do work that you hate, for pennies, until it becomes something that you love that pays the rent? Is it even possible?

Akira's is a musician who's life is falling into a crack of drug addiction after his girlfriend Mari's suicide. Kana always loved Akira and tries to help him overcome Mari's death. Shinya is a friend who seeks the cause of Mari's suicide and ends up in conflict with Akira, who is now violent, unstable, and trying to break everything around him, including himself.