曾经，来自海洋的神秘敌人“塞壬”向人类发起了猛烈的进攻，“碧蓝航线”的少女们凭借着她们钢铁般的意志与敌人奋勇作战，最终击败了对手，守护了人类。然而，随着时间的流逝，碧蓝航线内部因为理念的差异逐渐产生分化，衍生出了名为“赤色中轴”大的对立阵营。 　　被称为“灰色的幽灵”的最强英雄企业（石川由依 配音）、每天都迷迷糊糊但关键时刻意外的顶用的拉菲（长绳麻理亚 配音）、虽然年纪不大但成熟体贴的大黄蜂（山本希望 配音），个性好强但心地善良的哈曼（伊藤明日香 配音），面对动荡的时局，当这些少女们再一次被推上战场，会发生怎样的故事呢？

致碧蓝航线以祝福—— “碧蓝航线”的少女们，击溃了自外界入侵的神秘之敌“塞壬”的强烈攻势。 然而，斗争世世代代都未曾改变。 就如同人类曾经夺取海洋霸权一般，由于理念上的差异“碧蓝航线”与“赤色中轴”成为对立阵营。 之後，时光流逝——

这里是，空中漂浮着众多岛屿的，空之世界。在信奉神秘的赛克汀瑟岛上生活的少年·格兰，以及会说话的羽蜥蜴碧，某天，遇见了迷之美少女——露莉亚。…

为碧蓝的航线献上祝福——「碧蓝航线」的少女们，击退了从世界之外而来的神秘敌人「塞壬」的大攻势。但，战争不管到了何时，都不会有变化。正如…

1997, 75 min., colour, BETACAM SP, Stereo 　　The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) 　　Special thanks to Hiroko Kodjima 　　scenario: A. Sokurov 　　camera: A. Fedorov 　　sound: S. Moshkov 　　editor: L. Semenova 　　“My journey to your sorrowful country cannot finish… even here in Russia. 　　I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… 　　I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. 　　I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. 　　I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… 　　The summer was warm… 　　Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… 　　Then, I remember, I turned back, having heard a creak. 　　It seemed she had not yet noticed me… I decided to come nearer. 　　I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. 　　We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” 　　Alexander Sokurov (from the author's text to the film) 　　A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). 　　Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.

影片讲述的是一个发生在30年代的故事，那时爵士乐正风靡全美；吉普赛人德詹哥雷恩哈特是爵士乐坛的传奇人物，他当时被冠以“世界上最出色的爵士乐与吉它…

《档案》是北京电视台推出的纪实栏目，于2009年2月4日开播。节目定位为演播室节目，由一个特定的，极具个性化的讲述者（主持人）现场讲述和展示为基本形态，节目形式以案件和事件现场实录回放为线索，首次披露国内大案要案、社会传奇、情感故事等；其内涵深外延广。节目贴近百姓生活，紧跟时代脉搏，展现人生百态，透视社会万象。百姓关心、关注的热点是我们节目选题的目光指向；更融合了国外最新传奇探索节目和国内栏目形式，以前所未有的视觉冲击力和“新奇特”角度探索世界，找寻那曾经的真实所在和鲜为人知的事实真相。

《档案》是北京电视台推出的纪实栏目，于2009年2月4日开播。节目定位为演播室节目，由一个特定的，极具个性化的讲述者（主持人）现场讲述和展示为基本形…

购买方除了央视科教频道是面向全国观众的以外，青海、北京、云南、四川、广东、湖南经视、长沙、深圳等十几家电视台均是地面频道，地面频道在引进时以成…